Category Archives: Video & DVD

Salmon Confidential: Dying Salmon, Destruction of an Ecosystem

About two-thirds of the way through Twyla Roscovich’s maddeningly compelling documentary, activist marine biologist Alexandra Morton and a few cohorts with whom she works on the study of the impact of salmon farming on Canadian wild salmon, enter the Real Canadian Superstore at Rupert Street and Grandview Highway, in Vancouver.
The scientific foray into the community involves purchasing all the salmon available at the store, in order that their purchase might be shipped to a laboratory in Europe, and another on the east coast, to test for the infectious salmon anemia (ISA) virus, and other pathogens.
The result? Suffice to say that anyone who watches that particular sequence in Roscovich’s provocative documentary film — available above in today’s VanRamblings post — will never eat farmed salmon ever again.
Here’s Ian Bailey’s Globe and Mail review of Salmon Confidential

This feisty and provocative film is spoiling-for-a-fight cinema. Someday there will be a new feature-length documentary reconciling both sides of the debate over the environmental costs of farming salmon in B.C. For now, there’s this compelling work which tilts sharply towards the wild-salmon side. Director Twyla Roscovich’s visually alluring film spotlights activist biologist Alexandra Morton as she finds B.C. salmon in the wild showing European viruses that Ms. Morton links to fish farms on the coast. Federal and industry representatives declined to sit for interviews, Ms. Roscovich has said. Still, the film serves as a forceful primer on an ongoing debate that some viewers, especially those in urban areas, may now just be catching up on. Let the debate begin after the end credits.

Hey, it’s The Globe and Mail — you expected an evisceration of the role of both the provincial and federal governments for their failure to act to protect wild salmon, or the health of Canadians? Not the world we live in.

Alexander Morton, in a scene from Twyla Roscovich's Salmon Confidential

Greg Ursic, in The Ubyssey, says about the film “Salmon Confidential is thoroughly researched, informative and so infuriating that you’ll want to throw something at the screen.” Jason Coleman, at Star Pulse, agrees with VanRamblings, when he writes …

You will never eat farmed fish for the rest of your life after viewing this. A must-see, especially for British Columbians known for world-renowned Sockeye, Salmon Confidential is a corker of a doc. It’s staggering and eye-opening to see how the business of B.C.’s natural resources and food has been tainted by government and how puppet scientists have given up their objectivity simply to kowtow to (corrupt) governments. This is the GMO monster in a different form and here the monster kills by passing on poisons and infection that are a recipe for extinction of a foundational salmon species. An important film right on par with The Cove impact-wise, Salmon Confidential is an important don’t miss it experience for all who care to listen. — 5/5 stars

Meanwhile, while our intransigent senior governments take a do nothing approach to the destruction of B.C.’s wild salmon industry, Norwegian authorities have recently ordered that some two million sea-lice infested farmed salmon in the Vikna district of Nord Trondelag be slaughtered with immediate effect after becoming resistant to chemical treatments against the sea-lice parasite. Actor Ted Danson and Andrew Sharpless, CEO at Oceana, the largest international conservation organization fully dedicated to protecting the oceans, have published a paper stating, and backing up, their contention that “farmed salmon are not a sustainable alternative.”
Enough? Whether you’re concerned for your health, wish to gain more insight into the “controversy” involving farmed salmon, or are simply interested in watching a provocative, compelling, and incredibly well-made and watchable documentary film, we would encourage you to screen Salmon Confidential — take our word for it, you won’t be sorry you did.

2010’s 25 Best Performances That Won’t Win Oscars

25 BEST UNHERALDED PERFORMANCES 2010

With only one week to go til Christmas, and having already recorded the critics’ accolades for films released in 2010 (and probable Oscar contenders), we present a New York magazine slide show of those film performances which have not seen laurel wreaths laid at the feet of the film’s respective actors and actresses, but whose ‘stars’ were noteworthy in their stunningly effective portrayal of their characters, for all of us adding to the sum total of our experience inside our local multiplex this past year.
Left to right, top to bottom, in 2009 Chloë Grace Moretz impressed in a small role in 500 Summer Days, but in 2010 she became a star on the rise in two breakout roles, as Hit Girl in Kick-Ass, and centuries old vampire, Abby, in Let Me In. Needless to say, the pint-sized Ms. Moretz now has a full Hollywood dance card, with no fewer than five films set for release in 2011, and a sequel to Kick-Ass announced and in the works for 2012.
Dale Dickey, the unheralded centre of Winter’s Bone, gives as chilling a performance as the dead-faced mother of a group of Ozark meth heads as you’ll see onscreen this year. Dickey is the noir figure of violence and threatening menace, the opposition to Ree Dolly’s (Jennifer Lawrence) questing backwoods daughter in search of her father. At every step her performance is mesmerizing, and should be celebrated. If you haven’t seen Winter’s Bone, it’s available on video and this Christmas it’s a must-rental.
In one of the year’s best movies, Roman Polanksi’s dense political thriller The Ghost Writer, Olivia Williams plays the deliciously elegant, dagger-sharp wife of a former British prime minister who seethes at being miles from the action, when in fact she’s right in the centre of the political chicanery. Smart yet bitter, Olivia Williams effectively projects the air of a political wife who is committed to her husband in more than expected ways.
The following is our capsule review of Mother, which we reviewed at the 2009 Vancouver International Film Festival …

Just your average, run-of-the-mill Korean psychosexual thriller, replete with blood and violence, taboo schoolgirl imagery, raucous consensual sex involving a very young girl, and a mother who will go to any ends to rescue her son from the clutches of the judicial system, including … well, that would be giving it away, wouldn’t it? The most audacious film of the year, from director Bong Joon-ho (The Host), Mother offers a taut tale of murder and suspense that moves slowly in its first half, and in its second half grabs you by the lapels, throws you around, and just doesn’t let go.


And who is the mother in the film?
Hye-Ja Kim, winner of the Los Angeles Film Critics’ Association’s Best Actress award. As is the case with most of the films reviewed in this post, Mother is on video … which, of course, makes it another must-rental.
Ciarán Hinds has starred in everything from Roger Michell’s Jane Austen adaptation Persuasion, to Paul Thomas Anderson’s There Will Be Blood, and everything in-between, but he’s never been more effective than he is in Conor McPherson’s Eclipse, in which he brings to life the role of a widower who sees and hears peculiar things in his house. Crossing paths with an author of supernatural fiction (Iben Hjejle), the two set about to create one of the most appealing character-based dramas to be released in 2010.
Katie Jarvis is absolutely riveting in Andrea Arnold’s Fish Tank, a gritty urban drama that was everything last year’s Oscar nominee Precious was not: honest, real, raw. As Claudia Puig wrote in her review of Fish Tank

Jarvis’ debut performance is a bracingly authentic revelation. She was discovered by filmmakers in a train station as she fought with her boyfriend, and brings just the right blend of feisty forcefulness and awkward tenderness to the part.


Winner of a 2009 Cannes’ Jury Prize, Fish Tank is yet another must-rental.
Oliver Platt has been a fixture on the indie movie scene since the early 90s, and has never been better than he is in Nicole Holofcener’s brilliant Please Give, playing a fumbling, grasping at intimacy antiques dealer whose sheer ebullience provides the movie with a welcome sense of ease. “We buy from the children of dead people!” he chirps when a customer asks where he and Kate get their inventory, and his wife (Catherine Keener) looks on, mortified. Platt has simply never been better. Here’s another must-rental.
Mia Wasikowska is a find, our favourite actress to emerge in the past three years, not least because we were swept away by her performance as Sophie in HBO’s very fine shrink series, In Treatment

Not too difficult to see why Tim Burton chose the luminous Ms. Wasikowska as the lead in his March 2010 release, Alice in Wonderland. Note should be made, too, that Ms. Wasikowska provide the heart in Lisa Cholodenko’s about to be Oscar nominated The Kids Are All Right, a calm voice of sanity amidst the sometimes crazy machinations of the film’s adults. Keep an eye on this particular young thespian: Oscars are most definitely in her future.

VanRamblings Recommends a Few DVDs For You To Watch

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IN HER SHOES


Earlier in the week, VanRamblings committed to acknowledging some of the more recommendable 2005 film releases that have débuted — or are about to début — on DVD. So with that salutary chore in mind, we’ll begin by recommending Curtis Hanson’s (L. A. Confidential) critically well-received, but woefully under-attended, In Her Shoes, a caustic, funny, accomplished, emotionally involving, and almost always surprising (but pleasantly so) comedy-drama, with Oscar calibre performances from Cameron Diaz, Toni Collette and Shirley MacLaine. Due out on DVD on Tuesday, January 31st, you’d be wise to reserve it right now.


SISTERHOOD OF THE TRAVELING PANTS


If you’re looking for something to watch this weekend, you could do a lot worse than The Sisterhood of the Traveling Pants, a real sleeper and one of the most appealing and irrepressibly sunny movie confections of 2005, a coming-of-age fantasy drama that tells a heartening and genuinely moving tale about a consequential summer in the lives of four lifelong best friends who’ve known each other since birth.


HUSTLE AND FLOW


If you’re in the mood for something a bit more gritty, Sundance Audience Award winner Hustle and Flow oughta be right up your alley. A tough, well-acted hip-hop drama, writer-director Craig Brewer’s début film strikes an almost perfect balance between grit and heart, capturing the hard edge of poverty and lack of opportunity but also the ray of hope for a better life. New out on DVD this week.


LAYER CAKE


Another gritty drama — due out on video next week — this time British and starring the new James Bond, Daniel Craig, is the brazeningly entertaining Layer Cake, a stylish and classic gangster saga about the clashing of rival empires, where the only thing worse than the killer before you is the killer waiting behind him. With its propulsive, colour drenched cinematography this corrosive confection emerges as high style, high octane entertainment of the first order.


RED EYE


New on video this week, and perfect entertainment to watch on your home theatre system: Red Eye, surprisingly effective B-grade fare that offers enough playful wit and genuine tension to make it a more than worthwhile DVD rental. Starring up-and-comers Rachel McAdams and Cillian Murphy, Red Eye’s white-knuckle airborne fun comes from director Wes Craven’s old hand familiarity with the way thrillers tick, predicated on the smallest and most banal of missed connections. Celebrated last summer as a minimalist exercise in maximalist suspense, while pulling every nail biting, edge of your seat trick imaginable, here’s one movie that truly entertains.


THE CONSTANT GARDENER


And finally, the most recommendable film of 2005, new on video this week: The Constant Gardener, VanRamblings’ pick as the number one movie of 2005. Don’t miss it. You may even want to purchase it. As we said in our 2005 Top 10 Film posting, The Constant Gardener is “far and away the best film of the year, this provocative and assured thriller-romance provided not only the most alluring love story captured on film this past year, this is a masterwork of suspense and political intrigue.”

VanRamblings’ Favourite Hollywood Movie of 2004 Now On DVD
A Great Week For New DVD Releases — Lots of Rental Choices

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MAN-ON-FIRE


Although Man on Fire is ostensibly a good-vs.-evil thriller about an ex-CIA agent bent on eliminating a ruthless Mexican gang of kidnappers and dirty cops, in reality director Tony Scott’s highly stylized, nearly 2-hour bloodlust epic is instead the most emotionally resonant piece of Hollywood cinema to have hit the big screen thus far in 2004. And now it’s out on DVD. Rush, we mean run right down to your favourite video store and rent Man on Fire — sure to be discovered on home video and ready to become the top DVD rental of the year. The story’s narrative involves Denzel Washington’s John Creasy, a burnt-out, alcoholic former military operative who takes a bodyguard job for a wealthy family in Mexico City on the suggestion of his friend (Christopher Walken). Creasy has retreated from life and exists inside a gruff, hardened exterior but, as the movie unfolds, he softens in the presence of his employer’s young daughter, Pita (Dakota Fanning). Following Pita’s ambush kidnapping Creasy sets out to find the kidnappers and make them pay — big time. Scott takes great care to establish the relationship between the bodyguard and the child. This makes Pita’s kidnapping feel less like a plot machination and more like an act of terror. The chemistry between Washington and an immensely charming 9-year-old Fanning is surprisingly rich, touching and emotionally resonant. Gritty, incendiary and viscerally engaging from beginning to end, Man on Fire emerges as the most percussively watchable action film of the year, with a great script and charismatic, engaging performances throughout.


BAADASSSSS


Mario Van Peebles sports an attitude of electric, hungry-eyed defiance to play his father, Melvin Van Peebles — one of the first black directors to be ushered through the gates of Hollywood — during the making of Sweet Sweetback’s Baad Asssss Song (1971), recapturing the feel of an era filled with social history and personal turmoil. Built around Mario’s performance, which is built on Melvin’s macho swagger and bull-headedness, Baadasssss! radiates with a jolting, lively energy, raw and full of the kind of life we don’t see often enough on screen. A must-rental for cinéastes.


YOUNG-ADAM


Débuting at Cannes and subsequently nominated for seven London Film Critics awards, Young Adam is an adaptation of the Scottish writer Alexander Trocchi’s 1957 novel. The story of Joe, an amoral wanderer played by Ewan McGregor, who discovers the body of a girl while working on a barge, upon its release the film raised eyebrows with its graphic sex scenes between McGregor and co-star Emily Mortimer (thus its NC-17 rating). With cinematography that transforms the bleak backdrop of 1950s Scotland into explosive beauty, and charged with tension throughout, this pungent story of guilt and lost innocence gradually becomes a compelling, if unresolved, study of conscience. Art cinema at its best, Young Adam should be seen.