Category Archives: Vancouver

VIFF 2025 Galas & Special Presentations at VIFF#44

In Part One of a three part series, today on VanRamblings we take a look at this year’s VIFF’s Galas & Special Presentations on offer at the 44th annual Vancouver International Film Festival, set to run from Thursday, October 2nd thru 12th.

If you click on the underlined link of the titles below, you will be taken to the VIFF page that will both provide you with more insight into the films, and allow you the opportunity to purchase tickets for the screening of your choice.

Sentimental Value. Winner of the Grand Prix at this year’s Cannes Film Festival, Joachim Trier’s Sentimental Value — a ravishing, uncommonly rich, contemplative, poignant and humane look at existence — took Cannes by storm, emerging as a favourite among critics, even if Jafar Panahi’s film, It Was Just an Accident (which will also screen at VIFF this year), won the Palme d’Or.

Sentimental Value will feature prominently in this year’s Oscar race, with guaranteed nods for Best Picture, Best International Feature, Best Actress for Renate Reinsve (Worst Person in the World), Best Actor for Stellan Skarsgård, and Best Director for Joachim Trier. Here’s your opportunity to get an early look at one of the best films of the year, a piercing reflection on family and memory, and a film that mines the inner truths of the characters we see on screen. Not to be missed.

Friday October 3rd
5:45 pm
Vancouver Playhouse
Wednesday October 8th
5:30 pm
Vancouver Playhouse

After the Hunt. Opening to mixed reviews at the Venice film festival this past weekend, Luca Guadagnino’s “bizarrely retrograde” (IndieWire), “weirdly muddled” (Variety), “frustratingly cryptic” (The Hollywood Reporter) #MeToo era film follows the havoc caused by an accusation of sexual assault on a U.S. university campus.

Ever the contrarian, Hollywood Elsewhere’s Jeffrey Wells has an entirely different take, as he writes …

I immediately fell in love with the opening frames of Luca Guadagnino‘s After The Hunt, or more precisely the amplified sound of a slowly ticking clock — an aural statement that says “ominous stuff is brewing, you bet”. Though I was fully familiar with the basic story bones, having read an early draft of Nora Garrett‘s original screenplay, a #MeToo rape accusation drama mostly set on the Yale campus, I was pulled in all over again.

Assured, unforced and deliberate, Guadagnino‘s interpretation of Garrett’s screenplay fascinates by not pushing too hard, advancing the campus mystery in a gradual, sharply observed manner. I was actually kind of startled — pleasantly — by his decision to keep things on the subdued side. No raised voices or glaring expressions or slamming doors or anyone throwing things around.

Except, that is, for a tantrum thrown by Andrew Garfield’s Hank Gibson, who’s also up for tenure — a reaction to his having been accused of sexually assaulting Ayo Edibiri‘s Maggie Price, an allegedly mediocre philosophy student, the daughter of super-wealthy parents, and a lesbian.

Maggie is a key story figure, not just because of this alleged assault but also because of her protégé relationship with Julia Roberts‘ Alma Imhoff, a whipsmart, well-liked, seriously admired Yale professor who’s in line for tenure. But as things develop and social pressure increases, Alma and Maggie’s relationship becomes less and less trusting, and then tips over into hostility.

But I was mostly taken by a tone of ambiguity that manifests in the third act. A haunting ambiguity mixed with stabs of suspicion. And, not incidentally, by a somewhat instructive score by Trent Reznor and Atticus Ross.

Sunday October 5th
9:15 pm
Vancouver Playhouse

So, there you have it. Two outstanding films set to screen at VIFF 2025, where you can get an early look at two Oscar bound films, sequestered within the always comfortable and welcoming Vancouver Playhouse.

C’mon back tomorrow for two (or more) VIFF #44 Gala & Special Presentation films.

Vancouver International Film Festival Returns, Set to Run from Oct. 2 thru 12

At this year’s Opening Press Conference for the annual Vancouver International Film Festival (VIFF), which was held this past Wednesday, August 27th, Vancouver CityNews Reporter Angelina Revelli interviewed Kyle Fostner, VIFF’s Executive Director, and Curtis Woloschuk, VIFF’s Director of Programming, about this year’s 44th edition of the première arts event of the autumn season.

As Kyle Fostner stated at last week’s VIFF Opening Press conference, this year VIFF will bring 170 feature movies and 100 short films from around the world to this year’s 44th annual edition of VIFF, to screen at 10 Vancouver venues — including two new cultural partnership locations at the Granville Island Stage (Arts Club Theatre Company) and the Alliance Française — from October 2 thru 12.

From a press release from the Media Office of VIFF …

“In a world grappling with tension and austerity, it’s a privilege to be at VIFF during a period of optimism and ascendence,” said Kyle Fostner, Executive Director. “The growth we’ve seen over recent years is remarkable. We’re preparing to host more than 110,000 patrons over 11 packed days. We have 20 per cent more screenings in new theatres and new neighbourhoods. Our programming team continues to expand, with top-tier curators from around the world bringing fresh perspectives.”

Tickets to this year’s Festival start at $21, less expensive for students and seniors. For more information on tickets, ticket packs and passes, click here.

For information on the 10 venues where films will screen at VIFF, click here.

For information on the films that will screen at VIFF 2025, when and where — most of the films on offer this year at VIFF are set to screen twice, with 80% of the films on offer, sadly never to screen again on our shores — click here.


Renate Reinsve (left) and Inga Ibsdotter Lilleaas in Sentimental Value, director Joachim Trier’s Cannes’ Grand Prix winner — which will feature in the Oscar race — to screen on October 3rd and 8th.

C’mon back tomorrow, Wednesday and Thursday for more VIFF 2025 coverage.

Vancouver’s Next Mayor | Kareem Allam | Priorities | Cancel Ken Sim’s $800 Million City Hall Campus

A Note from Kareem Allam, Vancouver’s Next Mayor

I am seeking the nomination of the Vancouver Liberal Party to be the next Mayor because I think I can do a better job.

As I prepare to launch, I am reaching out to my friends to donate to ensure my campaign has the best launch possible.

I’m running because we need to fix the mess at City Hall.

Vancouver should be a place young people flock to — for great careers and to raise their families. It needs to be more affordable with great public services that just work for people.

And on great services … this week I announced on Day One the Vancouver Liberals would requisition 400 more frontline workers, and we will pay for it by ending the practice of hiring management consultants and managers … who do nothing more than manage other managers.

I want a new rule at City Hall: if it doesn’t help bring young people back, make life more affordable, improve city services, or keep people safe, we’re not doing it.

Period.

So many people have stepped forward to offer their help, to volunteer to run for office, to offer smart ideas to make our city better. You’re one of them — and so I’m writing to ask for your help:

  • Donate as much as you’re able today. You can give as much as $1,402.40 – but whatever you can contribute today will help.
  • Get involved. You can sign up at VancouverLiberals.com — let us know you want to be a part of this project.

Thank you so much — more to come.

— Kareem

The Politics of Personal Destruction in Vancouver

In Vancouver, the politics of personal destruction has long been stock and trade for those running for office. In a city where political competition is fierce and civic identity is fragmented across 23 neighbourhoods, campaigns often take the shape of contests not about ideas, but about the destruction of personalities.

For instance, on March 20th, 2020, when Mayor Kennedy Stewart called for a cessation of in-person meetings in Vancouver City Hall’s Council chambers, due to the outbreak of COVID-19, Councillor Pete Fry allegedly tweeted out an untoward comment about a fellow Councillor. This alleged tweet was allegedly directed at then City Councillor Colleen Hardwick.

When VanRamblings’ friend Joseph Jones filed a formal complaint with the office of the City Manager respecting Councillor Fry’s alleged injudicious “mean” tweet, the City replied in an e-mail that, as a third party, he did not have any standing, and therefore his complaint could not be accepted, nor acted upon.

Vancouverites know well the stories of politicians torn apart not by their policies or their vision, but by narratives manufactured and circulated for the purpose of ensuring their defeat. Former Vancouver City Councillor Colleen Hardwick is the candidate for office most often subject to personal attacks by her political opponents. In these latter days of his time as Mayor, Ken Sim runs a close second.

The politics of personal destruction is not new. Its roots can be traced back through centuries of democratic life, from pamphleteers in the 18th century to the tabloids of the 20th. Yet in recent years, the vitriol has intensified.

Donald Trump’s entrance into politics a decade ago supercharged a cultural shift: insult, ridicule, and character assassination became normalized as the central tools of political combat. What began as spectacle in the United States has since migrated north, settling into Canada’s civic politics with troubling force.

Vancouver, far from immune, has absorbed this toxin into its bloodstream.

The dynamic plays out in every election cycle. Local media, amplified by social media platforms, frame candidates in terms of their weakest or most controversial qualities. What might once have been a gaffe becomes a defining feature. A poorly worded sentence becomes a character flaw. A photo from decades past resurfaces as proof of hypocrisy or malice. The candidate’s ideas are eclipsed; the person becomes the story. And in a political environment as fragmented as Vancouver’s, where candidates often win office with a fraction of the vote, tearing down opponents is more effective than inspiring broad-based support.

The consequences are corrosive. At the civic level, Vancouver faces enormous challenges: a housing affordability crisis, an opioid epidemic, climate pressures, and deepening inequality. Addressing these issues requires serious debate, collaboration, and — above all— public trust in political leadership.

Yet when the political arena becomes consumed by personal attacks, trust evaporates. Politicians no longer seem like public servants but more like caricatures, defined only by the accusations lodged against them. Voters, in turn, grow cynical and disengaged. Democracy shrinks when citizens come to see politics not as a space for collective problem-solving but as a blood sport where the only winners are those most adept at tearing others down.

This dynamic does more than corrode public trust; it also drives away talent.

Who, knowing the ferocity of political campaigns, would willingly step forward?

For every candidate who accepts the risks, there are others who quietly decline.

Community leaders, business people, academics, and activists who might bring fresh perspectives to City Hall weigh the costs of public humiliation against the potential rewards of civic leadership — and they walk away.

The result is a narrowing of the pool of candidates, leaving the field to those willing to endure or even to participate in destructive politics. In this way, the politics of personal destruction perpetuates itself.

The media plays an undeniable role. The incentive structures of journalism reward conflict, scandal, and controversy. A headline about a candidate’s vision for neighbourhood development rarely generates as much attention as one about a candidate’s personal misstep. Social media amplifies the dynamic, rewarding the sharpest, most caustic takes with likes, retweets, and viral circulation.

In Vancouver’s polarized civic politics, with factions aligned around housing, development, and ideological identity, these attacks are not just tolerated but often celebrated by supporters eager to see opponents discredited.

Yet the responsibility does not lie solely with media or candidates. Citizens, too, play a role in perpetuating the culture of personal destruction. By consuming, sharing, and rewarding negative content, voters enable the very dynamics that undermine our democracy. It is easier, in some ways, to join the pile-on than to engage thoughtfully with the complexities of policy.

The digital age has made outrage a form of social currency, and too often Vancouverites spend it freely.

But the politics of personal destruction is not inevitable.

Cities like Vancouver thrive not when they are divided, but when they are connected — when residents and leaders alike focus on building bridges rather than tearing one another down. The challenges Vancouver faces are collective ones, and they demand collective solutions.

The housing crisis will not be solved by discrediting the character of those who hold office; it will be solved by debate, compromise, and innovative policy. The overdose crisis will not be solved by mocking the missteps of political leaders; it will be solved by compassion, evidence-based strategy, and political will.

Towards building a better society, our job as citizens, as political candidates, and as journalists ought to be to resist the destructive instincts that have come to plague politics. We must choose instead to elevate the conversation. That means expecting better of our leaders, but also of ourselves. It means seeking common ground in our city’s diverse neighbourhoods, acknowledging difference without demonizing those who hold it. It means holding candidates accountable for their ideas and actions, not for caricatures drawn by their opponents.

If Vancouver is to be a city worthy of its promise, it must move beyond the politics of personal destruction. It must embrace politics as an act of community-building, not community-breaking.

Each of the 23 neighbourhoods that make up our city deserves leadership that is respected, even when it is contested. Each citizen deserves a politics that invites them to participate, not one that drives them away in disgust.

The politics of personal destruction has been with us for too long, but it need not define our future. In Vancouver, a city of breathtaking landscapes and vibrant communities, our city by the sea, we can and must choose a different path: one of conscience, common ground, and collective purpose.