Category Archives: fixin to die rag

Stories of a Life | The Fine Art of Flirting | Towards Connection

The Fine Art of Flirting and Seduction as a Mean to Establish a Connection

In 1986, some 32 years ago now, when my daughter Megan was a strapling girl of nine years, late one autumn Sunday morning on Granville Island, Megan and Jude and I — the three of us having enjoyed our once-a-month breakfast on the Island — found ourselves in the Market wandering up and down the aisles where various of the foodsmiths had set up their wares.
As Megan and I were standing among the throngs of families along one of the aisles, waiting for Jude to make his way back in from the area just outside the southeast doors, where he was on the sunny promenade chasing the birds, I spotted a tall, strikingly beautiful woman in brightly coloured, textured clothing. Megan saw that I had noticed this woman.
Megan looked at me and said, “No, don’t.”
“But, Megan,” I responded.
Fine, but don’t take too long.”
So, leaving Megan alone momentarily, I approached the young woman, who was standing with her friend just mere feet away. After introducing myself, I said to the young woman (22 years of age, I was to learn), “I took notice of your colourful & artistic presentation of self, your warmly textured choice of clothing, and was wondering if perhaps you are a student at Emily Carr?”
“Thank you for asking,” she responded. “No, I am not a student at Emily Carr. Rather, I am enrolled in the Psychology Department at UBC’s Point Grey campus, where I am currently working on my undergraduate degree.”
“May I enquire as to what year,” I asked?
“Third,” she said.
Almost fixed, then, I guess,” I said.
“Yes, almost fixed,” she said, sighing just a little, a gentle smile on her lips.
A which point, I bid her adieu, wishing her well, saying what a pleasure it had been to meet her and her friend, indicating Megan standing just a few steps away, and begged my leave in order to return my awaiting daughter.
Upon arriving back at Megan’s side, she looked at me and said, “Well?”
“Not a student at Emily Carr. In her third year in Psychology at UBC,” I said, looking at Megan.
“Oh,” Megan said. “Jude’s going to meet us over at The Loft. I want to get some beads. Let’s head over there now.” And off the two of us went, to be joined by Jude about 10 minutes later.
If you can’t tell from the story above, I am an ineffable, unrepentant, inveterate flirt, as has been the case my entire adult life through until now.

John Steinbeck, East of Eden, on a Woman With Love in her Heart as Being Indestructible

I love women, have always loved women, have found myself gifted throughout the entirety of my adult life with loving relationships of long duration with beautiful, accomplished, tough-minded, take no guff, incredibly bright women of conscience.
Whatever few recommendable aspects there may be of how I bring myself to the world, it is the women in my life who have helped to shape me, and created the man whose words you read on the screen before you.
As it happens, from my teenage years through until the present day, I have never pursued the love of a woman. I possess no desire, nor ever possessed any intent whatsoever, so as to cause concern to any woman, and arising from such have not pursued a relationship with a woman, lest I may cause concern, or interfere with a woman’s quiet enjoyment of life.
Throughout the course of my adult life through until now, there has indeed occurred that rare and salutary occasion when a woman has made known to me her warm feelings of support — but because I am not good at reading signs of interest, the warm feeling must be made well known to me through explicit if gently encouraging conduct, otherwise my relationship with the women with whom I come into contact in the conduct of my life may be best defined as joyous, friendly, and warmly & utterly appreciative.
Every relationship of consequence I have had with a woman, and there have been a few, has come as an utter surprise (an encouragingly pleasant surprise) to me, made plain from that first moment I am kissed unawares, and then kissed again, when I think to myself, “I think she likes me!”
And my heart flutters, a joy washes over me, and I am enveloped in love.
Every relationship of consequence I have had with a woman begins with that first kiss, and you will be surprised to learn has in each case led to immediate co-habitation. Kismet, they call it, reaching across the universe, through time and space to reconnect with someone you have known and who has been a part of your life through the ages, and time immemorial.
And once again, I feel loved and understood, supported and protected, and she having once again found her mate feels loved and understood, supported and protected, and always always she has recognized me, such perhaps that I am once again renewed and reborn, and feel fully alive.
Flirting, though, is not quite that, although it is, still, a reaching across the universe to re-establish a sense of connection with someone you have known always. Innocent flirting. I love both the idea of flirting and the circumstances of flirtation, as a harmless, yet effectual means of establishing an immediate deep, often profound, and enduring connection.

birthday invitation

Eighteen months ago, I was invited to a friend’s birthday party.
Attending at the party was an amalgam of persons of conscience of my acquaintance, folks who are comfortable in their own skin, friendly, relaxed and on this day warmly companionable.
Midway through the party, I found myself standing over by the kitchen, leaning against a dividing wall between the kitchen and the dining room, observing all that was unfolding before me. As a trained sociologist, there’s nothing I like better than to stand back and away from what is going on in a room full of people, simply to observe, as if somehow at the end of the event I am attending, my intention would be to publish a reflective academic treatise, a scholarly abstract to be found in an obscure journal.
Some minutes into my casual yet intensive observation of all those persons attending the celebration, a woman of stature, warmth and substance made her way over to where I was leaning against the divide, the woman in her late 30s maybe, no older than early 40s, blonde, beautiful of soul & presentation, self-assured, warm & welcoming.
Unusual for me, all I said was hello — instead of the usual ramble for which I am well-renowned. I felt at ease with her, safe, comfortable & protected.
A few minutes into our conversation, as is sometimes the case, much to my surprise and amazement, I initiated an innocent flirtation with this woman, more to maintain my comfort level and a sense of equilibrium than for any other reason, in recognition that this was a woman of accomplishment and serious mien with whom I was conversing, well above my station I knew for sure, as she casually self-disclosed the most intimate details of her life with me — which could be seen as nothing else but building a sense of trust, a humane reaching out, and quite simply the most healthy act in which any person of character and conscience might engage, to actually reach out and touch another person’s heart, in the process creating palpable contact and connection, which disclosure required of me the necessity to overcome my natural shyness, to listen with intent and a kind and trusting heart.
So, there I was quietly flirting with this woman of accomplishment, becoming ever more engaged and amazed, but calm, in an ever-increasing zen state with every passing moment. The brief encounter I had with this woman of accomplishment has proved over the past 18th months to be my most moving new connection and engagement of character and substance.

authenticity

During the course of our 15-minute conversation, this woman told me all about herself, about her husband, her family and her children, why she wasn’t living on the west side but instead on the east side of the city, and the circumstances of her life — the only woman, the only person, who at our first meeting has ever trusted me as deeply as was the case here, that afternoon, with so intimate an insight into not just the prosaic aspects of her life, but with a penetrating insight into her philosophical, psychological and emotional makeup, how she derived meaning in her life, the successes of her life and those circumstances where she felt she might have done, and hoped to do better in the future.
No one, but no one is ever self-revelatory — but this vision, this spectral presence of pure loveliness who stood before me on that sunny Saturday afternoon certainly was. I simply stood there transfixed but present, fully appreciative of the gift of trust and connection that was being established, able to engage in conversation as equals, even in recognition of this woman of great accomplishment, astonishing wisdom & utter warmth and kindness.
At which point the woman’s beloved husband popped over to say to his wife that they had to be on their way, after which the two simply vanished.

Black Friday Almost Over, Cyber Monday On Its Way

The Google Home Mini and the Acer Aspire i5 desktop computer

In 1957, my mother gave me a transistor radio for my 7th birthday!
We lived at 2165 East 2nd Avenue in Vancouver, just off Garden Park, on Vancouver’s eastside. I knew my neighbours, a polyglot amalgam of “displaced persons” (displaced from WWII), refugees from a Europe of destruction who had arrived in Canada to pursue a life for their families.
Although the television had been around for almost a decade in common use by the more well-to-do among the population, no one on our block had a TV — there were doctors, plumbers, nannies, seniors, construction workers, and no one thought to purchase a television, particularly given that TVs were going for around $400, or about 10% of a man’s average annual wage (the average hourly wage for women: 35¢). When times were tight, and families were large, and folks were just simply trying to find a way to scrape by, purchasing a $400 TV (with an outlay of another $50 for a rooftop aerial) was simply beyond the means of the common folks.

1957. Watching television through a shop window.

If we wanted to watch television, we’d head up to Commercial Drive, and watch the TV in the Magnet Hardware window.
Of course, all the kids on our block clamoured for a new TV (not that any of their friends owned one, mind you) — but, alas, that was not to be. Fortunately, the price of a black-and-white TV dropped dramatically in 1958 with the introduction of the colour TV (introduction of a new technology always results in a price cut for “older” technology), and most families, including mine, bought their first television that year, parents finally capitulating to the incessant, heart-rending pleas of their gentle children.

1957. Transistor radio and leather case.

1957. I was about to go into Grade 2 at Lord Nelson Elementary School. My birthday fell on the 223rd day of that year, on August 11th, an otherwise inauspicious Sunday, except for the fact that at midday, thanks to my mother, I found myself in the possession of a brand new $49.95 (plus tax) leather-cased transistor radio! That’s right, my mother worked more than 150 hours to get me my much-prized 7th birthday present — making me the only boy on the block with a portable transistor radio. I was thrilled!
On another day, I’ll tell you what the impact of being the first to own a new tech toy had on me, what it meant for a career that I would pursue less than a decade later, and how it came to be that over the past 40 years, I have continually found myself on the cutting edge of new technology, as an early adopter. As I say, though, I’ll leave that story for another day.

Black Friday 2017

All of which brings me to Black Friday, a day I cannot resist even if it is Buy Nothing Day. On Friday, I purchased a new Acer Aspire Intel Core i5 desktop computer (even though I can’t afford it, cuz I’m a pauper) — as a consequence of my 8-year-old, once state-of-the-art custom-built computer having been on its lasts legs for some months now. A friend assured me today that my new computer is a piece of junk. Oh goodie.

A fairly mundane picture of my new, much-needed computer may be found at the top of today’s column — alongside my brand spanking new Google Home Mini which, truth to tell, I don’t really need but it was half price at only $39.95, and I’ve been falling behind on my cutting edge tech persona. At about $40, I think I can indulge my techy side this holiday season.
As you may know, I love radio (even to this day). Just by saying, “Hey Google, play BBC Radio One“, within seconds BBC Radio One will begin playing through the Google Home Mini speaker. The same is true of hundreds of other radio stations. I’ve used my Google Home Mini to set alarms and reminders, check sports scores, stream music from Spotify, or from my iTunes library (of more than 5000 songs) employing Bluetooth.
If I purchase a Logitech Harmony Hub I could control my home theatre by voice command. Or, if I purchase the Phillips Hue Starter Kit, I could also control all of the lights in my house, and set the lights to turn on at a specific time, so when I enter my Co-op apartment, I won’t be entering into darkness. I could even set each individual light to a specific colour.

Yep — an indulgence. I won’t be purchasing the Phillips Hue system or the Harmony Hub anytime soon, but it’s nice to know that they’re available.

Arts Friday | Lori McKenna | America’s Finest Roots Songwriter

In the late 1960s and early 1970s, I was head over heels in love with the music of Joni Mitchell — so much in love, in fact, that I turned around and married a woman (Cathy) who looked just like Joni Mitchell.

Raymond Tomlin and Cathy McLean, circa 1972

By the time the late 1970s rolled around, my woman singer-songwriter allegiance had switched definitively to Rickie Lee Jones — whose music became the soundtrack of my life through the late 1970s and 1980s, so much so, that Rickie Lee Jones also became the soundtrack of my children’s lives — that’d be Jude and Megan — as well. In the times to come, I will write about my love for Rickie Lee Jones, which has not abated to this day.
Being a callow fellow, as time rolled on my allegiance to a woman singer-songwriter of melancholy countenance switched to Iris DeMent in the early 1990s — for me, there is no better, more reflective and more melancholy album that has ever been recorded than Ms. DeMent’s 1993 release, My Life. Please find the entire album directly below. Have a listen …

As I say, though, I am a callow fellow, and by the late 1990s I had found a new love — a Boston-suburb-based housewife, mother to five children, wife of a Boston firefighter and, by far, the best roots songwriter this century. On another day, I’ll write about Lori McKenna at greater length. Today, you’ll find four of her songs at the top of the column — four of my favourite songs written by and sung by Lori McKenna … well worth a listen.
Recently, my friends and next door neighbours, Shirley Ross and Bill Tieleman celebrated their 25th wedding anniversary — I looked all over for Lori McKenna’s Stealing Kisses somewhere online, but until a couple of days ago, I couldn’t find it (and, truth to tell, I bet the video below won’t last long online — you’ll want to listen to Stealing Kisses while the opportunity is provided to you). Here is one of my favourite Lori McKenna songs.
Dedicated to Bill Tieleman and Shirley Ross, Happy 25th Anniversary

VIFF 2016: Hey, Is VanRamblings Checking Out, Or …

35th annual Vancouver International Film Festival

Almost every year as the Vancouver International Film Festival is about to get underway, or has just started, something happens to prejudice VanRamblings’ attendance at the festival. In 1992, VanRamblings collapsed at the back of The Cinematheque while watching a screening of Michael Haneke’s Benny’s Video, which we’d already seen in preview, but wanted to see again. VanRamblings was rushed to UBC Hospital where we spent two weeks watching the U.S. election on TV, and Bill Clinton’s performances in the debates. For the most part, VanRamblings missed VIFF that year.
In 2004, VanRamblings attempted to take in an early Sunday morning screening of a film at The Cinematheque, and while parking our car were rear-ended by a late model SUV — we were almost killed. Once we got out of the hospital, we returned to VIFF, standing at the back of the various VIFF cinemas (we couldn’t sit) to enjoy the latter half of VIFF that year.
This year — according to our doc, we’ve been diagnosed with something called obstructive jaundice, the root causes of which we’ll discover upon attending UBC Hospital on Tuesday for an emergency battery of tests. Wondering why there was no VanRamblings column yesterday? We were simply too weak. Before week’s end VanRamblings’ very able physician has indicated that we’ll have a definitive diagnosis of the root cause of the current malady, and will take whatever correction action is required.
How many films will VanRamblings get to see at VIFF 2016, and how many columns will we be able to write over the 16-day course of the Festival?
Time and health will tell.

After Love. Belgian director Joaquim Lafosse brought his stunner Our Children to VIFF a couple of years back. In 2016, VIFF brings Lafosse’s new, Cannes-debuting family drama After Love — starring the can do no wrong Bérénice Bejo, co-star of the Academy Award winning film, Best Picture Oscar winner The Artist — to our 35th annual Festival by the sea.
Says Wendy Ide in Screen Daily

After Love presents an unflinching portrait of the final weeks of a marriage. Fifteen years worth of simmering grudges about sock laundry have boiled over, the battle lines have been drawn in the house that they are still forced to share, and the time they spend with their twin daughters is neatly apportioned between them. A relationship which is largely built on recriminations and point scoring is a dispiriting thing to witness, and this is certainly a tough watch at times. But it is a compelling drama, with its strong performances and adult themes.

While Lafosse scrupulously avoids taking sides in the break up, it is hard to muster much sympathy for either party. Captured with a handheld camera that prowls around their contested living space like a caged animal, the atmosphere is charged with petty sniping, the atmosphere undeniably sad, with moments of discomfort, where the tensions crackle and the fault lines in the bedrock of the marriage become clear.”

Says Peter Debruge in Variety, “As in Our Children, observing how the characters respond to a song reveals far more than any amount of dialogue could, and as Marie and Boris (Cédric Kahn) humour their daughters, we see the love they once shared for one another and realize why it’s so hard to break free from its shackles.”

All This Panic. One of the buzz films coming out of the Tribeca Film Festival this year, Jenny Gage’s intimate documentary portrait of female youth has been called evocative, ethnographic, raw and heartwarming, engaging and reminiscent of the Maysles Brothers’ work, Gage and her husband and director of photography, Tom Betterton, appreciative of the girls’ beauty, employing magic-hour light throughout, bathing the film’s subjects in a soft glow, the filmmakers far more interested in the girls’ inner lives.
Says Elise Nakhnikian in Slant Magazine

“Loosely tracked over a three-year period as they hang out, play games, throw drunken parties, and interact with their families, the girls talk constantly, and they have insightful and touching things to say about friendship, their hopes for the future, love, sex, and more. The intensity and volatility of young female friendships surface in the relationship between loyal, grounded Lena and high-strung, unhappy Ginger, who start out as best friends, but go through a rocky period after Lena heads off to college and Ginger stays home, where she works and hangs out with a new group of friends.

There are also poignant glimpses into the girls’ family lives. A moment of intimacy between Ginger and her little sister, Dusty, on a rooftop is so resonant because we’ve heard Dusty confess that she wishes she had a closer relationship with the standoffish Ginger. Meanwhile, Ginger’s defensiveness and quick temper may be due at least partly to the prickly relationship she has with her father, who can’t seem to find a kind word to say to or about her.

Every scene in All This Panic feels vivid and true, in this honest, impressionistic portrait of a cohort of 21st-century American girls.”

All This Panic offers a fierce, sure-footed and remarkably intimate portrait.

Goldstone. From director Ivan Sen, Australia’s premier filmmaker of aboriginal descent, says Luke Buckmaster in his five-star review in The Guardian, “Goldstone is a masterpiece of outback noir that packs a political punch …

“… the film belonging to a suite of Australian films that contemplate land ownership in memorable ways, from 1932’s On Our Selection to 1950’s Bitter Springs and even 1997’s The Castle, Goldstone has more weight than any of them, because the film’s spiritual roots hark back to the traditional owners of the land. In a small but moving role David Gulpilil plays a man who cannot be bought; his soul is connected to the ground and the sky.”

Says Eddie Cockrell in his review in Variety, “The sun is hot, the motives are cold and the film is blazingly noir as Indigenous detective Jay Swan (Aaron Pedersen) returns for another investigation of Outback moral rot in multi-hyphenate helmer Ivan Sen’s socially conscious, supremely accomplished procedural thriller, a film unequalled in contemporary Aussie cinema.”

star.jpg star.jpg star.jpg

VanRamblings has now previewed 27+ acclaimed VIFF films that are about to arrive on our shores having garnered critical acclaim at film festivals in every far flung community across the globe. Previous VanRamblings’ VIFF 2016 columns, very much like the one today, may be found here.