Category Archives: Pop Culture

The Road to the Oscars Begins: Film Festivals That Shape the Awards Season

Each September, the road to the Academy Awards begins in earnest.

Before critics’ prizes are handed out, before guilds weigh in, and long before Oscar nominations are announced, four of the world’s most influential film festivals — Telluride, Venice, Toronto and New York — introduce audiences to the films, performances and filmmakers that will dominate awards season.

In a typical year, roughly 80 per cent of eventual Best Picture nominees screen at one or more of these festivals.

The first stop is the 53rd Telluride Film Festival, held high in the San Juan Mountains of Colorado over the Labour Day weekend, from September 4 to 7.

Telluride remains the most mysterious of the major festivals. Organizers refuse to announce the programme in advance, unveiling approximately 40 films only as attendees arrive in the picturesque mountain town.

That secrecy has become part of Telluride’s appeal.

Festival-goers routinely discover surprise screenings of films that go on to become major Oscar contenders. This year’s Guest Director is acclaimed British-American actress and filmmaker Rebecca Hall, who has curated a special programme celebrating overlooked classics and significant works from cinema history.

Alongside anticipated North American premières of prize winners from Cannes and Berlin, cinephiles will once again be searching for the festival’s inevitable “discovery”— the film nobody was expecting that suddenly becomes an awards frontrunner.

Almost simultaneously, attention shifts across the Atlantic to the 83rd Venice International Film Festival, running September 2–12 under the artistic direction of Alberto Barbera.

The world’s oldest film festival remains its most glamorous.

Every year the Lido becomes a showcase where international stars arrive by water taxi against the backdrop of the Venetian lagoon, while photographers line the red carpet awaiting the next iconic image.

Yet beneath the glamour lies one of cinema’s most important launching pads. Recent Golden Lion winners and Venice premières have gone on to claim Best Picture and Best Director Oscars with remarkable regularity.

This year’s Venice Biennale competition is especially rich.

Among the most anticipated films are Martin McDonagh’s 1970s-set black comedy Wild Horse Nine — which, by the way, is the Closing Gala film this year at the 45th annual Vancouver International Film Festival — starring John Malkovich and Sam Rockwell; Florian Zeller’s marital drama Bunker, featuring Penélope Cruz and Javier Bardem; Werner Herzog’s long-awaited, Bucking Fastard, starring sisters Kate and Rooney Mara; Casey Affleck’s directorial effort, Company; Andrea Pallaoro’s The Echo Chamber, with Alicia Vikander and Susan Sarandon; Lance Oppenheim’s Primetime, starring Robert Pattinson; and highly anticipated new works from Lee Chang-dong and Hirokazu Kore-eda.

Venice’s red carpets will be equally crowded with Dakota Johnson, Pamela Anderson, Claire Foy, Orlando Bloom, Paul Dano, Parker Posey, Stephen Graham and Phoebe Bridgers, making her formal acting début in A24’s Primetime.

Noel and Liam Gallagher are also expected to reunite publicly while promoting the Oasis documentary, Don’t Look Back in Anger.

The festival’s combination of artistic prestige and celebrity spectacle makes Venice one of the defining events of the international film calendar.

North America’s largest public film festival follows immediately afterward.

The 51st Toronto International Film Festival (TIFF) runs September 10–20 and remains the industry’s première North American launching pad for prestige cinema.

TIFF opens with Sian Heder’s Being Heumann and closes with Yan Lanouette Turgeon’s Villeneuve: The Rise of a Legend. Unlike Telluride’s exclusivity, Toronto welcomes hundreds of thousands of moviegoers, creating an atmosphere unlike any other festival.

Audience enthusiasm frequently helps propel films into the awards conversation, with the festival’s coveted People’s Choice Award having become one of the strongest predictors of eventual Oscar success.

This year’s lineup includes new films from celebrated auteurs Mike Leigh (Tender Loving Care), Takashi Miike (Bad Lieutenant: Tokyo), Anton Corbijn (A Talent for Murder), Lee Chang-dong (Possible Love), Andrew Haigh (A Long Winter), Jesse Eisenberg (The Debut), James Gray (Paper Tiger), Chris Rock (Misty Green) and Rebel Wilson (Girl Group).

TIFF will also showcase an impressive slate of Canadian productions, continuing its long-standing commitment to homegrown filmmaking, while serving as an international marketplace where distributors search for the season’s breakout hits.

The final major stop on the autumn festival circuit is the 64th New York Film Festival, presented by Film at Lincoln Center from September 25 through October 12.

Unlike Toronto, New York rarely emphasizes world premières. Instead, it curates what its programmers believe represents the very finest cinema of the year, drawing acclaimed selections from Cannes, Berlin, Venice, Telluride and Toronto into one strong Main Slate. For many cinephiles, NYFF offers the year’s most rigorously curated programme.

The festival’s Centerpiece Gala will be the world première of Tony Gilroy’s Behemoth!, starring Pedro Pascal, while Ava DuVernay’s documentary 14th, a follow-up to her Oscar-nominated 13th, will close the festival.

Rumoured selections include new films from Pedro Almodóvar, Ryusuke Hamaguchi, Paweł Pawlikowski, Radu Jude, Takashi Yamazaki and Ira Sachs.

“The festival’s ambition is to reflect the state of cinema in a given year, which often means also reflecting the state of the world,” says New York Film Festival artistic director Dennis Lim. “The most notable thing about the films in the Main Slate is the degree to which they emphasize cinema’s relationship to reality.”

By the time New York concludes in mid-October, the contours of the Oscar race will largely have been established. Critics will have identified the year’s breakthrough performances, studios will begin refining their awards campaigns, and cinephiles will already be debating which films deserve Academy recognition.

For Vancouver audiences, the excitement will not end there.

Many of the year’s most acclaimed festival selections are expected to, and will, screen at the 45th Vancouver International Film Festival, running October 1–11, giving local movie lovers an opportunity to see many of the season’s most celebrated films months before Oscar nominations are announced.

Announced on August 26th at this year’s VIFF Media LaunchVIFF programmers have curated perhaps the strongest array of films at VIFF in many, many years, including the Opening Gala film: Jesse Eisenberg’s The Debut, starring Julianne Moore and Paul Giamatti.

Also débuting: Cannes winners Fjord, La Bola Negra, and audience favourite, Club Kid, and so very much more.

Plus: Minotaur, The Only Living Pickpocket in New York, and Mike Leigh’s final film, Tender Loving Care.

The 45th Vancouver International Film Festival Programme Guide is already online, ready for you to begin purchasing your tickets — or pass — to this year’s festival.

Purchase tickets or a pass to #VIFF 2026 by clicking here.

Each Friday throughout September, VanRamblings will publish a VIFF Insight column in the hopes of preparing you for VIFF 45.

Come October, once the festival is fully underway, VanRamblings will provide coverage each of the two first weekends — given that Monday through Thursday, we’ll be providing in-depth coverage of this year’s Vancouver municipal election —  with VIFF coverage each Friday, Saturday and Sunday in early October, on October 2nd, 3rd, 4th, and 9th, 10th, and the final day of this year’s festival, Thanksgiving Monday, October 11th.

For anyone who loves cinema, September is far more than the beginning of awards season.

September announces the annual celebration of the art of filmmaking itself — the moment when the world’s greatest directors, actors and storytellers unveil the films that will shape conversations for the year ahead.

#VIFF 2026 | October 1st to 11th | Programme Guide | Sizzle Reel | Buy Your Tickets to #VIFF 2026 Now!

Explore the 2026 Vancouver International Film Festival Programme Guide by clicking on the following link …

Vancouver International Film Festival Programme Guide

While you’re on this site, enjoy this year’s #VIFF Sizzle Reel.

Purchase tickets or a pass to #VIFF 2026 by clicking here.

This Friday, VanRamblings will publish a story on the upcoming Telluride, Venice, Toronto and New York Film Festivals, and in each successive Friday in September will publish a VIFF 2026 story, covering facets of this year’s festival.

Come early October, it is our intention to write about the current Vancouver municipal election Monday thru Thursday, and dedicate Fridays, Saturdays and Sundays to coverage of the 45th annual 2026 Vancouver International Film Festival, on October 2nd, 3rd, 4th, and 9th, 10th and 11th.

VanRamblings Returns | The Curse of Politics | This Week’s Episode


Please click on the YouTube link above for the latest edition of the Curse of Politics

After two long and arduous weeks, VanRamblings is back on the Internet.

Today on VanRamblings, we present the latest episode of our favourite podcast, David Herle’s The Curse of Politics, the must-watch and must-listen-to weekly political podcast that is mandatory viewing and listening.

We wrote about The Curse of Politics on June 24th.

You can access that column by clicking on the underlined link in the paragraph above, to read all about the history of the folks who each week make The Curse of Politics the place to be if you give a galldarn about the state of our society, and want the no-holds-barred inside scoop on what’s going on in Ottawa.

We’re going to hold off on writing about politics on VanRamblings until next week.

We have a column already to go, a couple of weeks late in the publishing, all about our friend Bill McCreery — who we visited in Sechelt last week — that will just knock your socks off. Look for that must-read column next Monday, July 27th.

On Thursday, we’ll publish a health update on the founder of this site, that is all kinds of hopeful, I think. That column will not be the detailed column we’ll publish in the future, but will present information that places VanRamblings into context.

We’ll see what Friday brings.

Birthday countdown: only 22 days (actually, three weeks today) til Raymond Tomlin’s birthday. Yes, the annual Fraser Valley tour is in the offing.

Click on the link directly below for the birthday tour itinerary.

The 35th anniversary of Raymond’s Annual Birthday Tour of the Fraser Valley.

#CDNPoli | The Curse of Politics | Chronicling Politics for Canadians


The Curse of Politics podcast, Canada’s pre-eminent must-listen-to political podcast hosted by political strategist and pollster David Herle with panelists Scott Reid, Jordan Leichnitz and Kory Teneycke

The Curse of Politics: Three Backroom Boys and One Backroom Woman Operative, and the Podcast That Has Become Essential Canadian Listening

Launched in August 2021, David Herle’s The Curse of Politics, each and every week for the past five years has provided unfiltered, unmuzzled insider perspectives from four of Canada’s most prominent backroom strategists, pollsters, and operatives, the collective in-depth analysis of the four hosts covering Canadian federal and provincial politics, election polling, and strategic political developments.

When Canadian politics entered the strange, socially distanced world of the COVID-19 pandemic, a curious thing happened. The formal press conferences, scripted talking points, and carefully stage-managed political events that had long dominated public discourse began to feel increasingly inadequate. Canadians wanted something else. They wanted context. They wanted candour. They wanted to know what was really happening behind the curtain.

In August 2021, just as Canada was entering another federal election campaign, that appetite found a home in The Curse of Politics, the political podcast launched by Air Quotes Media and hosted by veteran Liberal strategist David Herle alongside fellow political operatives Scott Reid, Jordan Leichnitz and Kory Teneycke.

What began as a pandemic-era experiment quickly evolved into one of the country’s most influential political podcasts, attracting an audience that includes journalists, politicians, campaign workers, public servants, lobbyists, and politically engaged Canadians from coast to coast — which clearly includes you!

The Curse of Politics podcast’s success rests on a simple premise.

Rather than treating politics as theatre, the hosts discuss it as practitioners. These are not academics or detached commentators. They are campaign veterans who have lived through leadership races, election victories, crushing defeats, cabinet crises, and war-room battles. They know where the bodies are buried because, in some cases, they helped bury them.

At the centre of the panel sits David Herle, the show’s ringmaster and perhaps one of the most influential Liberal strategists of the past generation.

A Saskatchewan native, Mr. Herle cut his political teeth working in the 1980s with future federal Liberal cabinet minister and Saskatchewan Liberal leader Ralph Goodale, before becoming a key adviser to former Prime Minister Paul Martin.

During Mr. Martin’s rise to prominence and political power, David Herle emerged as one of the most respected strategic minds in Liberal politics.

Known for his blunt speaking style and encyclopedic knowledge of political history, Mr. Herle later became a commentator on the CBC and launched the popular Herle Burly interview podcast. Today he remains a partner at Rubicon Strategy, and one of the country’s most sought-after political consultants.

Among Mr. Herle’s many political accomplishments, none may be more impressive than how he transformed Kathleen Wynne from an underdog Premier into the leader of a majority government in Ontario’s 2014 provincial election.

When Ms. Wynne became leader of the Ontario Liberal Party in January 2013, succeeding Dalton McGuinty, the Liberals appeared exhausted after a decade in power. Polls frequently showed the party trailing Tim Hudak’s Progressive Conservatives by double digits, with some surveys placing the Liberals as much as 15 points behind.

David Herle set about to craft a compelling campaign narrative, an engaging and thought provoking message that positioned Ms. Wynne as a  change agent, a progressive reformer with a bold vision for Ontario’s future. Mr. Herle’s strategy focused on defining the election as a choice between investment and austerity.

At the centre of the Liberal platform was an ambitious plan to expand public transit through a dedicated infrastructure fund, financed in part through pension reform and asset sales.

The campaign also emphasized education, public services, retirement security, and economic growth through government investment rather than spending cuts — constituent elements of, perhaps, the most progressive election campaign ever waged in Canada. While critics attacked the proposals developed by Mr. Herle as fiscally irresponsible, he recognized that many Ontarians were weary of austerity politics following the global financial crisis.

Equally important was Kathleen Wynne herself.

David Herle encouraged a campaign that highlighted her authenticity, optimism, and willingness to engage directly with voters. As Ontario’s first female premier and the first openly gay Premier in Canadian history, Ms. Wynne represented a significant break from traditional political leadership. Rather than downplaying those qualities, the campaign embraced them.

By election night, June 12, 2014, the political landscape had been transformed. The Liberals captured a majority government with 58 seats, while Tim Hudak’s Progressive Conservatives fell well short of expectations. The 2014 Ontario election campaign remains one of the most remarkable campaign turnarounds in modern Canadian political history, and a testament to David Herle’s strategic brilliance.

Scott Reid brings a similarly deep Liberal pedigree, though one forged in a somewhat different mould. Reid served as communications director and senior adviser to Paul Martin during the latter’s tenure as Prime Minister. Smart, combative, outspoken and often — with a twinkle in his eye — delightfully profane and contrarian, Mr. Reid possesses a rare ability to dissect political messaging with surgical precision. His sharp wit has made him a favourite among listeners, particularly when discussions drift into campaign strategy, advertising, and voter psychology. While Mr. Herle often plays the role of storyteller, Scott Reid is the analyst, forever searching for the hidden logic — or illogic — behind political decisions.

If David Herle and Scott Reid represent the Liberal tradition, Kory Teneycke embodies modern Conservative politics. Teneycke emerged as one of the most formidable conservative communicators of his generation while serving as Director of Communications to former Prime Minister Stephen Harper.

Later, he became a central architect of Ontario Progressive Conservative leader and Premier Doug Ford’s electoral successes, managing multiple winning campaigns. Mr. Teneycke’s style is unapologetically aggressive, deeply strategic, and occasionally provocative. He has long embraced the notion that politics is a contact sport.

Recently, Mr. Teneckye took a break from The Curse of Politics, moving to British Columbia  to help Caroline Elliott secure the leadership of the Conservative Party of British Columbia. Sadly, despite Mr. Teneycke and his team’s best efforts, Ms. Elliott fell just short, securing 49% of the vote to Kerry-Lynne Findlay’s 51%

One of the most fascinating developments in recent years has been Mr. Teneycke’s willingness to criticize his own side when he believes it is making mistakes.

During the 2025 federal election campaign, he became one of the most prominent Conservative insiders to publicly question the strategy being pursued by federal Conservative leader Pierre Poilievre. As Liberal leader and future Prime Minister Mark Carney gained momentum amid economic uncertainty and growing concerns about relations with the United States, Kory Teneycke argued that the Conservatives were squandering a commanding lead in public opinion polls, describing the campaign’s failures in remarkably blunt terms, warning that it would be remembered as a case study in campaign malpractice.

The criticism generated headlines across the country and underscored one of the podcast’s defining strengths: intellectual honesty. The hosts may have partisan backgrounds, but they are rarely partisan cheerleaders. Their loyalty lies more with effective politics than with any particular party.

Completing the quartet is Jordan Leichnitz, arguably the least publicly known member of the panel but, in many ways, the secret ingredient that gives the show its balance.

Ms. Leichnitz built her career in political strategy and public affairs, working extensively within NDP circles, particularly with the late Jack Layton during his extended term as the federal party lead, prior to his untimely death on August 22. 2011, at the age of 61, just weeks after the 2011 federal election campaign.

While developing a reputation as a sophisticated campaign thinker and communicator, and decidedly less theatrical and histrionic than her colleagues on The Curse of Politics, Ms. Leichnitz often serves as the voice of moderation and practical political judgment. When debates become heated on the podcast —as frequently they do, or at least that was once the case — Ms. Leichnitz is often the one grounding the conversation in electoral realities.

Together, the three male panelists and Ms. Leichnitz have created something unusual in Canadian media.

The chemistry feels less like a panel show than an ongoing conversation among old friends who have spent decades fighting one another on campaign battlefields. They interrupt, tease, challenge, and occasionally exasperate one another. Yet beneath the banter lies a remarkable reservoir of political knowledge.

The Curse of Politics podcast’s influence has grown steadily because it offers something increasingly rare: expertise without excessive self-importance.

Listeners hear discussions about polling, campaign mechanics, advertising strategy, leadership performance, voter behaviour, and media relations from people who have actually done the work. The hosts frequently explain not merely what happened but why political actors behaved as they did.

That insider perspective has made The Curse of Politics required listening for journalists and political staffers. It is not uncommon for themes raised on the podcast to migrate into newspaper columns, television panels, and broader political discussions. In an era dominated by social-media outrage and performative partisanship, The Curse of Politics offers a more substantive, if often profane, alternative.

The title of the podcast itself contains a measure of truth.

Politics is a curse of sorts. It attracts idealists and cynics alike. It promises power while demanding sacrifice. It rewards ambition while punishing miscalculation. Few people understand those contradictions better than Messrs. Herle, Reid and Teneycke, and increasingly the voice of wisdom and ruminative introspection on The Curse of Politics podcast, the estimable Jordan Leichnitz.

Five years after its launch, The Curse of Politics has become far more than a podcast. It is an institution within Canada’s political culture, a place where practitioners gather to explain the game to those watching from the stands. The hosts have disagreed on nearly every major issue of the day, but that disagreement is precisely the point. Democracy is not built upon consensus. It is built upon argument.

Interestingly, some longtime listeners have suggested that the name evolved from the show’s conversational, discursive style before settling on The Curse of Politics, a title that better captured the hosts’ love-hate relationship with political life.

In that sense, the title is both humourous and autobiographical. The hosts understand politics better than most people because they have lived it — and because, despite all its frustrations, they have never really escaped its pull. That enduring attraction, equal parts passion and affliction, is the curse they discuss every week.

The podcast’s official description explains the idea this way:

“Politics. It’s a blessing and a curse. On good days, it’s about your friends in the foxhole with you. On bad ones, it’s the mountain of votes that went the other way. Either way, it pulls you back in, again, and again.”

And every week, around a virtual table crowded with stories, scars, and strategic insight, four veterans of Canada’s political wars remind listeners politics is rarely as simple as it looks — and infinitely more interesting than most people imagine.