From the late 1960s on, I have been gifted with having a series of publications publish my music reviews. My love for music started much earlier than that, though — in all likelihood, probably from the womb, because my mother loved music, our home filled always with the popular music of the day, which seemed to give my mother life, and succeeded almost always in bringing joy into our home.
The gift of the love of music was passed on to my children, by both their mother and me, both of us from an early age finding succour and sustenance in music that embedded itself into the lifeblood of our lives.
My son, Jude Nathan Tomlin, extended our family’s love of music beyond mere singing in the home, or playing music on the home or car stereo: Jude makes music, and has traveled the world as a progressive house D.J., playing his own special brand of house music. Most, if not all of his music collection is on vinyl, because he (and many others) experience the sound of music that emanates from vinyl as fuller, warmer and more intimate.
Over the years, every now and then, Jude would run across a piece of music that was not intended to be digitized, and had not been digitized, but as he knew that almost all of my music is either on CD, DVD or mp3, Jude would take pity on his poor dad and convert the vinyl “song” he had discovered into a high quality mp3 to add to my music collection (although he’d find the juxtaposing of the words “high quality” and “mp3” a curious construction indeed, and mutually exclusive concepts … still and all …).
Even today, I could not find Transglobal Underground’s remix of Dub Tribal’s Elastic Reality anywhere as an mp3, or on YouTube, so I uploaded the “song”, which you’ll find at the top of today’s Music Sunday column.
I recall one day not all that many years ago, when Jude arrived home from his travels, his sitting down at my computer, whereupon he added Transglobal Underground’s remix of Dub Tribal’s Elastic Reality to my iTunes music collection, and subsequently to my iPhone’s 5000+ song collection of music. I find the song calming, as does Jude, and as he knew I would.
Jude continues often, if less often than previously, to provide me with the gift of music, as he did some years ago with the second song on today’s Music Sunday roster, an historical piece of music by The Art of Noise, featuring the late British actor John Hurt performing the narrative vocal, the song about Claude Debussy, titled, The Holy Egoism Of Genius.
Category Archives: VanRamblings
Stories of a Life | Is Raymond Jewish? | Yep, Certainly by Blood
br>1903: In the early part of the 20th century, my grandfather escaped the Ukrainian pogroms, an ethnic cleansing of the Jewish population that was taking place across eastern Europe that resulted in the murder of tens of thousands of Jews.
Whether it be the 11 congregants at Pittsburgh’s Tree of Life synagogue who were wantonly murdered only two short weeks ago, or Jews being targeted in the alt-right rally in Charlottesville on August 11th and 12th of 2017, or the 907 Jewish refugees escaping Hitler’s Germany in 1939 who were refused safe harbour in both Canada and the United States, most of the 907 returning to their deaths in Europe, where six million more Jews were slaughtered during the course of WWII, or the fact that since 2015 hate crimes in Canada against people of the Jewish faith has risen by an astonishing 30%, the fact of the Jewish diaspora and the murder over the centuries of hundreds of thousands of Jews as “the other” in countries across the globe is a devastating and unjust historical fact for the ages.
br>The Hep-Hep riots in Frankfurt, Germany in 1819 that occurred amidst a climate of anti-Semitism fueled by various anti-Jewish publications. Participants in these riots rallied to the cry, “Hepp Hepp”, which may have been an acronym for “Hierosolyma est perdita”, meaning “Jerusalem is lost”. On the left, two peasant women are assaulting a Jewish man with pitchfork and broom. On the right, a man wearing spectacles, tails and a six-button waistcoat, “perhaps a pharmacist or a schoolteacher,” holds another Jewish man by the throat and is about to club him with a truncheon. The houses are being looted.
First recorded in 1882, the Russian word pogrom is derived from the common prefix po- and the verb gromit’ meaning “to destroy, to wreak havoc, to demolish violently” — apparently a word borrowed from Yiddish, the term first used to describe the anti-Semitic excesses in the Russian Empire from 1881 — 1883. Antisemitism in the Ukraine has been a historical issue, as well, but became more widespread in the 20th century.
Pogroms were a generational fact of life in the Ukraine, in 1821, 1859, 1871, 1881, 1903 and 1905, across the whole of the Ukraine.
In 1903, when my grandfather was but a young Jewish teenage boy, he managed to escape the Odessa pogroms that killed thousands that year, making his way by foot to Sweden, where he hoped to find passage to Canada. Word had filtered into Europe at the turn of the last century that the Canadian government was offering tracts of land to European settlers, and it was with this fact in mind that my grandfather set about to make his way to Canada, fully aware that Jews were not included in the Canadian government’s offer of land in exchange for breadbasket farming development, in the hope of settling the Prairie provinces, and making Alberta, Saskatchewan and Manitoba part of the new country of Canada.
While in Sweden, my grandfather married a young Jewish woman he met while awaiting passage, and not many months later the two were boarded onto a ship sailing out of Sweden for Canada, arriving in our burgeoning new country in the spring of 1905. Irrespective of the laws of the time, and because the new province of Alberta was desperate to have their land settled, my grandparents were provided a densely treed tract, a full section of land just outside of what we now know as High River, Alberta. Over the years, one section of land grew into many, 10 children were born, five boys and five girls, the last of whom was my mother, born on March 28th, 1924.
The life was hardscrabble, even more so upon the death of my grandmother in the early winter of 1927, when my mother was but three years of age. All the children pitched in, though, creating a thriving farm — up until the Great Depression of the 1930s. By the time my mother was twelve years of age, she had struck out on her own, making a life for herself as a waitress in Drumheller, Alberta, a job she held off and on for the next fourteen years. World War II saw her moving to Vancouver to work first in the shipyards, and then in the factories making armaments — factory work a staple of her life for the next 35 years.
In 1946, my mother Mary met my father Jack, the two were married, and in 1947 my brother Robert was born, a sickly child who died three months after his birth. Escaping grief, my parents moved to Drumheller, where my mother had friends, and where her old waitress job awaited her, my father picking up what work he could. On August 9th, 1950, my mother went into labour, and had my father drive the both of them back over the deadly Rocky Mountain pass, the two arriving in Vancouver and driving directly to Vancouver General Hospital, where I was born at 2:26pm on Friday, August 11th, 1950. My sister Linda was born a bit less than two years later at St. Paul’s Hospital, on May 29th, 1952. My mother had insisted that both her children be born in Vancouver — to know my mother is to know that no one ever refused her. To this day, I am attracted only, and have found myself in loving relationships with tough, take no guff, opinionated (and, dare I say, “crazy” and just a tad, or more than a tad, mentally unstable — and, yes, I realize that’s sorta like the pot calling the kettle black … even so) women.
For the first 20 years of my life, the fact of my Jewishness was never raised with either my sister or me, not by my parents, not by my “spinster” aunt Freda (Blackerman, my mother’s maiden name), nor my aunt Anne and Uncle Dave, my uncle Joe nor any of my mother’s Jewish brothers and sisters — the quid pro quo in my family was that if my aunts, uncles and cousins wanted me to be a part of their lives, there was to be no talk of my Jewish heritage — this edict by my mother extended as well to my tall oak of a grandfather, who was every bit the sophisticated patrician Jew.
Every Sunday of our youth, my sister and I were picked up by a small school bus and transported to Sunday school, spending the rest of the day being taken to lunch, swimming, out to Stanley Park, or otherwise engaged by the members of the church. Every week I memorized and recited verses from the New Testament at Sunday school.
Now, there were some “hints” given that I might be Jewish — my mother, when she wasn’t working at one of her three jobs, loved to bake, and I grew up on a steady diet of Jewish pastries, my favourite the jam-infused hamantaschen, and jam, nut and raisin-infused rugelach, which latter small pastries I could consume by the dozen.
Growing up there was a great deal of arguing that went on between my parents, epithets thrown at my mother by my father, with the words “dirty Jew” heard on the other side of the door inside of my parent’s bedroom, words raged at my mother by my father. Otherwise, although I suspected I was Jewish, the fact was never confirmed for me growing up.
br>Simon Fraser University’s Louis Riel House, student family 1 + 2 bedroom residence
At around 10am one summer’s morning in July, 1972, while we were resident at Louis Riel House, Cathy and I received a telephone call from a woman identifying herself as my “Aunt Sally.” I took pains to explain to her that she must have the wrong number, that I had no “Aunt Sally”, to which she replied …
“I am your Aunt Sally. Your mother is Mary, who is my youngest sister. Your Aunt Freda — who all but raised you — is my second youngest sister. Summer’s you went to stay with your Auntie Anne, my sister, and your Uncle Dave, in Lethbridge. When you were younger, you stayed on my father’s farm in High River, Alberta. You know my older brother, Joe — who, when you lived in Edmonton for Grades 4, 5 and 6, helped to raise you when your mother was working three jobs, and your father was working evenings at the Post Office. Believe me when I say, Raymond — I am your Aunt Sally.”
At which point, my newly-discovered Aunt Sally invited Cathy and I for lunch at the Bayshore Inn where she and her husband, Alex (Promislow) were staying while in town, on a mission to make contact with me. Aunt Sally told me that she’d already made arrangements with my mother to join us for lunch, and she expected Cathy and I to arrive at noon, where she would greet us at the entrance to The Bayshore.
Lunch was good, my mother remaining all but mute throughout the meal.
I met my Uncle Alex, Sally’s husband — who years earlier had secured the distribution rights for Lee’s jeans in Canada, a percentage of each pair of jeans, and other Lee’s products, placed into his bank account, making him a wealthy man. I heard all about my aunt, now living in Calgary, spending the early part of her life, after leaving home, in Winnipeg, where she’d met Alex. I was given the Five Books of Moses, and was provided with a more in-depth history of my family, dating back centuries, than I ever could have hoped for. Through it all, my mother denied her Jewishness — she readily admitted that Sally was her sister, but insisted she had been adopted, and had not a drop of Jewish blood in her, and as an atheist had never been a member of any church, never mind a synagogue, which notion she told us she found offensive and off-putting, her so-called “heritage” a complete and utter lie. My aunt Sally simply rolled her eyes, and harrumphed a bit.
I stayed in touch with my aunt Sally and Uncle Alex for another 15 years, but eventually lost touch with the both of them.
Growing up, I apprised both Jude and Megan of their Jewish heritage — much to their mother’s chagrin, my children’s mother both anti-religion and an avowed atheist. Hanukkah, one of the lesser Jewish holidays, was their favourite, occurring as it did in December, and generally just before Christmas. Jude and Megan loved receiving one small gift each day of Hanukkah, and enjoyed lighting the menora, as well. We always attended cultural celebrations at the Jewish Community Centre, dancing up a storm.
Jude and Megan had Jewish friends, and attended at various bat and bar mitzvahs, but did not have one of their own (their mother would have had a conniption fit!). During Passover, we were invited to friend’s homes for Seder, at which time our Jewish friends explained the importance of Passover, and what it meant to people of the Jewish faith.
I have come to believe that the immense amount of energy that I have brought to the tasks of my life — as is the case with my daughter, who possesses the same capacity as me to work days on end with little or no sleep, while maintaining both a high energy and output level — derives from the Jewish blood that courses through my veins. For my children, their Jewishness is not a factor in their lives, as is the case with my grandsons.
Still, I consider myself to be Jewish — my mother was Jewish, and Judaism is a matriarchy, so I am very much a Jew, even if my mother denied her Jewish heritage to her dying day. For my younger sister Linda, her Jewish heritage plays no role in her life, nor in that of my two nieces.
I have decided to take classes with Rabbi Dan Moskovitz in the new year to become better acquainted with my heritage — a bit late in my life, but better late than never. And, of course, at the invitation of my friend Jacob Kojfman, I will once again attend the Dreidels & Drinks Hanukkah celebration, for me the low-key, warmly inviting, edifying and humane event of the holiday season, to which are invited every federal, provincial and Metro Vancouver elected official, providing an opportunity to converse and interact across political boundaries (the number of political figures I introduced to one another, avowed “enemies” at first introduction, and only a few minutes later best of friends, person after person approaching me to say, “Thank you for that introduction, Raymond — who’d have thought that —- and I had so much in common? We got along famously!”
And, really, when you get right down to it, isn’t that what the holiday season is all about — peace, love, understanding, brother-and-sisterhood.
Arts Friday | Burning & Madeline’s Madeline | Vancity Theatre
The 37th annual Vancouver International Film Festival — home to all that is good, great and life-changing in independent film, and award-winning film from countries spanning the globe — wrapped one month ago.
For many, the Festival closing for another year is cause for despair, for where else other than VIFF will lovers of film discover authentic cinema?
As we have written many times previously on VanRamblings, Tom Charity is the year-round programmer of the Vancouver International Film Festival’s Vancity Theatre, on Seymour just north of Davie & across the street from the expansive, much-cherished community amenity, Emery Barnes Park.
Eleven months of the year, the good and great Mr. Charity programmes the very best in independent and world cinema, home to transcendently lovely films of import, award winning cinema that finds a home in the gorgeous, comfy and intimate 175-seat Vancity Theatre. For our new Mayor and ten new Vancouver City Councillors, the Vancity is not only our — which is to say, the citizens’ — cinema, it is your cinema. Why, your cinema?
The home of the Vancouver International Film Festival, and the creation of the Vancity Theatre, occurred consequent to a demand by the city of Vancouver with the developer of the overshadowing Brava condominium complex that a constituent element of the Brava development, as the developers’ community amenity contribution, would be the realization of a year-round home for VIFF, and the creation of a city and a neighbourhood state-of-the-art cinema, which came to be known as the Vancity Theatre.
As our new City Council’s point person on the arts, and as a member of our community who fought hard for the preservation of the east side’s Rio Theatre, Councillor Michael Wiebe — who, on occasion, we have seen in the audience of the Vancity, as we have seen other of our newly-electeds, as well as recent and past members of Council — should, from time to time, remember that the Vancity Theatre is their home, as it is home for so many of us who look to VIFF for cinematic insight into the human condition — and you know what, the Vancity Theatre always, always comes through.
As is the case today, with two outstanding films that have captured the interest of cinéastes everywhere, and this year have taken the globe, and film festivals across the globe, by storm as ineffable, astonishing and triumphantly inventive cinema of the first order, compelling, extraordinary and intoxicating cinema magic that demands your attention & attendance.
Madeline’s Madeline, Vancity Theatre, 1181 Seymour Street. Now playing.
Friday, November 9th, at 6pm
Saturday, November 10th 2018, at 5pm
Sunday, November 11th, at 8pm
Wednesday, November 14th, at 4pm
Thursday, November 15th, at 1pm
Written and directed by Josephine Decker and starring remarkable newcomer Helena Howard, Madeline’s Madeline is a stunner, a hit at Sundance earlier this year, cinema considered by many critics to be one of the best films of the year. Described by IndieWire’s David Ehrlich as …
“… an ecstatically disorienting experience that defines its terms right from the start and then obliterates any trace of traditional film language, achieving a cinematic aphasia that allows Decker to redraw the boundaries between the stories we tell and the people we tell them about, Madeline’s Madeline emerges as one of the boldest and most invigorating American films of the 21st century, a dazzling hall of mirrors, a mesmerizing and unshakeable cinematic experience that demands your attention.”
Madeline’s Madeline opens at 6pm tonight at the Vancity Theatre.
Burning. Opens tonight at 7:50pm, at the Vancity Theatre, on Seymour.
Saturday, November 10th, 2pm
Saturday, November 10th, 6:50pm
Sunday, November 11th, at 5:10pm
Wednesday, November 14th, at 1pm
Thursday, November 15th, at 3pm
Friday, November 16th, at 8:30pm
Lee Chang-dong’s masterful thriller and Cannes FIPRESCI Prize winner, Burning is South Korea’s 2018 Best Foreign Language Film Oscar entry, and a film sure to end up on a raft of critical top-10 lists, cinema that shudders with ravenous desire, a meticulous and mysterious slow-burning thriller that transforms into a masterful look at jealousy, class, and revenge that, despite its 148 minutes, quickens its pace as it moves along, all the while torching genre clichés, Burning emerging as a subtle, teasing mystery that develops into a full-blown thriller, and cinema that leaves a lasting, scorching blister that purifies the soul. Clearly, then, a must-see film.
The Music of One’s Life, The Voices of Women | The Rescues
In 1993, my friend J.B. Shayne was visiting in my home, and as I was preparing a bit of lunch, he scanned my vast (at the time, anyway) CD collection — about 10 minutes into his investigative process, J.B. turned to me and said, “Do you realize that 80% of your music collection features female vocalists?” At the time, the thought had never occurred to me that J.B.’s statement might be true. Somehow, I’d just never realized it.
Over the coming months, then, as you might well expect, VanRamblings’ readers may reasonably project that the vast majority of music I’ll be writing about will feature women vocalists, from my country and Americana favourites Kasey Chambers, Allison Moorer, Iris DeMent, Kacey Musgraves, Lady Antebellum, Lori McKenna, Miranda Lambert, Nickel Creek, The Secret Sisters, Julia Stone and Lucinda Williams, to my fave urban contemporary artists like Chrisette Michelle, Teedra Moses, Nicki Flores, Rihanna, Mary J. Blige, Amel Larriuex, and Krys Ivory, to the following cross-genre artists …
Cat Power, Emiliana Torrini, Julien Baker, Laura Nyro, Lianne Le Havas, Rickie Lee Jones, Stina Nordenstam, Tracey Thorne, Gemma Hayes, Eva Cassidy, Feist, Imogen Heap, Robyn, Missy Higgins, Sharon van Etten, Laura Jansen, Lily Allen, Fiona Apple, Bic Runga, Beth Orton, Adaline, Coeur de Pirate, Emil Sande, Jem and Lykke Li, to female fronted groups like …
Apples in Stereo, Azure Ray, CocoRosie, The Roches, Rumer, and more.
The above artists only scratch the surface of my musical itch for discovery.
Sometimes, there are songs that I just keep returning to, music with harmonies featuring women’s voices, songs that pick me up, brighten my mood and give me hope. That’s the music I’m presenting today.
The Rescues were formed in Los Angeles in 2008, a female fronted indie supergroup, featuring acclaimed singer / songwriter and multi instrumentalist Kyler England, composer, video director and artist Adrianne Gonzalez, who were joined by conductor and film score composer Gabriel Mann, and a rotating fourth vocalist, The Rescues together creating a free form amalgam of cross-genre musical styles ranging from acoustic, folk and Americana to progressive dance, electronica, hip-hop and rap.
Although Katy Perry did a cover of The Rescues’ Teenage Dream, Kyler England, Adrianne Gonzalez, Gabriel Mann and Rob Giles created the captivatingly gorgeous four-part harmonies that you’ll hear in their definitive version of Teenage Dream. Listen for yourself & enjoy …