Some years ago, as I have written previously, my friend J.B. Shayne was in my home, and scanning my vast CD collection (we’re talking the early ’90s here), he commented, “Do you realize that 80% of your record collection features female vocalists?” In fact, the percentage of female singer-songwriters in my music collection is probably closer to ninety per cent.
Today, I present a couple of songs from my iTunes / Spotify music collection by artist Regina Spektor, who although she hasn’t achieved the mainstream success of a Fiona Apple or a Tori Amos, nonetheless deserves much more recognition for her weighty, low key 19-year career than it’s earned to date.
Whimsical, with great melodies and brilliant songcraft, Regina Spektor’s music is simply beautiful, both lyrically and musically, with an almost angelic quality to them, showcasing always her distinctive vocals and winsome piano talents, a storyteller of the first order, a singer-songwriter brimming with personality, and more than capable of conjuring up moments of wisdom, maturity and magic, in a career deserving of celebration and recognition, that is uniquely — and unmistakably — hers and hers alone.
Samson was initially recorded as the first track for Regina Spektor’s second album, Songs, which she recorded in one take on Christmas Day 2001. In 2006, Ms. Spektor re-recorded the song for her album Begin to Hope, which, unlike Songs, had a major label backing. And, the rest is history.
Regina Spektor’s best songs tweak inviting melodies with bits of eccentricity in rhythm and vocal cadence, resulting in music that skilfully hits emotional buttons without coming across as formulaic. Laughing With, which was the first single released from her fifth album, Far, doesn’t quite play to those strengths, but instead opts for a modern balladry that is, as you will hear, ideally suited to our trying and most difficult pandemic times.
Amidst our current pandemic, in these most difficult and trying of times, when sometimes things seem as if all is lost, with the dysfunction and division extant in America just down south, with the passing of U.S. Supreme Court Justice Ruth Bader Ginsburg and, locally, with this morning’s revelation by Charlie Smith in the newspaper where he has been the publication’s respected editor since 1991, The Georgia Straight, that Raymond Young, long one of our city’s and our nation’s most esteemed lawyers, whose practice focuses on all things municipal, recommending that Green Party of Vancouver City Councillor Michael Wiebe resign his seat on Council, arising from an egregious conflict of interest … well, these are not easy times for Michael, one imagines in particular today, nor for any of us.
Yesterday, I scrapped a Stories of a Life column I had written that, in essence, held my daughter to account for not using her many gifts to make a difference in the world that would benefit us all — if there was ever a person capable of achieving such, it is my very bright and compassionate daughter, Megan. The column was neither hopeful nor helpful — and who needs that given our current dire collective societal circumstance?
With that thought in mind, I looked to publish something today that is possessed of hopefulness, something inspiring and life affirming, and that has been for me much of last year and all of this year, the début of sisters Mimi & Josefin — the daughters of soprano Hélène Lindqvist, and music professor Philipp Vogler — on the German version of The Voice Kids, whose harmonies in their unique and compelling rendition of Thom Yorke and Radiohead’s 1993 hit, Creep, is both transporting and almost otherworldy.
So, without further adieu, Mimi & Josy …
On March 29th of last year, 17-year-old Billie Eilish entered the public consciousness, and the Billboard charts, with her self-produced début album, When We All Fall Asleep, Where Do We Go?, the 2nd-biggest album of 2019, and the third-largest streaming week for an album by a woman, with six Billboard Hot 100 top 40 songs: When the Party’s Over, Bury a Friend, Wish You Were Gay, Xanny and Bad Guy, the last of which became her first number one single stateside, in the U.K., Mexico, and Australia.
The rest, as they say, is utterly unique, groundbreaking rock ‘n roll history.
Billie Eilish’s accolades include 5 Grammy Awards, 2 American Music Awards, 2 Guinness World Records, 3 MTV Video Music Awards, and one Brit Award. Eilish is the youngest person and second person ever to win the four main Grammy categories — Best New Artist, Record of the Year, Song of the Year and Album of the Year — in the same year. No mean feat that.
The daughter of teacher, actress, and screenwriter Maggie Baird, and construction worker and part-time actor, Billie Eilish and her older brother / producer and co-songwriter, Finneas O’Connell hail from decidedly working class roots. Both parents encouraged the siblings — who were homeschooled — to express themselves and explore whatever they wanted, including music, art, dancing and acting.
In October 2015, at age fourteen, Billie recorded the song Ocean Eyes, co-written and produced with Finneas, after his sister’s dance teacher asked them to record a song for a dance routine. In 2015, releasing the song on SoundCloud, and the next year on YouTube (at present, Ocean Eyes has 293,733,254 views), coinciding with a deal Finneas had made to sign Billie with Apple Music, Billie’s budding music career began to kick into high gear.
In March 2017, Billie recorded songs for the soundtrack to the Netflix series 13 Reasons Why — one song, Lovely, recorded with Khalid, was certified platinum in North America — and that same month, Billie was showcased at the South by Southwest music festival. In February 2018, Billie, Finneas and their parents embarked on the Where’s My Mind World Tour, where they débuted the songs constituting the tracks on Billie’s first album. By January 2019, Billie reached an unprecedented one billion Spotify streams.
Billie kicked off her When We All Fall Asleep World Tour at the Coachella Festival in Indio, California in April 2019, travelling across the U.S. and Canada, and then the globe, before returning to the Americas and concluding her world tour on November 17, 2019 in Mexico City.
Why does VanRamblings write in the headline that Billie Eilish (and her brother Finneas) constitute the new Beatles? Watch the videos directly above, and feel the emotional reactions of Billie’s fans, how those in attendance know the lyrics to the songs, and are clearly moved. In more than 50 years writing about music, aside from the reaction to the Beatles that could be observed in the mid-1960s, no other artist or group has come along with stronger album sales, and a larger, more devoted fan base. Although radio doesn’t quite know what to do with her, Billie Eilish is making her own career, and together with Finneas, making decisions about her career. And, fortunate for all of us, in the summer and fall of 2020, that means Billie’s full-throated support for the Democratic Party in the United States, and the candidacy of Joe Biden, no matter the impact on her career. Woebetide the right-wing, Trump-supporting political candidates and QAnon-supporting conspiracy theorist journalists who take Billie Eilish on.
And, finally for today, we’ll leave you with a bit of human-scale Finneas and Billie, and all the painstaking work the two of them put into recording the first track for the When We All Fall Asleep album release. When you watch the video below, you’ll also come to realize that Billie and Finneas are, very much, the 21st century John Lennon and Paul McCartney for our new age.
There is nothing we love more than to walk along Spanish Banks, ear phones snuggly tight in our aural canal, powering down the beach listening to beat music remixes to energize our appreciation of the great outdoors.
Dating back to the late 1960s, we have written a regular music column, first for the city wide Vancouver student newspaper, then as arts & review editor of Simon Fraser University’s student newspaper, The Peak, and after that in mainstream media, and since the turn of the century online, both on VanRamblings and a raft of other online non-affiliated online publications.
Today, four of our favourite remixes, which we listen and dance to again and again on our slidey living room floor (and elsewhere) …
Cake | Rhianna | Sweater Beat Remix
Cloud Number 9 | Bryan Adams | Chicane Remix | (long my ringtone)
Need U (100%) | Duke Dumont | Skreamix | (80s funk done up right)
That Thing | Golden Boy | Eton Messy Remix | (thank you Lauryn Hill)
