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#ChatGPT | Raymond Tomlin: The Citizen Journalist of Vancouver

#VanElxn 2026, BC Politics, Cinema, fixin to die rag, Food & Health, Jude and Megan, Politics, Stories of a Life, Stories of a Life Redux, Vancouver, Vancouver Votes 2026, VanRamblings, , , , , , , , , , , , , , , , ,


1977, working as an educator in the Interior. Raymond (26) with Megan in his arms and son Jude

Last evening, VanRamblings asked Open AI ChatGPT LLM (large language model) search engine to write a profile on the author of this blog, Raymond Tomlin.

Directly below, you may read what ChatGPT has to say about Mr. Tomlin.

Photo taken recently by Nick Ellan, at the Queen Elizabeth Theatre

For more than two decades, Raymond Tomlin has occupied a singular place in Vancouver’s civic and cultural landscape.

In the 1970s, Mr. Tomlin was the Executive Director / Co-ordinator of the Tillicum and Fed-Up Co-operatives — the latter, a wholesaler responsible for the import of foods goods from across the globe — as the enterprise became the largest grassroots co-operative movement since the 1930s, Mr. Tomlin growing the food co-op from an initial gathering of 20 families seeking healthy foods, to a multi-million dollar enterprise, serving British Columbians and western Canada, as well as the Cascade region of the states of Washington and Oregon, working to create the Wild West Organic Co-operative, the Mountain Equipment Co-op, Uprising Breads, and the East End storefront co-operative.

In addition, Mr. Tomlin was appointed by the 1970s Barrett NDP government, and the Board of Governors and Student Forum at Simon Fraser University, as a liaison to the investigative committee appointed by the Pierre Elliott Trudeau-led federal government to recommend a made-in-Canada solution to the issue of affordable housing. Mr. Tomlin’s participation in the process was instrumental in the founding of the housing co-operative moment. Mr. Tomlin was also involved in the drafting of the initial terms of reference for the housing co-operatives that would be built across Canada.


Working with the National Farmers Union, Raymond became the BC Co-ordinator of the Kraft Boycott. Pictured, Cathy looking back at Raymond, to Cathy’s left, Laurie Birdsall, a very good friend

Part journalist, part educator, part activist, and part public intellectual, Mr. Tomlin is best known as the founder, publisher, and principal writer of VanRamblings, one of British Columbia’s longest-running independent political and cultural blogs. Since its launch on February 15, 2004, VanRamblings has evolved into a uniquely personal chronicle of Vancouver civic life, provincial politics, film culture, music, social justice activism, and the changing character of the city itself.

To understand Raymond Tomlin is to understand a particular tradition of engaged citizenship that has become increasingly rare in the digital age. He is neither a conventional journalist bound by newsroom constraints nor merely a blogger offering personal opinion. Rather, he has spent decades positioning himself as a participant-observer in the public life of Vancouver, writing from the intersection of activism, education, public policy, and culture.


Raymond, age 19, with Joy, one of his future wife Cathy’s best friends, at Joy and Cathy’s home, located just off the University of Alberta campus, in Edmonton 

Mr. Tomlin’s educational background reflects the breadth of his interests.

1970s & ’80s. Simon Fraser University campus, Burnaby Mountain

Raymond Tomlin earned a Bachelor of Arts degree in Political Science, Sociology, and Anthropology, followed by a Bachelor of Education degree specializing in Reading and  Early Childhood Education, and later completed a Master of Arts degree in Policy Administration, all at Simon Fraser University. The combination of social sciences, education, and public policy would prove foundational to his later work as both an educator and political commentator.

Before becoming known as an online publisher, Mr. Tomlin established a diverse professional career. Mr. Tomlin taught in the public education system, taking a year away from the public system to work with “gifted children” in a well-regarded private school.

Mr. Tomlin has taught at Vancouver Community College, on East Broadway, as a writing instructor, teaching literature and history, as well. Mr. Tomlin has also taken on instructor positions, not only at VCC, but at Langara College, as well as working at Simon Fraser University as a sessional instructor, focusing mainly on Early Childhood Education, but teaching Educational Psychology, Educational Sociology, curriculum development, and policy administration, as well.

In 1980 through 1982, Mr. Tomlin worked as the assistant administrator of the PDP 401/402 teaching programme at Simon Fraser University, as the primary liaison with faculty associates responsible for students enrolled in the education programme, acting as well as a student advocate when, and if, controversy arose with teacher education students.

Mr. Tomlin has two children (pictured above, and at the top of today’s column).

Megan (49) was a PhD candidates in the neurosciences at the University of Toronto, prior to meeting her husband Maz — an Iranian immigrant who arrived in Canada with his parents and sibling at age 14, going on to secure a degree as an engineer.

Megan and Maz moved to Vancouver, married and have raised three children, two boys and a girl. Megan has been active as a Parent Advisory Committee Chairperson at her children’s schools, working with VSB trustee Christopher Richardson, one of Mr. Tomlin’s best friends.

Jude (51) has played a significant role in British Columbia’s music scene, working as a sound engineer, and a prominent DJ on the underground scene, not only locally, but across British Columbia, Canada, the U.S., and internationally.

Mr. Tomlin’s professional experience extended beyond education.

Mr. Tomlin has worked at all 3 levels of government.

Throughout his educational career, Mr. Tomlin has demonstrated a consistent interest in how culture, politics, and institutions shape everyday life.

Municipally, he was involved in planning and development. Federally, he served as an administrator with the Canada Mortgage and Housing Corporation for a period of 12 years. Provincially, Mr. Tomlin worked within Dr. Ian Carter within British Columbia’s Ministry of Education, taking on the tasks of a policy administrator, and curriculum development. These experiences gave Mr. Tomlin a comprehensive understanding of governmental decision-making, a perspective that would later become evident in his political writing.

In the early 1980s, when Premier Bill Bennett dramatically downsized government — leading to what became known as the Solidarity Movement — Mr. Tomlin was hired as a policy analyst in the Government Division of the  British Columbia Teachers’ Federation.

When Premier Bennett fired 8,000 teachers, Mr. Tomlin would soon be downsized out of a job with the BCTF. Prior to that circumstance, Mr. Tomlin was assigned the responsibility of becoming a liaison to teachers who had been laid off, helping them find new careers. In fact, Mr. Tomlin himself would find a new career as a successful entrepreneur, creating the first arts and nostalgia video store on the North American continent, the business located on Vancouver’s west side, later opening a combined arts video emporium and restaurant, called The Video Café, which also functioned as a theatre and vibrant arts venue.

Mr. Tomlin also built an extensive career in journalism and publishing.

In the late 1960s, not only was Mr. Tomlin the Editor-in-Chief of the newspaper at his east side’s Templeton Secondary School, he also wrote for the city-wide student newspaper. In the 1970s, Mr. Tomlin was an Editor at The Peak student newspaper at SFU, taking on summer intern jobs with the then Southam-owned Vancouver Sun and The Province newspapers.

Mr. Tomlin sat on the executive of the Canadian University Press, working with Vaughn Palmer — who would soon be hired by the Vancouver Sun, going on to become the Sun’s award winning provincial affairs columnist — to establish a “desk system” at Canada’s university, college and technical institute student newspapers. Mr. Palmer would become the first News Editor at The Ubyssey, while Mr. Tomlin established the Arts & Entertainment desk at The Peak, Simon Fraser University’s student newspaper.

In the 1980s, Mr. Tomlin worked as freelance writer, contributing various articles on the arts — film, theatre, dance — to the Vancouver Sun. Mr. Tomlin also wrote for the 23 community newspapers across British Columbia, owned by the Southam family, work that continued through the mid-1990s.

Mr. Tomlin wrote for Vancouver Magazine, where he served as Director of Special Projects. During the 1990s he founded Festival, a Vancouver-based arts magazine he created, working as both publisher and editor, later becoming Arts and Entertainment Editor for Two Chairs magazine. Mr. Tomlin also became a syndicated columnist whose work appeared in numerous urban and suburban newspapers throughout Metro Vancouver, British Columbia, and across the U.S.

Yet it is VanRamblings that is Mr. Tomlin’s most enduring legacy.

Launched in February 2004, at a time when blogging was still in its infancy, VanRamblings emerged from a belief that independent voices could contribute meaningfully to public discourse. Mr. Tomlin has written that friends — current Vancouver City Councillor Mike Klassen, and his Two Chairs editor, Jay Currie — encouraged him to create a platform after opportunities within traditional media had diminished.

The result was an online publication that would eventually produce thousands of articles covering virtually every aspect of public life.

Over the years, the VanRamblings blog has developed a distinct editorial identity.

Politics remains its core focus, particularly municipal politics in Vancouver.

Few independent writers have devoted as much sustained attention to city council, school board elections, park board politics, housing policy, neighbourhood planning, and local governance. Mr. Tomlin has embraced the role of watchdog, scrutinizing politicians, parties, civic institutions, and development decisions, his coverage frequently extending into provincial, federal, and international arenas.

Alongside politics, VanRamblings has long celebrated arts and culture.

Cinema — for years one of Mr. Tomlin’s great loves — occupies a particularly prominent place in Mr. Tomlin’s journalistic life.

Mr. Tomlin has written extensively about film festivals, directors, actors, and the cultural significance of cinema. At present, Mr. Tomlin continues work he began in 1994 with the prominent Japanese magazine, The Fraser Journal (monthly). Even through his various health travails, Mr. Tomlin has never missed a Journal publishing deadline, in 22+ years.

Music criticism, theatre and dance coverage, technology commentary, and reflections on popular culture also form significant parts of VanRamblings’ identity. In this sense, VanRamblings resembles the alternative weekly newspapers that once flourished in North America, combining civic affairs reporting with arts journalism and cultural criticism.

The writing style itself is also unmistakably personal.

Mr. Tomlin often writes in the third person, a literary device that has become one of the site’s trademarks (as crazy as that makes his detractors), to create ironic distance, he suggests. Mr. Tomlin’s prose can be expansive, passionate, humourous and, in the past, frequently hyperbolic.

Admirers see this as evidence of intellectual independence; critics view it as overly opinionated, or “gossipy”. Either way, it has ensured VanRamblings possesses a voice unlike any other Vancouver publication.


Raymond Tomlin raised Jude and Megan as a single parent

Beyond journalism, Mr. Tomlin has consistently engaged in work as a community activist, a union organizer, president of union locals, and in the 1970s Learning and Working Conditions Chairperson for the BCTF, responsible for the north and south Okanagan.

In VanRamblings, Mr. Tomlin’s interests have centred on democratic participation, social justice, neighbourhood engagement, affordable housing, public education, and civic accountability.

Throughout his writing, Mr. Tomlin has argued that ordinary citizens must be involved in political decision-making rather than leaving governance solely to elected officials, developers, or institutional elites.

Mr. Tomlin’s influence has occasionally extended beyond commentary into the civic arena itself. Over the years, political figures, activists, community organizations, and journalists have regularly engaged with VanRamblings as part of Vancouver’s broader political conversation. During election campaigns, the site has become a destination for candidate profiles, endorsements, campaign analysis, and detailed examinations of local political dynamics.

In recent years, Mr Tomlin’s personal life has increasingly entered his writing, as he writes  candidly about serious health challenges, including two battles with cancer, and other maladies.

Mr. Tomlin’s personal essays, often collected under his Stories of a Life series on his blog, reveal a more intimate side of a writer often associated with politics and public affairs, as he explores the issues of aging, mortality, family, friendship, resilience, and gratitude. Such pieces have added a memoiristic dimension to VanRamblings, transforming it from a political blog into a record of an individual’s life experience.


Raymond and Gala Milne (currently Chief of Staff to Premier David Eby) at a Kits Beach protest

Now in his mid-70s, Mr. Tomlin continues to publish regularly, recent writing demonstrating the same enthusiasm that animated the site’s founding more than twenty years ago. Municipal elections, public policy debates, film criticism, music appreciation, and personal reflection all remain central to his work.

In an era when local journalism faces enormous economic pressures and many independent voices have disappeared, Raymond Tomlin represents a different model of public engagement. He is an educator who became a journalist, a policy analyst who became an activist, and an activist who became one of Vancouver’s most persistent chroniclers. Through thousands of essays published over more than two decades, he has documented the civic life of Vancouver while simultaneously participating in it.

Through VanRamblings, Mr. Tomlin has created an enduring archive of the city’s political debates, cultural life, and social transformations. In doing so, he has demonstrated that a single committed citizen, armed with curiosity, conviction, and a keyboard, can help shape the conversation of a city.

Sunday Music | Elton John | 1970 | Eponymous Album

A & E, Jude and Megan, Music, Pop Culture, Radio, Stories of a Life Redux, Vancouver, VanRamblings, , , , , ,

Each summer, from the late 1960s through the 1980s, legendary broadcaster Terry David Mulligan traveled to Great Britain, in search of new music, breaking artists, and the “next big thing.”

In 1970, the next big thing was Reginald Kenneth Dwight aka Elton John.


Love Song, side2, track 7, my favourite Tumbleweed Connection song, that got lots of radio play from me

Elton John’s self-titled début constituted his introduction to North American audiences. Tumbleweed Connection was his first British release, and went on to (lesser acclaim than his 1970 album) become his second North American album release.

At the time, Terry was employed by CKVN (that station had been, and would be again, be CFUN, a giant of pop radio in Vancouver).

Arriving back in Vancouver, Terry was excited to spin Elton John’s disc for all the jocks at the station, who — in the main — were as enamoured with the then unknown Elton John, as was the case with a gregariously enthusiastic TDM.

The number one smash hit off the album was Your Song, which became a staple at weddings of the era — including mine to Cathy, on December 19, 1970.

To this day, Elton John’s eponymous début remains my favourite Elton John album, a serious, incredibly well-composed, almost operatic album, much at variance with the more pop-oriented albums and songs Elton John would compose and release — with lyrics by Taupin — over the next 50 years.

“The album which I am quite proud of is the very first one [I did with Elton]. The ‘black album’ was all done in a week. If I could go through that week again, I would just love it to death.”

Gus Dudgeon, Producer

Elton John is a classic, Top 100  album in the pantheon of rock music.

John and lyricist Bernie Taupin’s songwriting had an immediacy ingrained in the music, sharper and more diverse than Tumbleweed Connection, or any music the two released after 1970.

Taupin is all about American mythology and old men’s regrets. Elton likes his harps and harpsichords. Together they gaze beyond England.

Listen to the music. Elton and Taupin clearly have their hearts in the South.

Take Me to the Pilot, a rocking gospel piece where John’s driving piano takes centre-stage over the strings may not make much sense lyrically, but John’s good sense ground its willfully cryptic words with a catchy blues-based melody.

Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster’s grandiose string arrangements.

“It only took the first hearing for me to call Elton’s manager and express my enthusiasm. I heard the potential of what he and Bernie had written. I had already begun to hear what I was going to do with Your Song, for a start. It was the sort of thing that I was dying to have a go at.”

Paul Buckmaster

Buckmaster’s orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy.


First Episode At Hienton, one of my favourite songs on Elton John, one I often sing to. I know that I am still alive and thriving, when  I can hold the extended note (wwwooooommmaaannnn) at 4:13 in.

Instead, they fit the ambitions of John and Taupin, as the instant standard Your Song illustrates.

Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records.

In a rather uneventful period in rock music, John’s music emerged as so staggeringly original that it wasn’t obvious that he was merely operating within a given musical field (such as country or blues or rock) but, like Randy Newman and Laura Nyro among others, creating his own field, borrowing from country, rock, blues, folk and other influences, but mixed in his own way.

Aretha Franklin would hardly have covered Border Song — a great gospel tune with a bombastic arrangement — if she’d sensed an artificiality.

The resulting songs are so varied in texture that his music defied classification.

While his voice, in those days, mostly resembled Jose Feliciano, there were also detectable touches of Leon Russell and Mick Jagger.

Sitting behind his own piano, with Nigel Olsson on drums and Dee Murray on bass, John’s new sound was much earthier than his earlier work, even if there was an essential sweetness to his heavily orchestrated North American début album.

All these years later, in 1970 and fifty-four years on, with Elton John’s arrival on the music scene, the sense existed then that in Reginald Kenneth Dwight here was a legendary artist destined to play a featured role in the history of rock ‘n roll.

Sunday Music | #VanRamblings’ 100 Favourite Albums

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Over the coming couple of years — and perhaps over more time —  VanRamblings will publish our favourite 100 albums of all time, not just the auspicious début albums as the graphic above suggests, but all of our favourite albums of all time.

Readers will notice in the time to come that many — in reality, most —  of our favourite music features female vocalists, as was pointed out to us by our friend J.B. Shayne in the early 90s as he perused our massive CD collection, commenting “Do you realize that 90% of your CD collection features female vocalists?”

Up until that time, we hadn’t realized that feature of our music collection — but we certainly have since.

Whether it’s Lucinda Williams, Billie Eilish, Fiona Apple, Iris DeMent, Norah Jones, Rickie Lee Jones (our favourite), Lori McKenna, Adele, Stina Nordenstam, Rumer, Liana La Havas, Emiliana Torrini, Miranda Lambert, Allison Moorer, Feist, Lily Allen, Anita Baker,  The Roches, Eva Cassidy, Laura Nyro, Azure Ray, Sharon von Etten, Kasey Chambers, Imogen Heap / Frou Frou and Tracy Thorne / Everything But the Girl,  VanRamblings appreciates narrative storytelling in song, and the distaff reflection of life that is captured by these outstanding artists in their music.

VanRamblings’ love for music dates back to our early childhood.

Our mother, Mary, was a vocalist —  from time to time — in a hit local music group that gained quite a following across the continent and internationally, a country / roots band called The Rhythm Pals. There was always song in our home, my mother’s propensity to sing along with music on the radio a feature of life, whether at home or in the car. Such was the case, singing with my own children growing up.

In the late 50s / early 60s, a regular Saturday activity would be to go to the record store, where my mother, my sister and I would rifle through the bins of 45s, choosing our 10 favourites — this at a time when you could get 10 records for $1.00 — which, upon returning home, would go directly onto our record player.

Music always filled our home, my mother’s taste in music vast, although her love for country music (the same was true of my father) knew no bounds.

Commencing next Sunday, we’ll present the music from what we believe to be the most auspicious début albums of the past 45 years.

C’mon back then to see who that artist might be (hint: she is featured in the graphic above the outset of the writing in today’s Sunday Music column).