Category Archives: Music

Sunday Music | #VanRamblings’ 100 Favourite Albums

Over the coming couple of years — and perhaps over more time —  VanRamblings will publish our favourite 100 albums of all time, not just the auspicious début albums as the graphic above suggests, but all of our favourite albums of all time.

Readers will notice in the time to come that many — in reality, most —  of our favourite music features female vocalists, as was pointed out to us by our friend J.B. Shayne in the early 90s as he perused our massive CD collection, commenting “Do you realize that 90% of your CD collection features female vocalists?”

Up until that time, we hadn’t realized that feature of our music collection — but we certainly have since.

Whether it’s Lucinda Williams, Billie Eilish, Fiona Apple, Iris DeMent, Norah Jones, Rickie Lee Jones (our favourite), Lori McKenna, Adele, Stina Nordenstam, Rumer, Liana La Havas, Emiliana Torrini, Miranda Lambert, Allison Moorer, Feist, Lily Allen, Anita Baker,  The Roches, Eva Cassidy, Laura Nyro, Azure Ray, Sharon von Etten, Kasey Chambers, Imogen Heap / Frou Frou and Tracy Thorne / Everything But the Girl,  VanRamblings appreciates narrative storytelling in song, and the distaff reflection of life that is captured by these outstanding artists in their music.

VanRamblings’ love for music dates back to our early childhood.

Our mother, Mary, was a vocalist —  from time to time — in a hit local music group that gained quite a following across the continent and internationally, a country / roots band called The Rhythm Pals. There was always song in our home, my mother’s propensity to sing along with music on the radio a feature of life, whether at home or in the car. Such was the case, singing with my own children growing up.

In the late 50s / early 60s, a regular Saturday activity would be to go to the record store, where my mother, my sister and I would rifle through the bins of 45s, choosing our 10 favourites — this at a time when you could get 10 records for $1.00 — which, upon returning home, would go directly onto our record player.

Music always filled our home, my mother’s taste in music vast, although her love for country music (the same was true of my father) knew no bounds.

Commencing next Sunday, we’ll present the music from what we believe to be the most auspicious début albums of the past 45 years.

C’mon back then to see who that artist might be (hint: she is featured in the graphic above the outset of the writing in today’s Sunday Music column).

Music Sunday | Clairo | Meditations On Anguish, Hope & Trust

American singer-songwriter Clairo

American singer-songwriter Claire Cottrill was born in Atlanta, Georgia on August 18th, 1998, and was raised in Carlisle, Massachusetts, the daughter of marketing executive Geoff Cottrill. From the age of 3 on Clairo displayed a distinct gift for writing songs, and by the time she was a teenager had taught herself Pro Tools, a digital audio home workstation cum music studio, recording, editing, and mastering the songs she had written in her bedroom — not to mention, creating the videos to accompany her songs.

Clairo first drew widespread attention in late 2017 when the video for her feminist song Pretty Girl went viral on YouTube. The song was later recorded for an indie rock compilation benefiting the Transgender Law Centre. At the time, Clairo drew the attention of filmmaker Crystal Moselle — best known for her award-winning documentary The Wolfpack, the tale of six cloistered brothers and their unusual upbringing, raised in near-total isolation in a public housing complex on New York’s Lower East Side.

On the subway riding into New York one day, Moselle ran across a group of skater girls heading into the city, and opened a conversation with them. Within the year, Moselle began work on her début fiction film, Skate Kitchen, an empowering coming-of-age portrait of six young women on wheels, and a touching ode to the rewards and challenges of female friendship — asking Clairo to score and record the soundtrack for the film, as well as write and record a song for both the film, and the film’s trailer.

Clairo, her song Heaven, recorded for Crystal Moselle’s Skate Kitchen film soundtrack

And now Clairo has a new album, Sling, the second full-length release for the pop chanteuse, a luminous and devastatingly intimate lo-fi portrait and pandemic-induced exercise in reflection, the new record finding the singer-songwriter meditating on her own self-growth, and the quiet frustration of living in isolation. Expanding her sound with grace and subtlety, employing an instrumental palette including flutes, saxophones and a string section — with the support of co-producer Jack Antonoff — the concluding, gut punch coda on the album has the 23-year-old making a winking joke, and a dead-serious personal statement on aging, and feeling older than you ought to.

The coda to Clairo’s new album, Sling, the song Management, a dead-serious personal reflection on “aging”, and the meaning behind becoming an adult in our troubled world.

Cat Zhang writes in her review of Sling, in Pitchfork magazine online …

“On Blouse, the hushed lead single of Clairo’s new album, Sling, the little thrills of adolescence are gone. “Why do I tell you how I feel/When you’re just looking down the blouse?” she sings, the dewy sincerity she once radiated now hardened into bitterness. Here is another young woman whose trust has been abused by an older man, and who is so hungry to be validated that she’ll risk being sexualized again: “If touch could make them hear, then touch me now.” It’s brutal to realize when you’re young that the ogling curiosity older people regard you with is not the same as respect, and getting attention does not mean having real agency.”

Since she stumbled into fame in 2017, and not entirely of her own volition, Clairo has been narrowly interpreted through the prism of her generation — keywords: viral, YouTube, bedroom pop, bisexuality — as an avatar for sensitive youths more comfortable online than outside, and who speak frankly about their feelings. On Sling, you feel her sense of exhaustion.

The song Blouse, from Clairo’s sophomore July 2021 album release, Sling.

Harbor, a short film edited by Clairo, from Noah Baumbach’s film, Marriage Story.

Clairo, in concert in Vancouver Monday, March 28, 2022, at the Orpheum.

Music Sunday | Divorce | The Birth of Phil Collins as a Superstar

Phil Collins, cover for his 1981 debut album, Face Value

For a great long while, Genesis drummer and replacement singer to the band’s original singer, the much beloved and high revered Peter Gabriel — a progressive rock superhero, songwriter, record producer and activist extraordinaire —&#32 when he broke away from the band in 1975 to launch a solo career, Phil Collins replaced him, which proved to be a far from salutary development for the band and for Collin’s nascent career, with Collins quickly becoming a figure of widespread derision among music critics, longtime fans of the band, and most members of the general public.

Phil Collins, with his first wife Andrea Bertorelli and their daughter Joely.Phil Collins with first wife Andrea Bertorelli and daughter Joely, circa 1979.

As if thing weren’t bad enough, in 1978 Collins went on a year-long hiatus from the band, moving to Vancouver in what would was destined to emerge as a vain attempt at repairing his marriage to Andrea Bertorelli, who had decamped from England to Lotusland, with Collins also working to maintain his relationship with his daughter Joely, an endeavour the was doomed to fail, with Collins returning to England in late 1979, at which time he went into seclusion for more than a year, despondent, near suicide and a drunk.
During his year-long period of seclusion, with regular therapy he eventually quit drinking, and at the suggestion of his therapist turned to his first love, writing music and lyrics, something he’d not done since early in his career, coming to terms with his divorce by pouring his heart out into 10 songs that eventually became his début album, Face Value, released in February 1981 on Virgin-Atlantic Records, reaching number in the charts across the globe, from the UK, U.S., Canada and Sweden to Austria, Germany, Ireland, New Zealand, Switzerland and the Netherlands, the album certified 5-times Platinum. Not bad for a washed up and much derided musician.
Today, then, Phil Collins’ Face Value, which 40 years ago helped me to traverse the shoals of my own nasty, contemptible and painful divorce.

Music Sundays | Nine Chill Songs to Quieten Your COVID Week

A chill VanRamblings' Spotify PlaylistStarting on the top left: The Cinematic Orchestra, Brooke Fraser, Azure Ray, Love, Allison Moorer (in the middle), Andy Gibb, Bebel Gilberto, Crash Test Dummies, and Billie Eilish.

Today on Music Sunday, a chill 9-song Spotify playlist of some of my favourite laid-back songs, spanning the years from 1967 (that’d be the American group Love’s Alone Again Or, written by band member Bryan MacLean) right up until present day, with Billie Eilish’s, I Love You.
The various artists span the globe, from New Zealand singer-songwriter Brooke Fraser — with whom I became acquainted one autumn day in 1997 when walking into a neighbourhood consignment clothing store — where, of course, I purchased a great new sweater, the young woman behind the counter a recent Kiwi emigré, who was more than happy to share her love of Ms. Fraser’s music with me; Brazil’s Bebel Gilberto, singing a song originally recorded by her then 24-year-old step-mother Astrud, in 1965; plus a lo-fi jazz song from Britain’s The Cinematic Orchestra, featuring Québéçois singer-songwriter Patrick Watson on vocals; a song by Australia’s Andy Gibb; and music from Alison Moorer, raised in the southern U.S., which is where Azure Ray’s Orenda Fink and Maria Taylor hail from; and, from Canada, the Winnipeg-based Crash Test Dummies, Brad Roberts on vocals; and last but not least, the incomparable chanteuse, Billie Eilish.