As the dog days of summer give way to the crispness of early fall, the annual transformation of the cinematic landscape begins.
The summer movie “silly season” — a cavalcade of sequels, superheroes, and box office spectacle — draws to a close. In its place comes something more refined: the fall film festival season. For cinephiles, critics, industry insiders, and Oscar prognosticators, the holy quadrivium of Telluride, Venice, Toronto, and New York Film Festivals marks the unofficial start of the prestige film season. These festivals, often overlapping and feeding into each other, serve as the proving grounds for awards hopefuls and the launching pads for films that will dominate discourse well into winter.
Unlike its flashier counterparts, the Telluride Film Festival (August 30 – September 2, 2025) maintains an air of mystery. The lineup is not revealed until the eve of the festival, allowing for genuine surprises and a focus on discovery over hype. Telluride has become a whisper network for Oscar voters, quietly débuting future award juggernauts. Recent Best Picture winners such as The King’s Speech, 12 Years a Slave, and Moonlight all made pivotal early impressions here.
Yorgos Lanthimos’ latest film, Bugonia, starring Emma Stone and Jesse Plemons
This year, early speculation suggests that these are the strong films in contention: Bugonia, a science fiction black comedy film directed by Yorgos Lanthimos, starring Emma Stone, Jesse Plemons and Alicia Silverstone; The Smashing Machine, an American biographical sports drama film written, directed, co-produced, and edited by Benny Safdie, starring Dwayne Johnson, and Emily Blunt. Additionally, films like Hamnet, an historical drama directed by Chloé Zhao, from a screenplay she co-wrote with Maggie O’Farrell, based on O’Farrell’s 2020 novel; and Ballad of a Small Player, a psychological thriller directed by Edward Berger, starring Colin Farrell and Tilda Swinton are likely candidates for Telluride, especially if they have Canadian premières at TIFF, which often indicates a Telluride showing beforehand.
The 81st Venice Film Festival (August 27 – September 6) remains the most glamorous stop on the fall circuit, blending European arthouse elegance with Hollywood’s awards machinery. Venice has in recent years become a critical launchpad for Oscar nominees, premiering Gravity, Birdman, La La Land, Joker, and The Banshees of Inisherin. Its placement just ahead of Telluride and Toronto makes it a prime staging ground for international and auteur-driven films.
Jim Jarmusch’s Father Mother Sister Brother
Among the most anticipated Venice premières this year are the world premières of Jim Jarmusch’s Father Mother Sister Brother, Luca Guadagnino’s After the Hunt, Karim Aïnouz’s Rosebush Pruning, László Nemes’ Orphan, Park Chan-wook’s No Other Choice, Lucrecia Martel’s Chocobar, and Noah Baumbach’s Jay Kelly, the story of two middle-aged friends who rediscover their youthful spirit during a chaotic weekend reunion, facing hilarious mishaps and heartfelt moments that force them to finally grow up.
The Toronto International Film Festival (TIFF), running from September 4 – 14, is the largest and most populist of the big four. While Venice courts the elite and Telluride the insiders, Toronto welcomes the public in droves. The coveted TIFF People’s Choice Award has become a harbinger of Oscar success. Past winners include Nomadland, Green Book, 12 Years a Slave, and The Fabelmans.
James Vanderbilt’s Nuremberg, starring Rami Malik
This year, TIFF will host the world premières of Aziz Ansari’s Good Fortune, Maude Apatow’s Poetic License, Isabel Coixet’s Three Goodbyes, Romain Gavras’ Sacrifice, David Michôd’s Christy, Yeon Sang-ho’s The Ugly, James Vanderbilt’s Nuremberg, and Alice Winocour’s Couture, as well as films from some of the most acclaimed filmmakers working today, including Guillermo del Toro, Zacharias Kunuk, Baz Luhrmann, Kleber Mendonça Filho, Jafar Panahi, and Gus Van Sant.
Rounding out the festival quartet is the 63rd New York Film Festival (NYFF), running from September 26 to October 13. It’s the most curated and critical of the four, offering a discerning lineup of highlights from Cannes, Venice, and TIFF. While the NYFF doesn’t boast world premières in large numbers, it does offer important high-profile screenings that shape critical reception.
After the Hunt, starring Julia Roberts
Predicting the films for the 2025 New York Film Festival is impossible this far in advance. That said, NYFF recently announced that Luca Guadagnino’s After the Hunt, the filmmaker’s much-anticipated morality play, starring Julia Roberts, Andrew Garfield, and Ayo Edebiri, will celebrate its North American première in NYC.
Based on current trends some films are likely to be contenders, including films from directors like Jafar Panahi (It Was Just an Accident), Radu Jude (Kontinental ’25), Kelly Reichardt (The Mastermind), Chinese filmmaker Bi Gan (Resurrection), Brazilian director Kleber Mendonça Filho (The Secret Agent), Joachim Trier (Sentimental Value, Grand Prix winner at Cannes), and French-born Spanish film director, screenwriter and actor Óliver Laxe (Sirāt, winner of the Cannes Jury Prize at Cannes). Additionally, films from Richard Linklater, Gabriel Mascaro, Christian Petzold, Paul Thomas Anderson, and Carla Simón could also be possibilities.
The ripple effect of the fall film festivals on the Oscars cannot be overstated. The “festival to Oscar” pipeline is now firmly entrenched. Just as Everything Everywhere All At Once gained steam after early 2022 festival screenings, this year’s contenders will rely on the momentum generated in Telluride, Venice, Toronto, and New York to sustain their campaigns through awards season.
In the end, what sets the fall film festival season apart is not just the films themselves, but the spirit of discovery and dialogue they foster. After a summer dominated by escapism, franchise fatigue, and box office volatility, the arrival of serious-minded cinema signals a shift in tone and purpose. These festivals offer more than just a glimpse into Hollywood’s awards future — they remind us of cinema’s capacity to provoke, enchant, and reflect the times we live in.
As the curtain rises in the Rockies, glides over the canals of Venice, soars through downtown Toronto, and settles over New York’s Lincoln Center, the 2025 festival movie season begins in earnest.
And with it, the next chapter in Hollywood’s ever-evolving story.
Many of the films mentioned in today’s VanRamblings column will arrive on our shores in early October, programmed into the 44th annual Vancouver International Film Festival.
Note should be made that VIFF will release its full programme schedule this upcoming Wednesday, August 27th. Ticket packs and passes are available now.
