Category Archives: VanRamblings

Stories of a Life | The Disgusting Men’s Group & Fallout Therein

Vancouver's Commercial Drive at East 1st Avenue, 1950s

East 1st Avenue and Commercial Drive, in Vancouver, in the 1950s, facing north

Growing up in Grandview-Woodland in the 1950s and 1960s as a poverty-ridden, slum dwelling east side kid, getting into fights was almost a daily feature of my young life, as it was for most of my peers.
As bad as I often had it, though, life for my mother was often much worse.

Women at work in the 1950s

Working for 35¢ an hour at one back breaking job after another, subject to the whims and the unwanted attentions of her male bosses, sexual assault was as much a feature in my mother’s life as fighting was in mine.
And my working class mother was as tough as they come, let me tell you.
Still, seeing what my mother had to endure every day, early on turned me into a feminist, and a staunch, lifelong defender of women, central to the way I’ve brought myself to the world, from as far back as I can remember.
When I met Cathy in the late ’60s, a big part of her attraction to me was as a bad boy, a wiry, never say die street fighter who could defend her interests and integrity when the occasion arose — which became a regular occurrence in the first half dozen years we were together.
Then the 1970s happened, the era of women’s consciousness-raising groups, and marching on picket lines to defend the interests of women exploited by their bosses at their place of employment — including up at Simon Fraser University, where men filled all of the senior administrative positions at the university, with women relegated to performing the work that needed to get done, although ill-paid for their endeavours, unrecognized, and denied always the opportunity for advancement.
Let us not forget, all of the above occurred less than fifty short years ago.
By the time the 1970s ended, every man of my acquaintance identified himself as a feminist, and a staunch ally of women. We learned to cook and participated with our partners in preparing meals, sharing household duties, and were as much involved with child raising as were our female partners.

Man preparing dinner, while his wife makes the salad

Then the 1980s came along, and many changes were wrought.
The women in the lives of these “liberated” men to whom I’d been close for a decade and more turned to us, one by one, expressing how dissatisfied they were with the progressive, supportive, domesticated men we had become — each woman leaving her marriage, to take up with what we had once been: sexist, thoughtless men who would never dream of preparing a meal, taking care of our children, or “helping out around the house.”
To say that my male friends and I were flabbergasted, taken aback at the state of affairs described above would be an understatement.
We thought we’d become everything our wives had needed us to be: loving, supportive men who were gentle of spirit and presentation to the world, breadwinners as well, but equal participants in every aspect of our lives at home, the growing of organic foods in the garden, vacuuming and washing the floors on weekends, doing the laundry and ironing, child raising, all in addition to the more “manly chores” involving carpentry, electrical work, yard work, and anything that approached some degree of hard labour.
Yet, here we were: our marriages ended, our wives remarried to (or in a relationship with) a Cro-Magnon “thug”, while we were left paying alimony and maintenance through the nose, and were more often than not denied anything approaching reasonable access to our children. As a group we weren’t angry, just confused at this unforeseeable turn our lives had taken.
Every Friday evening, a bunch of us would get together at Scott Parker’s house in Burnaby, at the corner of Frances and Gilmore. We’d drink, listen to music, head out to a concert if one was happening, and kvetch about our undeserved fate. Perhaps not the most productive use of our time, hardly a ‘manly’ activity, but for a time it met our collective need for context.
Once, when high as a kite, one of the men gathered at Scott’s house suggested we constitute ourselves as the Disgusting Men’s Group, or the DMG. As plastered as we all were, individually and collectively we immediately cottoned on to the idea, adopting the DMG moniker for our regular Friday night get-togethers. In passing, it must said, once we became the DMG, our progressive politics went out the window for the few short hours we met each Friday night — at all other times, it was back to being the progressive feminist men we all had long known ourselves to be.
The member of the DMG who came up with the group’s name went so far as to draft a wildly provocative and overtly sexist DMG Manifesto, which — without informing any of the men in the DMG — he printed and distributed all across town. The response was immediate: every feminist woman in British Columbia hated us, each member was condemned, as to a man we became despised, detested, execrable, and scorned. Affairs reached such a fever pitch, that the man who drafted the Manifesto had to return to his home in Ireland, fearful for his personal safety, and the potential for harm.
In short order, members of the now disbanded Disgusting Men’s Group, were not only shunned, but became targets by our distaff comrades for horrendous abuse, not just verbal but often physical — affecting our employment, our access to our children, our standing in the community and any potential for a relationship with any woman on the Lower Mainland who considered herself to be a feminist, and a supporter of women’s causes.
In my case, when the then Ministry of Human Resources became involved in a child custody dispute between Cathy and I, when she removed my two children from the jurisdiction (read: kidnapped) upon her return, both of our children were placed in the care of the province, rather than returned to me, the custodial parent. The apprehending social worker — who I knew from left groups I’d worked with for years — hated me arising from her reading of the manifesto, the drafting / distribution of which I’d had no role.
Nonetheless, for two long, seemingly endless and miserable years, the social worker made my life a living hell, arbitrarily withholding access to my children — who didn’t know what the hell was going on, why they’d been wrenched away from their father — and otherwise engaging in court-related activity that, as the documents she submitted to the courts required a response, came to cost me a small fortune, in the many tens of thousands of dollars. When the courts appointed a mediator to assess the parenting skills of the respective warring partners – that would be Cathy and I – a feminist psychiatrist was appointed to conduct the mediation activity.
In 1983, working together, the social worker and the psychiatrist submitted a devastating report to the Supreme Court, alleging I was a combination Franco / Hitler / Mussolini / Pinochet / Stalinist provocateur, and an utterly despicable man, who not only should never see his children ever again, but to the benefit of all, must be removed from society as I posed a threat and a danger to good, innocent and well-intentioned citizens everywhere.
At the Court hearing where the Supreme Court Justice was to render a verdict on the report and my continued access to my children, the Justice became so enraged with the contents of the document that the social worker and psychiatrist had submitted to the Court, he picked up the report and flung it across the room, into the area in front of the table where the psychiatrist and the social worker sat, stating, “In all my years on the bench, I have never read as biased a report as has been submitted to this Court, a garbage report that this Court utterly rejects.” Turning to the plaintiff table, the Justice castigated the social worker & the psychiatrist, removing the social worker from the case for “bias”, and telling the psychiatrist she ought to be ashamed of herself, that arising from her report that the Court would submit her name to the College of Physicians and Surgeons for a review of her “damnable practice of medicine.”
In addition, the Justice removed the jurisdiction of the Ministry of Human Resources from involvement in the case, ordered that a Court-appointed mediator be assigned to the case — who, as time passed, did everything in her power to bring reason and justice to a case where such had been absent the previous two years — ordering, as well, that regular access to my two children be re-established sans supervision and, further, that I be afforded the opportunity to re-establish my relationship with my two children, to see and spend time with them during the week, to have them stay with me on weekends, on holidays, and for a month in the summer.
That the misery of access to my two children continued on for another five long, arduous, painful and expensive years, as Cathy took me to Court multiple times a year through 1988, is a story (or not) for another day.

VIFF 2020 | You Have Less Than One Week to Stream VIFF Films


Tracey Deer's new film on 1991's OKA crisis, Beans, awarded Best Canadian Film at the 2020 Vancouver International Film Festival

Click or tap on the picture above to access the trailer for Tracey Deer’s new film, Beans

Flat out VanRamblings’ favourite film at VIFF 2020 — along with Jennifer Abbott’s new documentary, The Magnitude of All Things — writer-director Tracey Deer’s new film, Beans, is a poignant, wrenching, heartrending, gut-punch of a film, the first narrative feature to focus on 1991’s Oka Crisis on Québec’s Kahnawake reserve, the story told through the eyes of a 12-year-old girl (the ‘Beans’ of the title) whose family, friends and neighbours lived through the violent 78-day conflict on Mohawk land, with young Kiawentiio embodying, with beyond-her-years wisdom, and forceful determination, director Deer’s own experience as a young girl. An absolute knock-out of a film that had me in tears throughout, and as I say above, a must-see.
VanRamblings’ review of The Magnitude of All Things may be found here.

Another film that has emerged as one of VanRamblings’ favourites is the Serbia/Croatia/Slovenia/Bosnia and Herzegovina co-production, Father, about which Taste of Cinema’s David House writes

unsettling, a bleak and heartbreaking tale of the struggle of a father, Nikola, to regain custody of his children from a corrupt Serbian bureaucracy determined to separate the children from their family. With a powerful, quiet, understated, award-worthy performance from Goran Bogdan as Nikola, whose love and devotion to his family emerges as a drama of tender devastation, that tells its story with an unblinking neorealist simplicity redolent of the plainspoken purity of Vittorio De Sica.

In addition, Father offers a damning critique of an uncaring Eastern European government, as well as a rallying cry for those who fall through the cracks. A film filled with gentle humanity, and an unquenchable decency, courage and perseverance, Father is a spare, unadorned film, with as touching a story as you’ll see at VIFF 2020. Recommended.
More Taste of Cinema VIFF 2020 reviews may be found by clicking here.

VIFF 2020 film reviews by Jason Chen, in Kaleidoscope online arts & culture magazine

Finally for today, a few VIFF 2020 reviews written by Kinetoscope film critics, the acclaimed Jason Chen and Robert Snow.

My Salinger Year | Opening night film Berlinale 2020 | Kinetoscope review by Jason Chen

My Prince Edward | Best New Director Hong Kong 20 | Kinetoscope review by Jason Chen

The Reason I Jump | Audience Award, World Documentary Competition, Sundance 2020 | Kinetoscope review by Robert Snow


A Life Turned Upside Down: My Dad’s an Alcoholic
| Kinetoscope review by Jason Chen

Music Sundays | Regina Spektor | A Cinematic, Tender Storyteller

Celebrating the music of Regina Spektor

Some years ago, as I have written previously, my friend J.B. Shayne was in my home, and scanning my vast CD collection (we’re talking the early ’90s here), he commented, “Do you realize that 80% of your record collection features female vocalists?” In fact, the percentage of female singer-songwriters in my music collection is probably closer to ninety per cent.
Today, I present a couple of songs from my iTunes / Spotify music collection by artist Regina Spektor, who although she hasn’t achieved the mainstream success of a Fiona Apple or a Tori Amos, nonetheless deserves much more recognition for her weighty, low key 19-year career than it’s earned to date.
Whimsical, with great melodies and brilliant songcraft, Regina Spektor’s music is simply beautiful, both lyrically and musically, with an almost angelic quality to them, showcasing always her distinctive vocals and winsome piano talents, a storyteller of the first order, a singer-songwriter brimming with personality, and more than capable of conjuring up moments of wisdom, maturity and magic, in a career deserving of celebration and recognition, that is uniquely — and unmistakably — hers and hers alone.

star.jpg star.jpg star.jpg

Samson was initially recorded as the first track for Regina Spektor’s second album, Songs, which she recorded in one take on Christmas Day 2001. In 2006, Ms. Spektor re-recorded the song for her album Begin to Hope, which, unlike Songs, had a major label backing. And, the rest is history.

Regina Spektor’s best songs tweak inviting melodies with bits of eccentricity in rhythm and vocal cadence, resulting in music that skilfully hits emotional buttons without coming across as formulaic. Laughing With, which was the first single released from her fifth album, Far, doesn’t quite play to those strengths, but instead opts for a modern balladry that is, as you will hear, ideally suited to our trying and most difficult pandemic times.

Stories of a Life | My Days in Radio in the Late 1960s

Radio in Vancouver in the 1960s

In the 1960s, radio announcers — or “boss jocks”, if you will — were celebrities, afforded the same degree of adoration by young people rock ‘n roll bands were accustomed to, their deep, resonant male voices (because, alas, radio was exclusively a male domain) you heard through your transistor or car radio speakers transporting you to another time and place.

The late 1960s was when a motley group of young guys took over the radio airwaves in Vancouver, when radio really meant something: lanky John Tanner arriving from Penticton, Daryl B from Winnipeg, Terry David Mulligan from North Vancouver via Red Deer and Regina, the ‘real’ Roy Hennessey, Rick Honey travelling cross-country after working a radio gig in Halifax, the preternaturally young and talented Fred Latremouille, East End boy wonder Don Richards, ex-Edmonton Eskimos football player Jim Hault, and radio screamer, CKLG’s ‘let me on the radio’, 16-year-old ‘little’ Stevie Wonder.

And, of course, the incredibly talented Johann Bruno (JB) Shayne aka Chuck Steak, Lucy Morals Loving Housewife Mother of Five, Captain Midnight, resident gardener Herb Folley, and Uncle Ned Out In the Shed Milking The Cow Right About Now, among a dozen other radio characters who were fixtures on Vancouver’s morning & afternoon drive programmes.

These were the halcyon days of Vancouver radio, never to be heard again.

And lucky me, I got to be a part of it from 1966 until 1970, rarely on the air, although I did have a regular Sunday morning gig on LG-FM playing classical music (ordered by the CRTC that the station play classical music 6 a.m. til noon, Sundays) — which was going to be the focus of today’s post, but I thought I’d get into too much trouble telling the story I’d intended.

Even so, I’ll leave you with this one ‘fit for print’ story about my days at LG-FM. Ordinarily, when sitting in the cavernous LG-FM studio (separated from the AM side of the operation by the production studio), there was a small lamp that lit up the console, casting shadow on the rest of the room.

One Sunday morning I arrived for work only to discover that one of the jocks on the FM side who’d been “promoted” to the AM side — although the jocks loved LG-FM, station management could have cared less, as FM wasn’t a revenue generator, barely an afterthought for Conservative party honcho, General Manager Don Hamilton — had taken the lamp home with him, leaving the FM studio well lit by blindingly bright fluorescent lights.

There was no way I was going to work 6 hours under those conditions.

So, following a spin of the Moody’s Blues’ Nights of White Satin — which I considered to be classical music, and anyway, what were the chances management was listening that early on a Sunday morning, although a woman did phone in to lodge a complaint to management — I opened the microphone, gave listeners the studio telephone number, telling them that I’d take the first person to deliver a desk lamp on a tour of the station. Two minutes later I got a call, and fifteen minutes later a group of hippies, a couple of guys and a girl, pressed the front buzzer, and in one of the guy’s hands was a perfectly gorgeous little, near historical Edwardian lamp.

Walking with the three towards the FM studio, I placed the lamp on the console panel counter, put on Circus Maximus’ Wind (I’ve never been good at following directions), and proceeded to take the three on a tour of the station, from Roy Hennessy’s music room, to the newsroom, into the AM studio where my friend (and best man at my wedding), the late Bren Traff was spinning discs, and then to the basement where all the jocks got together to get stoned (another story I can’t tell — well, maybe one part of it one day, involving Carol-Ann ‘Angel‘ Mulligan — who I was head over heels in love with at the time), and then back towards the entrance to the building, showing them the front offices of 1006 Richards Street, bid them adieu, and made it back to the studio just in time to put on the next record.

The building in which 73 CKLG Vancouver and LG-FM was housed

I pulled the chain on the lamp to turn it on, and then proceeded to turn off the overhead fluorescents. Seated back in my chair in front of the console, the room now properly lit, I noticed the lamp had dark blotches on the inside of the shade. Curious as to what those “blotches” were, I reached under the lamp and came across a very small bag that had been taped to the inside of the lamp shade. Removing the little baggie and placing it on the counter in front of me, I saw that it was a small bag of marijuana.

Hmmm, I thought to myself, as I reached under the lamp shade, and removed another baggie, this one filled with small pieces of hash. Lifting out another baggie and placing it on the counter, I saw that it contained several tabs of LSD. Eight bags in total, filled with marijuana, hashish, LSD, cocaine, and psychedelics, ranging from mescaline and magic mushrooms to LSD & peyote, a veritable pharmacological array of common 60s drugs.

And, no, I didn’t do any of those drugs during the course of my six-hour shift — although many jocks did their entire shifts high on one psychedelic or another. There’s a routinization to radio: you open the microphone, and the patter begins, the practiced way of presenting yourself on the airways, such a part of you that no matter how stoned you are, how much the room seems to be floating around you, once that microphone opens, you end up doing what you do best, the experience of the drugs serving to enhance your wit, your humour, your on air insight and your warm welcoming patter.

For years — until Cathy came along and said, “There’s no way you’re going to stay in radio hanging out with those guys. You’re going to university and that’s all there is to it” — radio played a pivotal role in my maturation, surrounded by great people, unbelievably bright and gregarious guys like Bill Reiter and Terry David Mulligan … both among the most generous, sane, and talented men I have ever met, who had my back always, as was the case with Jim Hault and Daryl B, and Douglas Miller, too — although I am sorry to report that I was not near as generous to Doug in our days at SFU, and earlier in our days in radio, as he was to me in the ten years we were close … it took me a long time to mature, and an even longer time to develop kindness and compassion as a way of bringing myself to the world.