All posts by Raymond Tomlin

About Raymond Tomlin

Raymond Tomlin is a veteran journalist and educator who has written frequently on the political realm — municipal, provincial and federal — as well as on cinema, mainstream popular culture, the arts, and technology.

2017 Vancouver By-Election: Christy Clark’s Revenge

Vancouver's Worst Nightmare: NPA Sweeps to Massive Victory

PART ONE: VANCOUVER CITY COUNCIL
For the very, very few of you out there who give a tinker’s damn about the outcome of Vancouver’s 2017 City Council / School Board by-election, the results of which will be broadcast late on Saturday evening, October 14th: the Vancouver Non-Partisan Association (NPA) will sweep to a massive victory, both at Council — where Hector Bremner will ascend to Vancouver City Council — and at the Vancouver School Board, where NPA candidates Fraser Ballantyne, Lisa Dominato, Julian Prieto, Christopher Richardson and Rob McDowell will find themselves celebrating long, long, long into the wee and early morning hours of Sunday, October 15th.
Why is that, you ask? Well, dear and cherished VanRamblings reader …

  • The NPA were the only functioning political entity in the 2017 Vancouver by-election with a well-organized political machine. Which is to say, the NPA campaign was well-funded (much better funded than any other campaign), conducted daily burmashaves — you know, where candidates stand along the street or at the entrance or exit to bridges or viaducts madly waving signs for their candidature, employed an effective door knocking campaign in the polling areas where they secured more than 50% of the vote in the 2014 municipal election (read: Arbutus Ridge, Yaletown, Dunbar, West Point Grey, Shaughnessy and Kerrisdale — the only neighbourhoods where the NPA did at all well, and where voters got out in droves to protect their class interests and cast a ballot for NPA candidates), and drove a well-funded social media and expensive advertising campaign to help ensure their victory on October 14th.
  • Most of the by-election candidates / campaigns were downright verklempt at the probability of an overwhelming NPA victory come Saturday evening, but none more so than the woebegone folks associated with the Vision Vancouver campaign, who found at the door that the 2017 Vancouver city by-election (and this tragically applies to School Board, as well) has emerged as a referendum on the administration of Gregor Robertson. Turns out the right and the left have proven effective at the demonization of the Mayor and his Vision Vancouver party — reasonably, on Saturday night, voters can expect 7% to 10% support for sacrificial lamb Vision Vancouver candidate, Diego Cardona. Anger. There’s nothing like it as a motivating force.
  • Underfunded, untargeted campaigns by Vision Vancouver, OneCity, COPE and the Greens. The good folks at One City Vancouver have a great candidate for Council in homeless advocate Judy Graves, and two of the strongest candidates for School Board in the spectacularly grounded and bright (not to mention, informed) Carrie Bercic and Erica Jaaf — but who among the electorate knows who they are? Not many. OneCity has a tough road to hoe in electing candidates given that they have no elected presence at the municipal level. The Greens are in somewhat better shape, but apart from former VSB trustee Janet Fraser — who will secure support at the polls from both the right and the left, and could very well emerge as the top vote-getter for School Board come Saturday night — the prospects for the Greens are dire.
  • A dastardly, disreputable bullying campaign of disinformation by the NPA would seem to have played right into the “throw the bums out” mood of the electorate, and as such will ensure their victory on Saturday night. And let’s not forget, either, the red hot anger of the provincial Liberals for both Vision Vancouver and the Vancouver electorate in leading the charge against the Christy Clark government. Not for no reason has Hector Bremner — longtime executive assistant to current BC Liberal party interim leader, Rich Coleman — emerged as the NPA candidate. If you harbour any illusion whatsoever that the NPA is not the BC Liberal farm team, Mr. Bremner’s candidacy ought to give paid to that notion.

    Make no mistake, this is a payback election, Christy Clark and the B.C. Liberal party’s revenge on the Vancouver electorate for turfing them from power in Victoria, a feeling that is only exacerbated by John Horgan choosing Geoff Meggs as his Chief of Staff. Why it is that Vancouverites — who overwhelmingly voted for the progressive forces of the NDP in May’s provincial election — would allow the B.C. Liberal farm team to assume power at School Board, and elect a B.C. Liberal apparatchik at City Council beggars belief, but it’s going to happen. C’est la vie.

All of the above said, the 2017 Vancouver City Council by-election result carries little weight politically, given that whoever is elected to Council on Saturday night to fill the vacancy created when Vision Vancouver City Councillor Geoff Meggs resigned his seat to take on the job as Chief of Staff to Premier John Horgan will not affect the majority that Vision Vancouver will continue to hold municipally — Vision Vancouver, whatever the outcome, will continue as the majority party at City Hall, with six of eleven decisive votes (including that of the Mayor) at Vancouver City Council.

August 31, 2017 Justason Research poll on Vancouver City Council by-election

The success of the respective campaigns in the 2017 Vancouver by-election (this applies both to Council and School Board) will occur as a function of voter turnout. The Justason Research poll above — even if it is a month and a half out of date — could in fact be right … if, and only if, voters supporting the Greens’ entirely tremendous Pete Fry, or OneCity’s Judy Graves, or Jean Swanson’s invigorating, well-organized grassroots and near revolutionary community-based campaign for Council turn out in droves.
Sad to say, in this era of Trumpian dysfunction, and an ‘enemy of their own class interests’ anomie among the voting populace that almost beggars belief (honestly, it’s as if we’re living in some perverse, latter day version of Orwell’s 1984) voter suppression would seem to be the order of the day. Former Vancouver School Board Chair Patti Bacchus posited in her column in The Straight last week that we’re likely to witness a 10% turnout at the polls once the votes are counted on Saturday night, while Vancouver Courier columnist Mike Klassen was telling anyone who would listen the very same thing. When the left & right agree, you know we’re in trouble.
VanRamblings continues to believe that we’re likely to see a 15% voter turnout — as we’ve suggested previously, a 7% turnout on Vancouver’s eastside, with a 10% turnout in the West End and Kitsilano neighbourhood, and a 30% or better turnout in the neighbourhoods where the NPA has traditionally done very well. We, of course, hope we’re wrong, and that the 20% – 25% voter turnout posited by Vancouver’s City Clerk proves to be the case. But we don’t think so.
VanRamblings has made our support of Jean Swanson well known, and we’re pretty darned enthusiastic about Pete Fry’s candidacy, as well.
The tale will be told on Saturday night.

2017 Vancouver city by-election voting day, October 14th

Make sure that you get out to vote on Saturday, if you haven’t already cast your ballot at the Advance Polls that were held on October 4th and 10th at Vancouver City Hall. Wondering where to cast your ballot? Just click on this link to be taken to the Vancouver.ca webpage, which will afford you the opportunity to place your address in a box made available to you. After clicking Submit, the locations where you may cast your ballot will come up, in this most crucial of elections (aren’t they all?), particularly the School Board election, where the key issue is democratic and engaged advocacy for student interests vs partisan stasis. Remember: it ain’t over til it’s over.
PART TWO: VANCOUVER SCHOOL BOARD

On October 14th, get out to vote in the crucial Vancouver School Board by-election

If you believe that Vision Vancouver at City Council and Vision Vancouver at School Board are one and the same thing: give your head a shake. If you believe the malarkey that it is the Vision Vancouver trustees that were the bullies at School Board, and therefore you will not cast a ballot for the Vision Vancouver candidates for School Board: give your head a shake.
There are only 8 candidates who have placed their names forward in the 2017 Vancouver School Board by-election, who have a well-rounded and informed appreciation of the advocacy role that trustees must perform while sitting as elected Board of Education trustees on the Vancouver School Board, and these persons of conscience (for whom you must vote on Saturday, if you give a good galldarn about public education) are …

Adi Pick, running for Vancouver School Board in the 2017 Vancouver by-election

Adi Pick. 20 years of age, a graduate of Magee Secondary (where she was the valedictorian in her graduating year), currently enrolled at UBC in her fourth year of studies as an international relations student, Adi Pick emerged as the star in the Vancouver School Board by-election: incredibly bright, articulate, down-to-earth, with an informed and fundamental understanding of all of the issues on which Vancouver school trustees must adjudicate, Ms. Pick gained support across the political spectrum during the course of her candidacy, and simply outshone all other candidates at the two Vancouver School Board all-candidates meetings, with her good humour, her pointed commentary, her reasoned passion, and her unrivaled advocacy for the interests of students.

Carrie Bercic's daughter Sarah suggests you save a vote for her momSarah Bercic asks you to save a vote for her mom, Carrie, for VSB trustee

Carrie Bercic. The other shining star in the Vancouver School Board candidate firmament, Carrie Bercic is the must, must, must vote in the current VSB by-election. Carrie Bercic has attended every meeting of the Vancouver School Board since 2014. Ms. Bercic has worked with her OneCity colleague Erica Jaaf (another must, must, must vote for in the current VSB by-election) on the Parent Advocacy Network (PAN) Board (they’re both on leave at the moment), has sat as Parent Advisory Chair at both General Wolfe elementary school where her daughter was enrolled, and Parent Advisory Chair at Eric Hamber, where her son Jordan was enrolled. Quite simply, there is no more down-to-earth, better informed, more articulate public education advocate who has put their name forward for a position of trustee at the Vancouver School Board than is the case with Carrie Bercic. You would be doing yourself, and the students enrolled in the Vancouver school system a big, big favour by saving a vote for Carrie Bercic when you go to the polls on Saturday, October 14th.

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Make no mistake: VanRamblings wishes for you to cast a ballot for Adi Pick, Carrie Bercic and her OneCity running mate, Erica Jaaf, COPE’s Diana Day, and every cotton pickin’ one of the incredibly talented, humane, community advocate, Vision Vancouver defenders of public education who have put their names forward to sit as Board of Education trustees on the Vancouver School Board. If you’ve not already, please read VanRamblings’ initial column on the 2017 Vancouver School Board by-election.

Vision Vancouver 2017 by-election team School Board candidate team

From l – r, the entirely tremendous Vision Vancouver school board candidate ‘public education advocacy’ team: newcomer to electoral politics Theodora Lamb, former VSB Chair Mike Lombardi, Ken Clement, Joy Alexander and Allan Wong, each one of whom deserve your vote October 14th.

One City Vancouver and COPE Vancouver's 2017 School Board by-election candidatesFrom l – r, OneCity Vancouver’s Carrie Bercic and Erica Jaaf, and COPE Vancouver’s Diana Day

The eight candidates for Vancouver School Board whose photos you see above — and let’s not forget Adi Pick either, who is most deserving of your vote at the polls on Saturday — are heartily endorsed by VanRamblings and constitute for any caring person who is at all concerned for Vancouver’s and British Columbia’s public education system, the only candidates for Vancouver School Board you should consider when casting your ballot.

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You may read Part One of the actual election results column here.

VIFF 2017: Wends To a Close for Another Year

2017 Vancouver International Film Festival Wends To a Close

Well, that’s it — almost. The 36th edition of the Vancouver International Film Festival wraps late on Friday evening, October 13th with the “gory as f*ck” screening of Turkish director Can Evrenol’s Housewife, at The Rio.

VIFF Repeats 2014

VIFF Repeats

Of course, as has been the case for many, many years the fine folks at VIFF have planned, and now released information on, their VIFF Repeats programme, which kicks off on Saturday, October 14th with Bosch: The Garden of Dreams at 11:45am, followed by Meet Beau Dick: Maker of Monsters at 1:45pm, The Farthest at 4:15pm, and two more festival favourites, Loving Vincent at 6:45pm, and the final screening of the first VIFF Repeats day, Indian Horse, at 8:45pm. All screenings will occur at the 175-seat Vancity Theatre. Tickets must be purchased, either online or at the door, for each screening (VIFF passes do not apply to the VIFF Repeats programme). VIFF Repeats run through until Thursday, October 19th.

Still and all, during the course of the final two days of VIFF 2017 there are some very fine films that will screen for a final time, films VIFF patrons and critics alike have simply raved about, and are certainly worthy of your time and consideration — as is the case with Janus Metz’s Borg vs McEnroe, perhaps the finest sports-related drama since Bennett Miller’s entirely tremendous Moneyball. Borg vs McEnroe screens for a final time at VIFF at 3:30pm at the Vancouver Playhouse on VIFF’s last day, Friday, Oct. 13th.
On VIFF 2017’s second-to-last day (Thursday, October 12th), you might want to turn your attention to the following VIFF patron favourites …

  • Sami Blood (Grade: A). Knocked our socks off. Little wonder that Lene Cecilia Sparrok won a raft of Best Actress awards, and Danish director Amanda Kernell an equal number of Best First Feature and Best Director awards. A compelling and heart-wrenching watch from beginning to end. A must-see. Screens at 11:15am, Tinseltown, Cinema 10.
  • Call Me by Your Name, (Grade: A). A friend wrote to us at 2am, “If you haven’t already, please go see Call Me by Your Name. It was exceptional. I watered up 3 times in that movie, each one more soul crushing than the last. Left the theatre with a heavy but full heart.” Yep, yep, yep. Couldn’t agree more. Screens for a final time at 3:15pm at The Centre.
  • Close Knit. According to Screen Daily’s Wendy Ide, Close Knit is “gentle, empathetic and deliberately non-confrontational, taking a mild-mannered approach to transgender issues. Having lived in the U.S., director Naoko Ogigami upon returning to Japan found herself struck by the invisibility of the trans community in her home country. Close Knit’s narrative revolves around 11-year-old Tomo (Rinka Kakihara) who finds herself adopted by her Uncle Makio (Kenta Kiritani) when her mother abandons her. Makio cautions that he is now living with someone. Someone unusual. Rinko (Toma Ikuta) is a transgender woman. Tomo’s initial reserve is soon won over by Rinko’s warm and nurturing nature, and the fact that Rinko keeps a spotless home, and creates cute bento boxes full of rice pandas and sausages sculpted into various sea creatures, which Tomo loves. A nuanced, softly lit family portrait, with compassion and conflict held carefully in balance, Close Knit screens for a final time at 4:15pm, Cineplex International Village, Cinema 10.
  • The King’s Choice. Dramatizing a celebrated moment in the Norway’s constitutional monarchy, when King Haakon VII (Jesper Christensen) refused to surrender to the Nazis’ invasion, director Erik Poppe’s filming of the blistering climactic encounter between the King and the German envoy makes for one of the most compelling cinematic scenes of the year. Screens for a final time tonight, 9:30pm, at Cineplex International Village, Cinema 10.

And now onto the final day of VIFF 2017 …
Friday, October 13th

  • Borg vs McEnroe, (Grade: A). Janus Metz’s powerful, nuanced biopic while telling the story of one of the great tennis rivalries of all time creates a compelling and oft-times thrilling piece of entertainment. A must-see. Screens at 3:30pm, at the Vancouver Playhouse.
  • The Party. With a dream ensemble cast (at least to those of us that love indie filmmaking) and one of the big hits at VIFF this year, a film about which absolutely no one has anything negative to say (no mean feat, that), the new movie from director Sally Potter had Variety critic Guy Lodge writing in his review from Berlin, “Gleefully nasty, zinger-packed this deliciously heightened, caviar-black comedy sets up its brittle, bourgeois characters like bowling pins and gleefully knocks them down in 71 minutes flat, Potter’s dark drawing-room comedy her zestiest work in ages.” Screens for a final time at 5pm at The Centre.
  • Wonderstruck, the Closing Gala film, 7:30pm at The Centre, and 9:15pm at The Playhouse. Todd Haynes new film that took Cannes by storm. Stars Julianne Moore (who’s been brilliant in every film she’s ever starred in), about which critic Wendy Ide wrote in Screen Daily, “With first rate work from cinematographer Edward Lachman, costume designer / executive producer Sandy Powell, production designer Mark Friedberg and — particularly — composer Carter Burwell will ensure Wonderstruck, with its gradual swell of emotion that builds to a belter of a tear jerking climax, will emerge as a significant awards season contender.”

And that will wrap the Vancouver International Film Festival for 2017.
Full VanRamblings coverage of VIFF 2017 is available by clicking here.

The Vancouver International Film Festival Comes to a Close for Another Year

VIFF 2017: Films To Ensure You See Before VIFF Ends

2017 Vancouver International Film Festival, viff, final week, films to see

Today on VanRamblings, the must-see films screening in the final week of VIFF 2017, those films lauded by VIFF patrons, films with critical acclaim extraordinaire, films which will either provide you with early insight into what movies will be recognized by the Academy of Motion Picture Arts and Sciences at the Oscars ceremony on Sunday, March 4th, 2018, or provide you with the opportunity to see outstanding cinema for the final time at VIFF 2017, cuz these films ain’t a-gonna be making their way back to our shores any time soon, or (in fact) ever again. So, you know what to do …

Playing once and only once at the 2017 edition of the Vancouver International Film Festival, a last-minute addition to the VIFF lineup, the most talked about American début feature of the year, having taken both the Telluride and Toronto International Film Festivals by storm, and set for a raft of Oscar nominations come Tuesday, January 23rd, 2018 — including a Best Actress nod for Saoirse Ronan, and long overdue Best Supporting Actress recognition for Laurie Metcalf, not to mention Best Screenplay and Best Director nominations for — indie actress Greta Gerwig’s Lady Bird … Screens today, Monday, October 9th at 4pm at The Centre. See ya there!

Don’t forget: Aki Kaurismäki’s VanRamblings-recommended The Other Side of Hope screens directly after Lady Bird, 6:30pm at The Centre. At 9:15pm, VanRamblings’ favourite film of 2017, Andrei Zvyagintsev’s magnificent Loveless screens at the Vancouver Playhouse, on Hamilton Street.

On Tuesday, 6:15pm at the Vancouver Playhouse, you simply don’t want to miss the single most buzzed about film at VIFF 2017, director Amanda Kernell’s powerful multiple award winner, Sami Blood — the Grand Jury Prize and Best Actress (Lene Cecilia Sparrok) winner at last spring’s Seattle Film Festival; Special Jury Prize winner and another Best Actress win for Sparrok at Tokyo’s 2017 Film Festival, with a Best Director of a Début Film win for Amanda Kernell at this year’s prestigious Venice Film Festival.

Nor do you want to miss Alain Gomis’ Grand Jury Prize winner at the Berlinale this year, Félicité, a raw, near documentary-style music-infused reverie, an often dreamlike portrait of Félicité, a singer who is just barely scraping by in modern-day Kinshasa, a dirty, hardscrabble, lawless but irrepressibly energetic city. Screens twice at Cineplex International Village, both times in Cinema 10, on Tuesday, October 10th at 9:30pm, and the next day, Wednesday, October 11th at 4:30pm.

On Wednesday, October 11th there’s a veritable cornucopia of fine cinema that will screen at VIFF 2017 on its third to last day …

  • Ismael’s Ghosts, VIFF fave Arnaud Desplechin’s most daring film yet, a tour-de-force of mise-en-scène and a prismatic portrait of a filmmaker haunted by his past, starring Mathieu Amalric, Charlotte Gainsbourg, Marion Cotillard and Louis Garrel, which screens for the final time at 10:45am at Cineplex, Cinema 9;
  • Or, at 11:30am at Cineplex Cinema 9, you could take in British writer-director Francis Lee’s remarkable, award-winning accomplished first feature, God’s Own Country, about which VIFF patrons and critics alike have been raving, the story of a troubled, taciturn and volatile young man living on a remote Yorkshire farm that although it didn’t court Brokeback Mountain comparisons directly enough with its tale of two young sheep farmers finding love in a hopeless place nonetheless seals the deal. Says VanRamblings critic favourite Guy Lodge in his review in Variety, “By the time the tightly controlled soundscape blooms into the widescreen baroque pop of Patrick Wolf for the closing credits, the resulting heart-swell feels thoroughly earned”;
  • And let us take pains to remind you of how much we loved Alexandra Dean’s kickass documentary, Bombshell: The Hedy Lamarr Story, which screens for a final time at 3:45pm at the Vancouver Playhouse.

And then there are entirely remarkable evening screenings on Wednesday, October 11th that are not-to-be-missed …

  • Sour Apples, VanRamblings’ own David House’s favourite VIFF film (and a VIFF cineaste favourite, too), writer, director and star Yilmaz Erdogan’s boisterous and engaging Turkish epic, which spans decades as it recounts the story of Aziz Özay and his three beautiful daughters, as warm-hearted and inclusively crowd-pleasing a film as you could wish for, a perfect palliative and counterpoint to VIFF’s usual Cinema of Despair programming (VanRamblings will find ourselves at 6:15pm at the Vancouver Playhouse to take in the final screening of Sour Apples);
  • Or, how about Phillippa Lowthorpe’s Swallows and Amazons, Youth Jury Award and Best Feature winner at the Seattle Film Festival, an absolutely perfect film to take the kids to, incredibly engaging family fare, which will screen for a final time at VIFF, at 6:45pm at Cineplex’s Cinema 9;
  • Or, Janus Metz’s Borg vs McEnroe, at 6:30pm at The Centre, a compelling drama that has you in its grip from beginning to end, and a film that just knocked our socks off, easily 1000x better than Jonathan Dayton and Valerie Faris’ failed Battle of the Sexes, and a must-see if you possess any love at all for remarkable humanistic sports films;
  • Or at 6:15pm at The Rio, the final screening of Mina Shum’s love letter to Asian mothers, Meditation Park, a small but significant picture, and a film about quiet, dignified resignation that will resonate with anyone who cherishes their family life.

And, heck, those are just the early evening screenings on Wednesday.

2017 Vancouver International Film Festival débuts Stephen Campanelli's Indian Horse

Indian Horse. A quintessentially Canadian story, adapted from Richard Wagamese’s award-winning novel, Stephen Campanelli’s moving drama sheds light on the dark history of Canada’s residential schools and the resolute spirit of our nation’s Indigenous peoples, focusing on the story of Saul Indian Horse of Manitoba’s Ojibwe nation who, as a child, is separated from his family by Canada’s reprehensible residential school system, where he and fellow Indigenous students suffer routine physical, sexual, and emotional abuse. Teachers do their best to destroy the children’s identities, in the name of the Christian god and the Canadian state.Then, Saul discovers hockey, where his talent helps him escape the school, on his journey to becoming a professional player. Only through his passion for the game and his rapidly improving skills does he glimpse a path beyond the horrors that have confined him. But is hockey enough to save him, or will his struggles to come to terms with the traumatic experiences of his past continue to haunt him? One of the buzz films at VIFF 2017, Indian Horse screens for a final time at VIFF, 9pm at the Vancouver Playhouse.

A Fantastic Woman, (Grade: A). Chilean director Sebastián Lelio’s follow up to VIFF 2014’s Gloria offers a sensitive, expressive melodrama about grief and the cost of being authentic in a world that too often fails to acknowledge gender variance and the lived, non-binary experience. A working of searing empathy, A Fantastic Woman traces the emergence from devastating grief of Marina (Daniela Vega), the film’s young transgender protagonist, who is treated like a criminal in the wake of her older partner’s sudden death from an aneurysm. A certain Best Foreign Language Film Oscar nominee, there’s even talk that Vega — who dominates virtually every mesmerizing frame of the film — will emerge as the first transgender woman to secure a Best Actress Oscar nomination, or as Guy Lodge writes in his review for Variety

Vega’s tough, expressive, subtly anguished performance deserves so much more than political praise. It’s a multi-layered, emotionally polymorphous feat of acting, nurtured with pitch-perfect sensitivity by her director, who maintains complete candor on Marina’s condition without pushing her anywhere she wouldn’t herself go. At one point in her mortifying police examination, a photographer demands that she drop the towel from her waist. She reluctantly complies, yet the camera respectfully feels no need to lower it gaze: A Fantastic Woman is no less assured than its heroine of her hard-won identity.

There are a great many films that will screen on Thursday and Friday, the final two days of VIFF, that we’ll write about later in the week. We are looking forward to VIFF 2017’s final screening, Todd Haynes’ transcendent:

Full VanRamblings coverage of VIFF 2017 is available by clicking here.

VIFF 2017: Entering the Final Week of Our Film Festival

2017 Vancouver International Film Festival, viff, final week, films to see

Only seven days to go, including today, before the glorious 36th annual Vancouver International Film Festival fades into warm memory.
There are a great many VIFF films that will make their début this coming week, as well as VIFF films that will screen for a final time — films all that are deserving of your time, attention, dollars and the inevitable ‘you’ve got to arrive an hour early’ interminable (yet, friendly, warm and welcoming) ticketholder and passholder line-ups outside the various VIFF venues.
For instance …

Loveless, (Grade: A+): The new masterwork from Russian director Andrei Zvyagintsev (Leviathan) was both the critical favourite at Cannes this year (there was a broad critical consensus that Loveless would win the Palme d’Or, which it didn’t do — instead, the execrable The Square garnered that undeserved honour), and the winner of Cannes’ Grand Prix award.
A withering, pitiless and devastating indictment of contemporary Russia (who knows why Russia has chosen Loveless as their Best Foreign Language Film Oscar nominee), as potent a cinematic exploration of anomie as you’re ever likely to witness on screen, Zvyagintsev’s Loveless emerges as nothing short of a masterpiece, not simply an apocalyptic study of a failed marriage and a failed system of justice involving the disappearance of a 12-year-old boy — about which not one character on screen cares a wit — set in the midst of a loveless modern Russia where residents exist at the mercy of implacable forces, Loveless’ pristine, punishing and purgatorial narrative offers with crystalline perfection viscerally intelligent and merciless filmmaking, every shot chosen with care, the bitter stillness of the near black-and-white cinematography capturing lives in disintegration, as harrowing a film as will be released in 2017. All of which makes Loveless a VIFF 2017 must-see. There’s one final VIFF screening of Loveless: Monday, Oct. 9th, 9:15pm, Vancouver Playhouse.

3-year-old Paula Robles and 6-year-old Laia Artiga, the stars of Carla Simón's Summer 19933-year-old Paula Robles & 6-year-old Laia Artiga, star in Carla Simón’s Summer 1993

Summer 1993, (Grade: A): Although it has completed its run at VIFF 2017, VanRamblings wishes to have recorded for posterity that Spain’s Best Foreign Language Film Oscar entry, Summer 1993, has emerged as our favourite film at VIFF this year. A polar opposite to the pitiless Loveless, Carla Simón’s tender autobiographical directorial début is the single most humane childhood drama to grace the screen in years, the performance of 3-year-old Paula Robles the film’s beating heart, who throughout embodies a sense of dread for what might, and does occur — which is to say that Anna is twice placed in harm’s way, her life force in jeopardy — perhaps at the hand of 6-year-old Frida, as Frida attempts to recover from the devastating loss of her parents, the answer to all questions coming in the film’s devastating final scene, which transforms Frida from a hard-to-read, enigmatic figure into a profoundly sympathetic figure, the film’s final scene providing context for all that has occurred before, with an overwhelming sense of melancholy, yet transformative and even hopeful, every person in the audience with whom VanRamblings took in the screening of the delicate Summer 1993 on the floor, inconsolable, unable to catch their breath.
The two most moving and humane migrant dramas screening at VIFF …

Chadian director Mahamat-Saleh Haroun's Immensely Moving A Season in France

A Season in France, (Grade: A). Set to screen one more time, this upcoming Tuesday, October 10th, 1:30pm at Cineplex International Village’s Cinema 9, Chadian director Mahamat-Saleh Haroun’s deeply felt, dark yet profoundly compassionate tale of illegal immigrants struggling in the lower depths of Paris relates the heartbreaking story of two brothers who attempt to make a new life in a cold, grey, uninviting and unwelcoming France, their futures at the mercy of bureaucrats, their anguish portrayed with the sombre eloquence of humanity, the story centering around schoolteacher Abbas (Eriq Ebouaney) who arrived from his war-torn city of Bangui (in the Central African Republic) a year previous and who now works a menial job selling vegetables while his two young children (an exquisitely sympathetic Aalayna Lys, and Ibrahim Burama Darboe) always on the move while hoping to stay enrolled in school. The film’s last, stark images are sure to prick the conscience of anyone who takes in a screening of this immensely touching, punch-in-the-gut proletarian tragedy.

Aki Kaurismäki's droll, deadpan migrant drama The Other Side of Hope

The Other Side of Hope, (Grade: A). Set to screen two more times: this upcoming Monday, October 9th, 6:30pm at The Centre, and on VIFF’s last day, Friday, October 13th, 6:30pm at SFU Goldcorp, master Finnish director Aki Kaurismäki’s droll, deadpan migrant drama marks a nostalgic and ever-so-cheeky return to form, in a film that combines poignancy, breezy laughter and expansive humanism in relating the story of Khaled (Sherwan Haji), an illegal migrant who has escaped the rubble of Aleppo for Helsinki. A gruff, moral, complex, at times hilarious, engaging and near visionary fairy tale, The Other Side of Hope is well worth a VIFF screening.
Full VanRamblings coverage of VIFF 2017 is available by clicking here.