Category Archives: Vancouver

#VIFF2024 | The Glorious 43rd Annual Vancouver International Film Festival

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This past Wednesday, at the opening press conference for the 43rd annual Vancouver International Film Festival held at the VIFF Centre of Seymour Street, VIFF Director of Programming Curtis Woloschuk announced the programme of 150 feature films that will screen in Vancouver for 11 days, commencing on Thursday, September 26th, running through until late evening, Sunday, October 6th.

Today on VanRamblings, a brief introduction to VIFF 2024, where I’ll highlight four films. Each Friday for the next five weeks you’ll find full and in-depth coverage of the Vancouver’s upcoming film festival, must-see films, hidden gems, the films VIFF 2024 shares with the 62nd New York Film Festival — which occurs simultaneously to our homegrown festival each year — and more, much more.

See you back here every Friday.

Special Presentations

Of the Special Presentation films to screen at VIFF 2024, Curtis Woloschuk made special mention of four must-see films, the first two of which are …

Both of the films above are Gala Presentations at VIFF 2024.

Anora  won the Palme D’or (the top prize) at Cannes.

Put simply, Anora is director Sean Baker’s most searing and shattering film yet, with a breakout performance from Mikey Madison. Not to mention, a thoroughly fun and provocative time at the movies.

Director Andrea Arnold’s Bird, according to the VIFF programme guide, follows a street-smart 12-year-old girl named Bailey (played by terrific newcomer Nykiya Adams), who lives in a graffiti-tagged squat near the British seaside with her reckless half-brother Hunter (Jason Buda) and her heavily tattooed man-child father, Bug (a perfectly chaotic Barry Keoghan), who’s rushing into a wedding he can’t afford to a woman he barely knows.

The programme guide goes on to state …

This touching coming-of-age drama from three-time Cannes Jury Prize-winning filmmaker Andrea Arnold (American Honey; Fish Tank) matches seasoned actors Keoghan and Rogowski with an authentic cast of first-time performers. With its inventive editing, killer soundtrack, and top-notch cinematography by Robbie Ryan (Poor Things), the film immerses us in the hidden beauty of North Kent through Bailey’s young eyes. The result is a tender portrait of girlhood on the fringes, with a magical realist twist.

In addition to Anora and Bird, cineastes will want to take in screenings of the other two Special Presentation films of distinction and cinematic craft, including …

  • The Seed of the Sacred Fig, Iranian director Mohammad Rasoulof’s Special Jury and FIPRESCI Prize winner at Cannes, a mesmerizingly gripping parable in which paranoia, misogyny and rage of the Iranian state are mapped seamlessly onto an ordinary family unit;

  • Conclave. Oscar nominees Ralph Fiennes and Stanley Tucci lead a brilliant ensemble cast in All Quiet on the Western Front director Edward Berger’s adaption of  Robert Harris’ high-stakes drama, in which Cardinals gather at the Vatican to elect a new Pope, the film emerging as a psychologically complex morality tale.

Much of the information you’ll require to book your tickets, explore the details of the 150 feature films on offer at VIFF 2024 — not to mention, the various Short Series, expertly crafted again this year by programmer Sandy Gow — and the venues where films will screen may be found at VIFF’s online website, viff.org.

#BCPoli | Falcon | The King is Dead, Long Live the King

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When BC United leader Kevin Falcon announced yesterday afternoon in a joint press conference with BC Conservative leader John Rustad that he would be resigning as leader of his party — while suspending BC United’s campaign for office in the upcoming British Columbia election, leaving John Rustad’s B.C. Conservative party to represent the alleged centre-right in a two-way race with David Eby’s British Columbia New Democratic Party, Kevin Falcon did so with a heavy heart.

Today on VanRamblings, we’ll provide you with the background that led to Kevin Falcon making his decision to step away from British Columbia electoral politics.

Make no mistake, there is no love loss between Kevin Falcon and John Rustad.

Kevin Falcon continues to believe — as he espoused to Global BC’s Keith Baldrey in a breakfast / walk around the Legislature grounds on Tuesday morning — that John Rustad represents an existential threat to the health and well-being of British Columbians, in particular to the interests of families raising children.

Interesting that Kevin Falcon — as VanRamblings has been writing all week — gave as rationale for his resignation, the interests of his two young daughters, and by extension all children across the province.

Focusing on the interests of children was the code Mr. Falcon employed to state that he remains adamantly opposed to the climate denialist, homo-and-transphobic, racist, misogynist,  anti-vaxx, Christian dominionist-wannabe, Trump-like John Rustad-led BC Conservatives.

So, what led Kevin Falcon to make the very difficult decision to leave politics?

Sources tell us, two weeks ago representatives of the development industry in our province met with Mr. Falcon, demanding he resign as BC United party leader, and fold the B.C. United tent in favour of supporting John Rustad’s B.C. Conservative party, a “request” that was anathema to Kevin Falcon.

The development industry was not simply making a suggestion to Kevin Falcon, an idle request he might consider, but a demand, backed up by a threat …

“Either you resign as leader, and fold the B.C. United campaign for office, or we assure you that you will never work again in British Columbia, no one will hire you, you will be unemployable, and unable to provide for your family.”

Representatives of the development industry were not making an idle threat.

Kevin Falcon was given two weeks to make up his mind as to what course of action he would take. In coming to a decision, Mr.Falcon took the interests of his wife, and his two daughters, Josephine and Rose, as his priority and .. resigned.


Dimitri Pantazopoulos, currently employed as B.C. Conservative pollster, and co-campaign manager

Earlier this week, Kevin Falcon met with his longtime friend Dimitri Pantazopoulos, long Stephen Harper’s Conservative party pollster, B.C. Liberal and Vancouver Non-Partisan Association pollster, who is currently employed by the surging B.C. Conservatives as that party’s pollster, and de facto co-campaign manager. As you may recall, it was Mr. Pantazopoulos who in British Columbia’s 2013 provincial election identified the 50 B.C. ridings that the B.C. Liberals could win — this at a time when B.C. Liberal Premier Christy Clark was mired at 26% in the polls, with Adrian Dix soaring at 49% voter approval. Indeed, on May 14, 2013, Christy Clark did, in fact, win the 50 seats Mr. Pantazopoulos had identified.

When Dimitri Pantazopoulos met with Kevin Falcon, Mr. Pantazopoulos told him …

“Kevin, not only will B.C. United be decimated at the polls on the night of October 19th, none of B.C. United’s candidates will win in their ridings, and that includes you. At the moment, Kevin, you are running a distant second to Dallas Brodie, the B.C. Conservative candidate and longtime resident within your Vancouver-Quilchena riding, while you continue to maintain your family home across the inlet in North Vancouver. You’re going to lose, and lose badly, an embarrassing and regrettable loss to be sure, but a most assured loss, and a humiliating end to your once promising political career in British Columbia politics.”

And with that piece of devastating news, Kevin Falcon’s decision was made.

The ironic aspect to the present British Columbia political circumstance, where John Rustad stands on the precipice of victory at the polls on October 19th, is that Mr. Rustad doesn’t even want to be British Columbia’s next Premier.

At 61 years of age, having celebrated his birthday on August 18th, Mr. Rustad believes he’s had his day in the sun — as British Columbia’s once upon a time B.C Liberal government Minister of Aboriginal Relations and Reconciliation, and Minister of Forests, Lands and Natural Resources. Not for this man from the hinterlands, the cut and thrust of electoral politics. Mr. Rustad simply wants to rest.

When John Rustad was unceremoniously dropped from the B.C. Liberal caucus on his birthday in 2022, for his antediluvian stand on LGBTQ issues, his vehement opposition to the SOGI 123 (Sexual Orientation and Gender Identity) programme, his contention that climate change is a hoax, his support of the anti-vaxx movement, and his adherence to any number of QAnon conspiracy theories, including wireless 5G as a root cause of COVID, John Rustad was only too happy to leave what he considered to be a “too progressive” BC United party.

When, some months, later — on Friday, March 31st, 2023 — John Rustad became leader of the B.C. Conservative party, he expected that he’d been heading a conservative party better aligned with his alt-right values, and a provincial political party that in 2024 would likely secure only 1.92% of the vote, as the B.C. Conservatives had in the 2020 British Columbia provincial general election.

Colour John Rustad surprised and disappointed when that presumed outcome of his leadership of the B.C. Conservative party did not come to pass.

So, what does this hill ‘o beans all mean?

Well, there are a couple of issues to consider before we wrap today’s column.

According to an extensive polling of British Columbians from across the province that was conducted last evening, David Eby’s New Democratic Party finds itself in pretty good shape following Kevin Falcon’s resignation as B.C. United leader, with an expected win of 57 seats (a 10-seat majority) in the next (post election) session of the Legislature, to only 36 seats for John Rustad’s B.C. Conservatives.

Given how Kevin Falcon came to define his B.C. United party as a fiscally conservative, yet socially progressive, political party, the thinking among the political cogniscenti is that the remaining adherents of B.C. United just can’t stomach John Rustad’s alt-right B.C. Conservative party and have headed over to the political party, the B.C. New Democrats, that better align with their values.

Next up: you know how we were discussing the power of the development industry to influence the state of politics in British Columbia? Well, listen up, cuz we’ve got a story of wit and (who knows how much) wisdom to tell you.

Turns out that the development industry is pretty darn happy with David Eby’s “we’re gonna build 100,000 units of housing in our next term of government” development ethos. Through Geoff Meggs — former Vision Vancouver City Councillor, former Chief of Staff to Premier John Horgan, and since 2005 the left’s political liaison to the development industry, and at present a senior housing development advisor to Premier David Eby and Minister of Housing Ravi Kahlon — they’ve been only too happy to fund David Eby’s NDP re-election bid.

Who’da thunk, huh?

The development industry does not want John Rustad’s B.C. Conservatives to win — gain 40 seats, sure, but hell’s bells, not win — so that John Rustad, who doesn’t for gawd’s sake even want to be Premier, might be replaced within the next year by someone who would, sure, be conservative, but a more pragmatic and palatable to the general public conservative.

Hell, if the antediluvian John Rustad were to win, the development industry would lose billions of dollars in revenue from the David Eby ‘transit-oriented projects’ that would be sidelined were the B.C. Conservatives to win majority government on Saturday, October 19th.

With an easily manipulated Brad West, Elenore Sturko or that youngster, Gavin Dew, installed as the next B.C. Conservative party leader — following John Rustad’s ouster —  should the development industry tire of David Eby come the next provincial election in 2028, they’d have their favourite ambitious, developer-friendly guy or gal in place to do their bidding.

Everybody wins, except us.

Today, we are 52 days away from knowing the outcome of the 2024 British Columbia provincial election, an election VanRamblings predicts will experience a record low turnout — as happened in the last Ontario election, when a paltry 43% of the population turned out to vote, by orders of magnitude the lowest ever turnout in any provincial election, ever.

What does David Eby’s New Democratic Party have in their favour that might contribute to victory come the evening of Saturday, October 19th? A ground game. There is no political party in Canada, and in B.C. in particular, that has a better, more sophisticated and vibrant Get Out the Vote (GOTV) mechanism.

VanRamblings has worked on dozens of federal and provincial NDP campaigns.

We can tell you that you don’t know the meaning of the word organized until you’ve worked on a B.C. New Democratic Party election campaign.

Not to mention, David Eby’s NDP are, by far, the best funded B.C. political party.

What do the B.C. Conservatives have in their favour?

We’ll get into that next week — when, unlike above, we promise to be kind.

Stories of a Life | Redux | The Ties That Bind Daughters and Fathers

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Fathers and daughters

When Megan Jessica Tomlin was born on a Saturday night, March 26th, 1977, at Burnaby General Hospital at 10:26pm, given that she was a breech birth, the hospital room was filled with a harried collection of nurses and doctors and an anesthesiologist who’d been called to assist with the birth.

As a medicated Cathy lay peacefully, stock still on her white-sheeted hospital bed — given that she was infused with anaesthetic drugs to aid in the birth, to keep her sedated for what turned out to be her second, very difficult birth — upon delivery, a nurse gathered our new daughter, Megan, and brought her over to me, as I stood to Cathy’s left, just behind where her head lay, and handed my hushed newborn daughter into my arms.

For the 10 minutes that followed, a seeming lifetime of remembrance and love, Megan her eyes all blue peered directly into my eyes and deep into my soul, and for those few brief moments I into hers, as my daughter imprinted on me / bonded with me as the father who would become in her early years, and in succeeding years through to her late teens, the single most transformative person in her life, a father she trusted & loved with all her generous heart.

In the weeks that followed Megan’s birth, the wheels began to fall off the bus that was my marriage to Cathy, as Cathy seemed to lose herself, quitting her job at the Ministry of Human Resources office, drinking, staying out all night long, and otherwise engaging in self-destructive behaviour.

Why?

The British Columbia Teachers' Federation logo

Given my position as the British Columbia Teachers’ Federation Learning and Working Conditions Chair for the Interior, and my long years of work previous with the Federation, and the great relationship I’d developed with Linda Shuto — working with her to form the first Status of Women office within an NGO anywhere on the continent — as well as BCTF President Jim McFarlane and, more especially with BCTF Vice-President Don Walmsley, as you might well expect from a Federation comprised of mainly older members, Executive plans were afoot for Federation generational leadership change — and I was targeted as the person who would become a future BCTF President.

Don Walmsley visited Cathy and me multiple times throughout 1977, in our newly acquired Interior home, to advise the both of us that plans were in process to, at the spring BCTF AGM in 1978, run me as a second vice-president of the Federation, with an eye to soon becoming BCTF President.

Here’s how the Federation saw it, Don explaining to the both of us: my organizing bona fides in the Interior had gained provincial attention, Cathy and I were a young couple “from the Interior” (the left of the Federation liked the idea of running candidates from rural areas), Cathy was a professional, was sophisticated and presented well, we had two children — we were, as far as the Federation was concerned, “the perfect couple”.

Here’s what Don Walmsley told Cathy and I …

“Next year, Raymond, we’ll run you for 2nd VP. Cathy, you can run as a Board of Education COPE trustee candidate for Vancouver School Board. Raymond, we’ll find you a job in Vancouver, find you a house, and Cathy we’ll make sure you’re employed, as well, finding you a job in the city similar to what you’re doing up here. Next year (1978), once you’re on the Executive, Raymond, and have moved down to the city, you’ll be closer to the Federation offices.

In 1979, we’ll run you for 1st VP, and depending on how the election goes for President of the Federation, if our candidate loses, we’ll run you for President in 1980. If our candidate wins, and serves a three year term, we’ll run you for President in 1983.”

Sounded good to me — and not so good to Cathy, as elucidated above.

Once Don had left our home, Cathy told me that she had no intention of having the next 20 years of her life being planned by the teachers’ federation, nor was she enamoured of the idea of living in my shadow.

Understandable.

You know how when you’re watching an awards show on TV, and the winner is (almost invariably) a man, the first person he thanks, whom he gushes over, is his wife, saying ardently, “I couldn’t have done it without her — she’s been my rock, and has stood by my side throughout the entire journey that has led to tonight. I will love you for always, my beloved.”

Believe me when I write: Cathy was having none of that arrant palaver.

Two-year-old Jude Nathan Tomlin, baby Megan Jessica, and dad, Raymond, in June 1977
The summer of 1977, when Megan was a few months old, and Jude was two years of age

Long story short, by early 1978, I had been awarded custody of both Jude and Megan, Cathy was off gallivanting around the globe, drinking and carousing with a rock ‘n roll band she’d joined — and I was left to raise our two infant children.

From the outset, Megan was a bright and engaged child, far ahead of her milestone maturational markers — walking at 9 months, speaking at age 1, reading at 18 months — and by the time she was two years of age, as in control of her environment as any 11-year-old child of my acquaintance.

Where Jude — 21 months Megan’s senior — wanted to be out and about all the time, one of the friendliest, most gregarious and social children you’d ever want to meet, Megan was quiet, reserved, pensive and thoughtful, as big a “daddy’s girl” as could possibly be imagined, by my side throughout the day, and separated from me only when she was in daycare, or asleep.

As Cathy and I often remarked to one another as Megan was growing up, “Whose child is this, anyway? Megan certainly can’t be ours — she’s just so much brighter & more capable than either of us, or both of us combined.”

For me, there has never been anyone to whom I have been closer, who has understood me and “had my number”, with whom my relationship has proved more loving & honest than has long been the case with Megan & me.

We acknowledge — as if we have known each other across many lifetimes — that we have found one another on this Earth, in this lifetime, and as I josh Megan by referring to her as her very own diety, in this life the two of us take succour in the knowledge that we love one another, that as we live lives that are separate, Megan now married with children, and me in my west side home spending hours each day writing stories just like this, that as we run across one another from time to time, as we often do in my Kitsilano neighbourhood, that the first words each of us will utter will be, “I love you” — as we set about to continue our day.


The knowing glance tells you everything you need to know about fathers & daughters.

Sunday Music | Elton John | 1970 | Eponymous Album

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Each summer, from the late 1960s through the 1980s, legendary broadcaster Terry David Mulligan traveled to Great Britain, in search of new music, breaking artists, and the “next big thing.”

In 1970, the next big thing was Reginald Kenneth Dwight aka Elton John.


Love Song, side2, track 7, my favourite Tumbleweed Connection song, that got lots of radio play from me

Elton John’s self-titled début constituted his introduction to North American audiences. Tumbleweed Connection was his first British release, and went on to (lesser acclaim than his 1970 album) become his second North American album release.

At the time, Terry was employed by CKVN (that station had been, and would be again, be CFUN, a giant of pop radio in Vancouver).

Arriving back in Vancouver, Terry was excited to spin Elton John’s disc for all the jocks at the station, who — in the main — were as enamoured with the then unknown Elton John, as was the case with a gregariously enthusiastic TDM.

The number one smash hit off the album was Your Song, which became a staple at weddings of the era — including mine to Cathy, on December 19, 1970.

To this day, Elton John’s eponymous début remains my favourite Elton John album, a serious, incredibly well-composed, almost operatic album, much at variance with the more pop-oriented albums and songs Elton John would compose and release — with lyrics by Taupin — over the next 50 years.

“The album which I am quite proud of is the very first one [I did with Elton]. The ‘black album’ was all done in a week. If I could go through that week again, I would just love it to death.”

Gus Dudgeon, Producer

Elton John is a classic, Top 100  album in the pantheon of rock music.

John and lyricist Bernie Taupin’s songwriting had an immediacy ingrained in the music, sharper and more diverse than Tumbleweed Connection, or any music the two released after 1970.

Taupin is all about American mythology and old men’s regrets. Elton likes his harps and harpsichords. Together they gaze beyond England.

Listen to the music. Elton and Taupin clearly have their hearts in the South.

Take Me to the Pilot, a rocking gospel piece where John’s driving piano takes centre-stage over the strings may not make much sense lyrically, but John’s good sense ground its willfully cryptic words with a catchy blues-based melody.

Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster’s grandiose string arrangements.

“It only took the first hearing for me to call Elton’s manager and express my enthusiasm. I heard the potential of what he and Bernie had written. I had already begun to hear what I was going to do with Your Song, for a start. It was the sort of thing that I was dying to have a go at.”

Paul Buckmaster

Buckmaster’s orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy.


First Episode At Hienton, one of my favourite songs on Elton John, one I often sing to. I know that I am still alive and thriving, when  I can hold the extended note (wwwooooommmaaannnn) at 4:13 in.

Instead, they fit the ambitions of John and Taupin, as the instant standard Your Song illustrates.

Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records.

In a rather uneventful period in rock music, John’s music emerged as so staggeringly original that it wasn’t obvious that he was merely operating within a given musical field (such as country or blues or rock) but, like Randy Newman and Laura Nyro among others, creating his own field, borrowing from country, rock, blues, folk and other influences, but mixed in his own way.

Aretha Franklin would hardly have covered Border Song — a great gospel tune with a bombastic arrangement — if she’d sensed an artificiality.

The resulting songs are so varied in texture that his music defied classification.

While his voice, in those days, mostly resembled Jose Feliciano, there were also detectable touches of Leon Russell and Mick Jagger.

Sitting behind his own piano, with Nigel Olsson on drums and Dee Murray on bass, John’s new sound was much earthier than his earlier work, even if there was an essential sweetness to his heavily orchestrated North American début album.

All these years later, in 1970 and fifty-four years on, with Elton John’s arrival on the music scene, the sense existed then that in Reginald Kenneth Dwight here was a legendary artist destined to play a featured role in the history of rock ‘n roll.