VanRamblings Weighs In On Raymond’s Health. Pt. 1

One year ago today I was diagnosed with prostate cancer by my family physician of 42 years, the phenomenally skilled Dr. Brad (“call me Brad”) Fritz, who in 2016 also diagnosed me with my first rare form of terminal cancer, hilar cholangiocarcinoma, more commonly known as Klatskin’s tumour, a type of bile duct cancer.

My latest cancer diagnosis arose from a concerning PSA — prostate-specific antigen — blood test, an early detection of prostate cancer, that would require an MRI, followed by a biopsy of my prostate, to confirm Dr. Fritz’s diagnosis. 

At the time, I was told that there would be a 3 month wait for an MRI (magnetic resonance imaging) test. By month’s end, I was told that the wait for an MRI was one year, and offered the opportunity to have a $2500 MRI at a privately operated clinic, not covered nor funded by the province’s public medicare system.

My annual income is $25,000. I would require more than one MRI. Paying privately for an MRI was simply out of the question.

I thought to myself, as a long time supporter of the NDP, “If David Eby or Adrian Dix were diagnosed with prostate cancer, would they have to wait a year for an MRI?” Not likely,  I thought. Neither did I believe that either of these two gentlemen would avail themselves of a private MRI, given the optics of the situation.

As such, my coverage of last autumn’s provincial election took on a distinctively — and utterly out of character — harsh tone on VanRamblings.

Note should be made that prostate cancer is the most common form of cancer for men, with a five year survival rate of 90% for most forms of prostate cancer, and 37-50% for Stage 4 cancer. I kept thinking to myself, “What if I have Stage 4 cancer —which proved to be the case — if I have to wait a year for an MRI, and longer than that for a prostate biopsy, what are the chances I would even be around for an MRI appointment a year from the date of my original diagnosis?”

I spoke with the constituency staff in David Eby’s officehe’s my MLA, I’ve worked on all of his campaignswho shrugged when I told them of my dilemma, telling me there was nothing they could do for me, I’d just have to wait.

I will note that the response of David’s constituency staff on this occasion was completely out of character for any of his past, or present, constituency staff, a one time aberration for an overworked constituency staff, too often subject to concerning — often fear inducingprotests outside of his constituency office.

My friend Kelly Ryana one-time host of CBC’s As It Happenswas none-too-pleased with the response of David Eby’s constituency staff. Neither was she overly pleased with the level of Dr. Fritz’s advocacywho I believe and know to be the best, most caring, most skilled and most competent doctor in the city, who has always been an advocate of the first order for me, dating back to 1983.

As the weeks went by, Kelly (“Men! They just don’t know how to take care of themselves. They require a strong woman to advocate for them”) insisted I make a follow up appointment with Dr. Fritz, which occurred on December 5th, an appointment to which she accompanied me, none-too-happy about the circumstance, nor Dr. Fritz. I had a PSA test conducted at the LifeLabs clinic across the street from Dr. Fritz’s office, the week before my December 5th appointment.

Sitting in Dr. Fritz’s office, he expressed alarm. The results of my PSA test was off the charts, requiring immediate emergency action on his part. Right then and there, he contacted VGH and attempted to make an emergency MRI appointment for me. Fortunately, there was a cancellation in the prostate clinic biopsy clinic at VGH the next morning at 3:35am, which I was more than happy to attend.

The three MRI technicians who performed the MRI were outstanding. Dr. Fritz received the results of the MRI later that week, and made an early January appointment with uro-oncologist Dr. Miles Mannas (“Raymond, he’s the best. That’s why I’m referring you to him. If, as I believe will prove to be the case, you require surgery to remove your prostate, he’s the most skilled surgeon, and will provide you with the very best care. You’ll be in good hands with Dr. Mannas”).

Dr. Fritz made an appointment for me with Dr. Mannas for early January of this year. Dr. Mannas, in turn, made an appointment for me for a bone scan at VGH, to determine if the prostate cancer had spread. Even before my appointment with him, and the biopsy he would conduct, Dr. Mannas believed that I had prostate cancer. The only question was, how severe was the prostate cancer?

The good news. The bone scan indicated the prostate cancer had not spread into my bones, unlike poor Joe Biden (who, given the results of his bone scan, indicating spread, has 5 – 7 years to live). The not-so-good news: my Gleason score was 9, as bad a score as is possible (no one has a Gleason score of 10). The prostate cancer was so severe that neither radiation nor chemotherapy would be offered. The only route: surgery, preceded by months of hormone therapy. Surgery to remove my prostate is schedule for mid-November.

One of my concerns about the surgery — my second surgery ever, my first surgery the removal of my tonsils at age 4 — was the loss of my sexuality, long an important part of my life. That concern was soon put to rest. With the 4 apalutimide tablets I take each morning, along with 4 Zytiga tablets — each of the tablets is huge, and hard to swallow — as well as the prednisone tablet Dr. Mannas has prescribed that I take each morning, all of the testosterone in my body has been knocked  out, my sexuality gone, obliterated.  And you know what: it’s no big deal, I had nothing to fear or be concerned about. In fact, it’s kind of a relief. I have been very, very lucky in my love life to have been loved by strong, beautiful women of accomplishment and great intelligence, and consider myself to have been very, very fortunate in my romantic and sexual life.

The other salutary result of the medication I’m on: my latest PSA test indicated a negligible result, perfect for my upcoming prostate surgery.

The down side to all the medication I’m on (more on that tomorrow) is that I am constantly fatigued, have a difficult time getting out of bed in the morning, and conducting the affairs of my life. To some great extent, I have become incompetent in the conduct of my life, when for many years I considered myself to be “a man’s man,” able to take on any chore, with a ready approach to any challenge.

No more.

Fortunately, in addition to acting as the best possible advocate for me lo these many months, my friend (and saviour) Kelly Ryan has afforded me the opportunity to “co-parent” Teague the dog, only the friendliest, most loving waggly tail dog in the whole world, a loyal companion who I take for several walks a day most days, when I might otherwise remain prone on my bed fatigued and lifeless all day long, my iPad by my side, who resides with me on occasion — as he did for most of July and early August, and for much of this past week.

Writing on VanRamblings, keeping up with daily posting has become all but impossible. The only things that keeps me active on VanRamblings are the prospect of Kareem Allam becoming Vancouver’s next Mayor — a man I believe to be brilliant, skilled, humane and well-schooled, the most sophisticated political operative I have met in the 60+ years I have covered politics, a charismatic political figure — who believes in and practices the politics of joy — who fills me with hope for our world, who I believe will emerge as a transformational Mayor for our city next year, as well as our nation and perhaps beyond in the years to come, our best Mayor since Philip Owen, or going back to the 70s, Art Phillips.

And for the next six weeks, writing about the Vancouver International Film Festival, long our window on the world, and most cherished arts festival.

In the past, whether covering municipal, provincial or federal politics, or my most beloved VIFF, it was not unusual for me to dedicate 20 hours a day attending political events or festival screenings, arriving home to write about each until 5am, creating videos, or transcribing interviews. No more.

I am all but bereft of energy.

I have 8 weeks remaining on my daily regimen of apalutimade, Zytiga and prednisone — which Dr. Mannas tells me is at the seat of my daily fatigue / lack of energy  — in the lead up to my mid-November prostate surgery. Post surgery, it will probably be another 6 to 8 months before any semblance of energy returns.

How do I feel? I feel lucky. I feel fortunate to have a roof over my head within a housing co-op I have called home for 41 years this year. I feel fortunate to be surrounded by my Co-op neighbours, the finest people it has ever been my good fortune to work and enjoy life with, who couldn’t be more supportive and caring. I feel gratitude to VanRamblings’ many readers who hang in with me despite all.

Now, Dan Fumano — PostMedia’s first rate civic affairs reporter — will be disappointed with me (as will Charlie Smith, the once upon a time superb editor of The Georgia Straight) for writing at too great a length today. “Raymond, keep your columns at 750 words. Any longer than that and you’ll lose readers.” I proffer an apology to Dan, to Charlie and to you.

Sadly, my prostate cancer is the least of my health woes. More tomorrow.

VIFF 44’s Galas & Special Presentations Programme, Pt. 3

Today on VanRamblings we wrap up our look for the week at the Galas and Special Presentations programme set to screen between Thursday, October 2nd and 12th, as part of the Vancouver International Film Festival’s 44th annual edition.

By clicking on the underlined titles below, you will be taken to the VIFF web page for the film, providing you with the opportunity to purchase tickets, if you wish.

Orphan. Set in the aftermath of the 1956 Hungarian Uprising, Orphan is the heart-wrenching and ultra-realist latest from Oscar-winning filmmaker László Nemes (Son of Saul, VIFF#34, 2016 Oscar for Best International Feature Film). Set amongst the ruins of the violently suppressed Hungarian Revolution of 1956, in which thousands of anguished citizens challenged the USSR-backed dictatorship and were met with Soviet tanks and troops, the resultant violence and high death tolls led to nearly a quarter of a million Hungarians fleeing the country.

Living with his stoic and forbearing mother, Klára (Andrea Waskovics), in Budapest, Andor (12-year-old newcomer Bojtorján Barabas) is desperately searching for his identity. Although 11 years have passed since the liberation of the camps, his father has not returned. The family of two are members of the close-knit Jewish community, which — under the thumb of the Axis-aligned regime that preceded Soviet occupation — languished at the best of times and at the worst times disappeared. Although settled in their historic family home, they are under close observation by the current regime, which suspects their connection to at-large members of what remains of the underground resistance. Meanwhile, the family receives visits from Berend Mihály (Grégory Gadebois), a pompous and brutish man from the nearby countryside, linked to Klára’s mysterious past, who Andor begins to suspect holds the key to the true story of his mother’s survival during World War II.

Not to be missed.

Thursday, October 2nd
8:45 pm
Fifth Avenue Cinemas
Saturday, October 4th
6:30 pm
Cineplex International Village 9

Jay Kelly. Noam Baumbach’s latest is about a man (George Clooney) looking back at his life and reflecting on the choices, the sacrifices, the successes, the mistakes he’s made. When is it too late to change the course of our lives? Jay Kelly is an actor and as such the movie is about identity. How we perform ourselves. Who are we as parents, children, friends, professionals? Are we good? Are we bad? What is the gap between who we’ve decided we are and who we might actually be? What makes a life? Jay Kelly is about what it means to be yourself.

Jay Kelly follows famous movie actor Jay Kelly and his devoted manager Ron (Adam Sandler) as they embark on a whirlwind and unexpectedly profound journey through Europe. Along the way, both men are forced to confront the choices they’ve made, the relationships with their loved ones, and the legacies they’ll leave behind. A lock for multiple Oscar nominations. Another VIFF must-see.

Friday, October 10th
5:30 pm
Vancouver Playhouse

Sirât. Sergi López plays Luis, a man desperately searching for his missing daughter Marina throughout the harsh southern deserts of Morocco, along with his young son Esteban (Bruno Núñez Arjona) and their dog Pipa. At the film’s beginning — a pulsating open-air rave — the trio drifts through throngs of entranced and sweaty partygoers, handing out flyers with photos. As soldiers move in to shut down the festivities, father and son follow and ultimately join a motley bunch of roving ravers (memorably played by non-professionals) who set out in their van in search of the next party — and hopefully Marina — as hints of impending war multiply.

With swirling dust storms and solar flashes alighting the cinematic landscapes — all stunningly enhanced by director of photography Mauro Herce’s exquisite Super 16mm — and an award-winning, low end–heavy score by techno stalwart Kangding Ray, the gruelling expedition increasingly transforms into a sensorial and hypnotic experience that tests physical and psychological limits.

Simultaneously explosive and introspective — a film in which spirituality and altered states of consciousness exist alongside raw, sober humanity — Sirât, which means “path” in Arabic, explores the ways loss, grief, and violence can imbue life with both intensity and clarity. While many have evoked Mad Max, Zabriskie Point, and The Wages of Fear as cinematic touchstones, the film emerges cult-ready from the singular vision of Laxe, known for his mystical sensibility in probing truths.

The above capsule written by Andrea Picard for TIFF 50, which begins next week.

Friday, October 3rd
9:15 pm
Vancouver Playhouse
Sunday, October 12th
6:45 pm
The Rio Theatre

VanRamblings will be back next week to provide further insight into the breadth and depth of this year’s 44th annual Vancouver International Film Festival.

VIFF 2025 Galas & Special Presentations, Pt. 2

VIFF Executive Director Kyle Fostner, and VIFF’s Chief Programmer, Curtis Woloschuk, attended the 77th annual Cannes Film Festival this past May, and were able to secure — for the first time ever — commitments to bring every Cannes’ awarding winning film, in the Main Selection, Un Certain Regard, and Directors Fortnight to the 44th annual Vancouver International Film Festival, placing those films in this year’s Galas & Special Presentations programme.

In Day 2 of VanRamblings’ peek at VIFF #44’s Galas & Special Presentations programme, we’ll begin with the 2025 Cannes’ Palme d’or winner. Clicking on the underlined title will take you to the VIFF web page, which will enable you, if you are of a mind, to purchase tickets to the films listed below.

It Was Just An Accident. In his latest film, a 24-hour narrative, Iranian film director Jafar Panani welds scorching social critique to a masterful command of form: a devastating cry for justice, the film also emerging as as a superb thriller. Film Comment calls the film, “A towering achievement.”

For Panahi, It Was Just an Accident marks a return to a more classic style of filmmaking, the film about anger, violence, revenge and empathy, felt as deeply by the characters whose lives unspool in front of the camera as by the filmmaker who sits behind it.  Organically taking shape when Vahid encounters him who he believes tortured him in prison years earlier — Eghbal a former Iranian intelligence officer — Vahid tracks Eghbal to a repair shop, and abducts Eghbal, driving him out to the desert, where he digs a hole with the intent of burying him alive.

A certain Oscar nominee for Best International Feature Film in next year’s Academy of Motion Picture Arts & Sciences, here’s your opportunity to get an early peek at one of the best films of the year, brought to you by the good folks at VIFF.

Thursday, October 2nd
9:30 pm
Vancouver Playhouse
Thursday, October 9th
2:45 pm
Vancouver Playhouse

Young Mothers. The Dardennes brothers are back again with their latest multiple Cannes award winning film, Young Mothers. Says Variety’s Peter Debruge, “Deeply moving but never manipulative, Young Mothers amounts to the brothers’ best film in more than a decade.” Immersive, observational, Dardennes’ engaging ensemble drama dedicates quality time to a quartet of young women — girls, really — under the care of a maternal assistance home in Liège.

Pregnancy is the common thread between these four teens, who otherwise represent very different instances of children bringing children into the world. Jessica (Babette Verbeek) anxiously waits beside a bus stop, hoping to recognize the birth mother who put her up for adoption. It’s not until the camera steps away that we see this young girl is pregnant herself. She’s already picked out the name for her baby, Alba, and swears she’ll never abandon her — a commitment to breaking the cycle by someone who desperately craves her own mother’s embrace.

Ariane (Janaina Halloy Fokan) has practically the opposite problem: Her welfare-dependent single parent Nathalie (Christelle Cornil) pressures her to deliver, promising to help raise the child, but Ariane wants a better life for her baby.

A tender look at women at a crossroads, with stripped-down aesthetic principles, compassionate humanism and naturalistic purity, the Dardennes return to their roots as documentary filmmakers, in Young Mothers expanding the scope of their work while create gorgeous moments of empathy in the lives of the four teens, whose bare-bones existences on the fringes of society deserve our recognition.

Sunday, October 04th
3:00 pm
Vancouver Playhouse 

Sunday, October 09th
12:30 pm
Fifth Avenue Cinemas

Thursday, October 12th
8:15 pm
Alliance Francaise

Tomorrow on VanRamblings, we’ll complete our look at VIFF 44’s Galas and Special Presentations programme. See you here then.

VIFF 2025 Galas & Special Presentations at VIFF#44

In Part One of a three part series, today on VanRamblings we take a look at this year’s VIFF’s Galas & Special Presentations on offer at the 44th annual Vancouver International Film Festival, set to run from Thursday, October 2nd thru 12th.

If you click on the underlined link of the titles below, you will be taken to the VIFF page that will both provide you with more insight into the films, and allow you the opportunity to purchase tickets for the screening of your choice.

Sentimental Value. Winner of the Grand Prix at this year’s Cannes Film Festival, Joachim Trier’s Sentimental Value — a ravishing, uncommonly rich, contemplative, poignant and humane look at existence — took Cannes by storm, emerging as a favourite among critics, even if Jafar Panahi’s film, It Was Just an Accident (which will also screen at VIFF this year), won the Palme d’Or.

Sentimental Value will feature prominently in this year’s Oscar race, with guaranteed nods for Best Picture, Best International Feature, Best Actress for Renate Reinsve (Worst Person in the World), Best Actor for Stellan Skarsgård, and Best Director for Joachim Trier. Here’s your opportunity to get an early look at one of the best films of the year, a piercing reflection on family and memory, and a film that mines the inner truths of the characters we see on screen. Not to be missed.

Friday October 3rd
5:45 pm
Vancouver Playhouse
Wednesday October 8th
5:30 pm
Vancouver Playhouse

After the Hunt. Opening to mixed reviews at the Venice film festival this past weekend, Luca Guadagnino’s “bizarrely retrograde” (IndieWire), “weirdly muddled” (Variety), “frustratingly cryptic” (The Hollywood Reporter) #MeToo era film follows the havoc caused by an accusation of sexual assault on a U.S. university campus.

Ever the contrarian, Hollywood Elsewhere’s Jeffrey Wells has an entirely different take, as he writes …

I immediately fell in love with the opening frames of Luca Guadagnino‘s After The Hunt, or more precisely the amplified sound of a slowly ticking clock — an aural statement that says “ominous stuff is brewing, you bet”. Though I was fully familiar with the basic story bones, having read an early draft of Nora Garrett‘s original screenplay, a #MeToo rape accusation drama mostly set on the Yale campus, I was pulled in all over again.

Assured, unforced and deliberate, Guadagnino‘s interpretation of Garrett’s screenplay fascinates by not pushing too hard, advancing the campus mystery in a gradual, sharply observed manner. I was actually kind of startled — pleasantly — by his decision to keep things on the subdued side. No raised voices or glaring expressions or slamming doors or anyone throwing things around.

Except, that is, for a tantrum thrown by Andrew Garfield’s Hank Gibson, who’s also up for tenure — a reaction to his having been accused of sexually assaulting Ayo Edibiri‘s Maggie Price, an allegedly mediocre philosophy student, the daughter of super-wealthy parents, and a lesbian.

Maggie is a key story figure, not just because of this alleged assault but also because of her protégé relationship with Julia Roberts‘ Alma Imhoff, a whipsmart, well-liked, seriously admired Yale professor who’s in line for tenure. But as things develop and social pressure increases, Alma and Maggie’s relationship becomes less and less trusting, and then tips over into hostility.

But I was mostly taken by a tone of ambiguity that manifests in the third act. A haunting ambiguity mixed with stabs of suspicion. And, not incidentally, by a somewhat instructive score by Trent Reznor and Atticus Ross.

Sunday October 5th
9:15 pm
Vancouver Playhouse

So, there you have it. Two outstanding films set to screen at VIFF 2025, where you can get an early look at two Oscar bound films, sequestered within the always comfortable and welcoming Vancouver Playhouse.

C’mon back tomorrow for two (or more) VIFF #44 Gala & Special Presentation films.