All posts by Raymond Tomlin

About Raymond Tomlin

Raymond Tomlin is a veteran journalist and educator who has written frequently on the political realm — municipal, provincial and federal — as well as on cinema, mainstream popular culture, the arts, and technology.

Men Who Live In Glass Houses, Shouldn’t Throw Stones

2018 | NPA Vancouver City Council, Hector Bremner's Mayoral candidacy | REJECTEDHector Bremner, set to go it alone in his bid to become Vancouver’s next Mayor

EXCLUSIVE
As we wrote last week, Monday evening May 7th, Vancouver City Councillor Hector Bremner was informed by Gregory Baker, the President of the Board of Directors of his party, the Vancouver Non-Partisan Association, that his mayoral nomination application had been rejected. No reason was given.
After extensive dialogue with members of, and sources close to, the nominally right-of-centre Non-Partisan Association, and a frank Friday afternoon discussion with Mr. Bremner’s indignant campaign manager — longtime respected political campaigner, Mark Marissen — as well as numerous other individuals with insight into the reasons why a rejection of Mr. Bremner’s application was always in the cards, that Mr. Bremner’s bid to become his party’s mayoral standard-bearer was finished even before it began, today on VanRamblings we will reveal a few of the reasons why the Vancouver Non-Partisan Association rejected Mr. Bremner’s mayoral nominee application, tempered with commentary from Mark Marissen, and explanatory political context provided by VanRamblings.
1. Pay for Play
Or, Mr. Bremner’s alleged cozy relationship with a Vancouver developer
This past week, lawyer Michael Avenatti — legal counsel for adult film star, Stormy Daniels — released a document he referred to as a Summary Brief, alleging that Michael Cohen, President Trump’s lawyer, created a shell company called Essential Consultants to receive payments from a firm linked to a Russian oligarch, Viktor Vekselberg, and corporations with business before the Trump administration, e.g. AT&T, involved in a merger with Time-Warner, a merger President Trump had heretofore opposed. Mr. Cohen was paid $800,000 by AT&T for “access” to the President.
In total, Mr. Cohen has received monies in the millions, if not tens of millions, of dollars, from Mr. Vekselberg — a confidant of Russian leader, Vladimir Putin — and others, monies it has been alleged were used to pay off 130 different “complainants” set to bring suit against Mr. Trump.
Pay for Play? Mr. Cohen launders money received from Russian oligarchs, and multi-national corporations in the crosshairs of the Trump administration, and just like magic Mr. Trump’s “problems” go away, as do the problems of the multi-national corporations Trump fixer Michael Cohen has promised favours to, in exchange for payment of millions of dollars.
Pay for Play? Nice and tidy — until you get caught.

2018 | NPA Vancouver City Council, Hector Bremner's Mayoral candidacy | REJECTED

Mr. Bremner. Sources within and close to the Vancouver Non-Partisan Association administration have told VanRamblings they believe Mr. Bremner, and members of his election team, have “cut a deal” with a prominent Vancouver developer, that in exchange for funding the novice NPA City Councillor’s bid to become Vancouver’s next Mayor, Mr. Bremner has promised “special favours” to the developer, should he win election.
In times of old Pay for Play was called, “You scratch my back, I’ll scratch yours,” a central feature of political administrations, municipal, provincial / state, or federal. Mayor Gregor Robertson and his Vision Vancouver party have often been accused of a cozy, perhaps quid pro quo, relationship with Westbank developer Ian Gillespie, and real estate marketer, Bob Rennie.

The one, the only Christine Boyle, soon to be elected to Vancouver City Council, then Mayor!Christine Boyle, OneCity Vancouver candidate, running for Vancouver City Council

In contemporary society, and particularly in the politics of personal destruction realm, there is a propensity to demonize political adversaries, and developers in particular — a central feature of political life in our city, we’re sad to say — but not for pure-hearted politicos like Christine Boyle, a OneCity Vancouver candidate for Vancouver City Council — who will top-the-polls on election night, Saturday, October 20th — running a committed social justice, affordable housing, activist, get-things-done-for-us platform.

Wilfred Laurie, Politics is a Life Sentence, Stimulating, Satisfying, Stretching

Politics is just like life.
Every now and then you’re going to run across someone you really like, someone you admire, someone with whom you gain an immediate rapport. When VanRamblings sat as a member of Vancouver’s Board of Variance, there were any number of developers, architects and designers for whom the members of the Boards of Variance on which we sat, gained some deep affection. Did that affection ever translate into “a deal” for the avuncular, good-natured appellant appearing before the Board. Never!
VanRamblings would suggest the same thing is true with Mayor Robertson, and the members of his Vision Vancouver team. Sure, there’s a closeness between Mayor Robertson and Ian Gillespie — in 2011, when VanRamblings’ friend Mike Klassen ran for City Council with the NPA, when Michael and another NPA candidate entered the waterfront Fairmont Vancouver hotel owned and operated by Mr. Gillespie, both were unceremoniously ejected, in a rough process at that — but does Mr. Gillespie’s support of his friend Gregor Robertson translate into a rubber stamp for whatever development Mr. Gillespie brings before Council?
VanRamblings would suggest that the answer to the question above is an emphatic no! All you have to do is take a look at the Westbank development near 70th and Granville, where Mr. Gillespie got next to nothing from Gregor Robertson’s majority Vision Vancouver City Council, who mandated a significant reduction in density, much-reduced heights for the condominium towers Mr. Gillespie proposed, and a break-the-bank Community Amenity Contribution.
Far too easy and far too cynical to accuse our political masters — and the very strong and principled women who sit on Vancouver City Council — of corruption, or collusion with developers, many of whom are true visionaries and despite their wealth maintain an altruistic love for our city. Perhaps Mr. Bremner’s involvement with “his” prominent Vancouver-based developer supporter is innocent. Seems that the Board of Directors of the Vancouver Non-Partisan Association don’t think so — all of which means, yet another nail in the coffin of Mr. Bremner’s truncated NPA candidacy for Mayor.
2. Wet Behind the Ears
Or, Mr. Bremner is a novice politico, with little or no grasp of city files
Sources within the NPA administration have expressed concern that Mr. Bremner not only lacks gravitas at City Council, he seems to have little or no understanding of the files that come before him at Vancouver City Council, and seems unwilling (or unable) to learn. NPA sources have told VanRamblings “it’s not good enough that Hector skates by on charm and good looks — there has to be some there there and, quite frankly, we find him wanting, not seasoned enough by far.”
Lack of experience, a poor grasp of the files that come before Council, and a ‘style over substance’ Bremner candidacy had party officials concerned.
3. An ‘Incident’ at Council
Or, Mr. Bremner referred to a woman presenter to Council as a girl
At a May 2nd City Finance & Services meeting chaired by Councillor Heather Deal, co-founder of Good Night Out Vancouver, Stacey Forrester, made a presentation to Council, requesting funding from the city.
As may be heard at approximately the 59 minute, 13 second mark on the video of City Council’s standing CF&S committee meeting, Ms. Forrester introduces herself to Council, stating, “I am also a nurse by trade, having spent many years working in public health, and harm reduction, here in Vancouver,” referring to Good Night Vancouver as a “a pilot programme that has a street team roaming the Granville Entertainment District to help foster a safer environment for club and bar-goers during the area’s busiest hours, the first initiative of its kind in Canada.”
Ms. Forrester completes her address to Council at the 01:05:33 mark of the video of the CF&S meeting, after which Councillor Bremner begins his questioning of Ms. Forrester, stating …

“Thanks for the work that you’re doing. Councillor De Genova has stepped out, but her and I got a ride-along a couple of months ago in downtown, and we were there sort of overnight, and there we were, like, at two in the morning, and it was getting kinda late, and there was a girl, she’s about your age, and she was pretty drunk.

And the officers that we were with respond to the call, the establishment has kicked her out, she’s outside, she’s standing in the pouring rain, no jacket, she’s drunk, can’t find her ID, she doesn’t have her coat cheque, they won’t give her her jacket, it’s just turned into a whole mess.

And what I was surprised by, was struck by, really it came down to the VPD – who literally went out into the street – their flashlight flashed a cab, a cab came over, we put her in a cab. We sent her home.”

Do you see where the problem is — a problem identified by NPA members of Council — in Councillor Bremner’s rambling address to Stacey Forrester? A problem that caused enough concern to another Councillor sitting across from Mr. Bremner, that a tweet went out into the ether expressing astonishment and disgust that Councillor Bremner had just referred to a nurse presenting to Council as a “girl” — not a woman, but a girl.
Although the tweet has since been taken down, concern has been expressed to VanRamblings about Mr. Bremner’s conduct at Council, and the untoward nature of his referring to a woman with agency, as a girl.
One would imagine that there are some men out there, and perhaps some women, who would suggest that Councillor Bremner’s faux pas — unadmitted and not apologized for — is much ado about nothing. But that is decidedly not so for the women with whom we have spoken, who brought the video of the May 2nd City Finance & Services meeting to VanRamblings’ attention. The NPA Board of Directors are aware of the expressed concern.
4. A Legal Foofaraw
Or, Mr. Bremner insists a lawyer attend his Green Light Committee meeting
Applicants for a Vancouver Non-Partisan Association nomination must complete the filling out of a 51-page document. The Green Party of Vancouver employs a similar — but only 24-page — vetting document.
At the Friday afternoon meeting VanRamblings had with Mark Marissen, Mr. Bremner’s campaign manager, Mr. Marissen said …

“We had concern going in (to the Green Light Committee meeting). As you may be aware, at the last NPA AGM, Glen Chernen (ed. note, an approved NPA candidate for Mayor) placed a number of his people on the Board. Given the number of articles published recently where Glen Chernen has alleged a conflict of interest with Hector’s candidacy, and given the ties that HALT has to Glen, we all thought it best that Hector have a lawyer present for the meeting with the Green Light Committee.”

Sources close to the NPA Board told VanRamblings that the Board was “apoplectic” that Mr. Bremner wanted a lawyer present, that such a request is unprecedented in the party’s history (as it would be for the other Vancouver civic political parties, we have been told by representatives).
The Board of Directors fired off a letter to the Bremner team, a letter drafted by legal counsel for the Board, stating that “in the interests of procedural fairness” Mr. Bremner would not be allowed to have a lawyer present for the vetting process conducted by the party’s Green Light Committee. At this point, neither Mr. Bremner’s team, nor members of the NPA Board of Directors — or party members — were relieved or happy.
5. We Don’t Want Any of Them Damn, Di ….
Or, where Mr. Bremner’s concern about racism in the party derived
A couple of weeks back, Hector Bremner’s campaign manager, Mark Marissen, was called to a luncheon meeting with a well-heeled NPA supporter, long a fixture in the party’s infrastructure. According to Mr. Marissen, the person with whom he met expressed a concern about the “500 sign-ups by members of the Muslim faith” who were supporting Mr. Bremner’s bid for the NPA mayoral nomination. Marissen was aghast at the comments of this individual, he told VanRamblings at our Friday meeting.
In fact, sources close to the NPA expressed a similar concern to VanRamblings, not relating to any issue relating to race, but rather …

“We know that Hector has signed up 2000 new members,” an NPA insider told VanRamblings. “Our party’s concern isn’t with the ethnicity or racial makeup of the members Hector signed up — whether it be the 500 members of the Muslim faith, an equal or even greater number of members of Vancouver’s Asian population, or members of the evangelical community who have signed up in droves to support Hector — our concern is that, going forward, few of these new sign-ups are likely to play a role in the party, are unlikely to go door-knocking, man the phones, or play a role in the coming civic election campaign.

Many of Hector’s sign-ups not only have English as a Second language, they speak no English at all. The party feels that Hector isn’t trying to grow the party, but simply stuff the ballot box to secure the NPA nomination for Mayor. To the members of the Board, that’s a concern.”

Also of concern, NPA sources have told us, relates to a feared move of the party to the right, were Mr. Bremner to secure the NPA mayoral nomination, at a time and in an election cycle when the party is again trying to position itself, as it did in 2014, as the wider appeal New Progressive Association.”

Note should be made that none of the concerns expressed above were discussed with Mr. Bremner during his meeting with the NPA Green Light Committee, nor did any NPA Board members approach Mr. Bremner, at any time, to express such concerns to him directly.

Mark Marissen, political campaigner, energetic guy, affable, good-natured and ...
The affable and handsome political campaigner, Mark Marissen

Mr. Marissen rejects all the concerns expressed by NPA party members …

“Look, I didn’t initially come into this looking to work on Hector’s campaign. My candidate, and I thought he’d make a great Mayor, was Fred di Blasio, a high profile member of British Columbia’s indigenous community, a graduate of Queen’s College at Cambridge University, a Telus Vice President, and before that an AT&T VP. Fred’s happily married to Lana Parrilla, one’s of the stars of ABC’s Once Upon A Time TV series. Fred’s a good guy, and I thought he’d make a terrific Mayoral candidate — but after giving the idea much thought, he told me, ‘Not at this time, Mark’. And that was that, I thought, until …

“One day I heard Hector speaking at Council. I was impressed. I know Mike Wilson, who did a bang up job on Hector’s by-election win last year, and it got me thinking … since I’m in campaign mode, I thought to myself when listening to Hector, “Here’s a guy that could go all the way, and become Vancouver’s next Mayor’. So I signed onto Hector’s campaign, and I’m glad I did. Hector is a terrific candidate.”

Marissen’s primary concern relates to the unfairness of the process laid out by the Non-Partisan Association, many of whose members he has great affection for, he told me …

“Ray, you know as well as I, that the candidate who signs up the most members, and gets those members to the nomination meeting to cast their ballot, wins. Politics, in that way, is simple. When it comes right down to it, it’s a numbers game. And that’s the way it should have been. We signed up the most members, we would have gotten them out to the nomination meeting, and on May 29th, Hector would be the NPA’s Mayoral candidate. But it didn’t exactly work out that way, did it?”

At which point, Mark got up from his chair outside the Starbucks on Granville, shook my hand, a big smile washing over his face, predicting, “Hector’s going to be Mayor come October. Just you wait and see.” And then Mark disappeared into the crowd, and VanRamblings was left agog.
Over the course of the afternoon, another item came to the fore.

Hector Bremner | The NPA posts a letter explaining whyUPDATE | Hector Bremner posted the above on Facebook at 10am Monday, May 14th.
The NPA posted a confidential letter to Mr. Bremner this morning explaining the reasons WHY his nomination has been rejected by the party, allowing him to reveal the contents.

For Mark Marissen, there’s more than a taste, and a bitter taste at that, a feeling of déjà vu in the current contretemps his candidate is experiencing with “the old boys club” who run the affairs of the NPA, and a lingering resentment at the treatment his then wife, Christy Clark, was subject to when she put her name forward for the 2005 NPA Mayoral nomination.

2018 Vancouver civic election

VanRamblings is sympathetic to both sides in the current dispute between Mr. Bremner’s team, and the NPA Board of Directors — there are good people on both sides. Maybe, as Mark Marissen suggested, “the fix was in,” that John Coupar signed up 1250 members; Ken Sim, 1000; and Glen Chernen, reportedly, 750 members. Perhaps, in 2018, the NPA is looking to nominate a steadier hand as their Mayoral nominee.
Whatever the case, both sides to the dispute know that — at least in terms of political philosophy — there’s more that unites them than separates them. VanRamblings was looking for a “fair fight” come autumn, with the nominally right-of-centre Vancouver Non-Partisan Association on one side, and the coalition of Vancouver’s progressive parties — OneCity Vancouver, COPE, the Greens, Vision Vancouver and TeamJean — on the other side, both offering quite radically different platforms, but similar values of commitment to public life, leaving the decision as to the victors to the voting public, come Saturday, October 20th.
Alas. That’s not going to happen. Not that VanRamblings isn’t pleased that the ‘progressive parties” — now seemingly committed to the notion of a progressive coalition where all the parties in the coalition would agree on at least some tenets of a unified platform — look to emerge, together, as victors this coming autumn. No, we’re near ecstatic with what victory for Vancouver’s progressive coalition will mean for all Vancouver residents, and the provision of truly affordable social, housing co-op and co-housing; and a movement to expanded, and where necessary — as it must be for children aged 5 to 18, and Vancouver residents who live on an income below $40,000 a year — free transit, or at a much-reduced rate.
Final note. VanRamblings will provide both parties to the current right-of-centre dispute, the opportunity to have published here they’re reply to today’s column, or information either or both parties feel the voting public should or must know about the current dispute, heading into this autumn’s Vancouver civic election. And, oh yeah don’t forget: we’re here Monday to Thursday reporting out on Vancouver Votes 2018. See ya tomorrow!

Sunday on VanRamblings | A Son Shows His Love for His Father

The Art of Noise - The Holy Egoism of Genius (John Hurt, vocal)

Throughout the years that my son, Jude (who prefers to be called Nathan) and my lovely and tough-as-nails (but not entirely sane) daughter, Megan — hey, it runs in the family, on both her mother’s and my side — through their younger years and their teens music was ever-present in their lives.
On the long Sunday afternoon drives, the monthly excursions to Seattle, the quarterly sojourns to the west coast of Vancouver Island, visits with friends on the far side of Port Coquitlam, nearly in Pitt Meadows, more often than not the music loud enough that we would all sing the lyrics together, or sometimes we would just lie back (although, I am always hyper-alert when driving) and listen to one or more of our favourite Todd Rundgren songs, or music by The Boss, The Bangles, Bob Dylan, The Ronettes, Elvis Costello, Tears for Fears, or whatever pop song was playing on hit radio — and later on, for my son, angry, profanity-laden hip hop songs — for Jude and Megan and I, music was throughout the course of every day of our lives a central feature of lives full of love, and well-lived.
In the 1970s, I was the go-to guy if you wanted to purchase new stereo equipment, or anything tech related. As you might well imagine, then, in the Tomlin household you would find the best, high-end stereo equipment, a perfectly calibrated turntable and stylus, amp, tuner and speakers, the best money could buy (I wasn’t always a pauper). My love of great stereo equipment, or lovingly created mix tapes, encompassing the broadest cross-section of music you could imagine — for most of my life, I’ve been an arts critics, the record companies only too willing to give me any vinyl record or, later, CD that I wanted, creating a vast library of music at home, played to optimum effect on the very best audio equipment available on the market — providing access to the best sound and broadest array of music you’d find outside of Business in Vancouver editor, Kirk LaPointe’s home.
My love of music, and love of tech and stereo equipment, is a feature of my life, and now my children’s lives, a gift that has been bequeathed to them.

My son is a recording engineer, putting out his own music under the name DJ Nameless. At home he has recording equipment stacked floor to ceiling, mixing equipment, turntables, all of the music both played and recorded on vinyl, or other legacy media. Jude has taken my rudimentary mixing skills (of which, I am sure he would say I have none) and developed his skill set in music & recording into an art. Listen above to one of his house records.
Every now and then — a gift from my son I very much look forward to — Jude will have found a rare recording, and contrary to the best interests of his nature, and love and commitment to the warmer sounds of legacy media, will digitize a song he’s run across in his travels, loading the mp3 into my iTunes, forever after to be a part of my 6000+ song mp3 library of lovingly crafted music of the new millennium, providing access for me both at home, and on my latest model iPhone — the soundtrack of my life.
On June 28th, 1999, Jude came over to my home for a visit (we were to go to dinner later in the afternoon), just sort of hanging out in my place, repairing for awhile to the magnificent rooftop paradise created by two of my housing co-op’s landscape visionaries, and then as it came time to go, Jude turned to me, gave me a hug (note: Jude gives the warmest and most loving hugs), Jude sitting down on my comfy office chair, leaning into my state-of-the-art computer’s CD drive, loading the song below, the first release by The Art of Noise from their concept album (vinyl, of course), The Holy Egoism of Genius, the song The Seduction of Claude Debussy.
Before he pressed play on the now loaded iTunes song, Jude turned to me and said, “You know that I think mp3s represent a corruption of sound, and I’ll never own an mp3 player, no matter how easy and available they become — but when I heard this song, I thought of you, and thought that maybe, probably, that you’d like it. You’ve always liked narrative in the music you listen to, and on occasion, a particularly compelling and well-wrought foreground narrative — which is an element of the song I am about to play for you.”
“John Hurt, who I know you like — because you’ve taken Megan and I to almost every film in which John Hurt has ever starred, or we’ve watched them at home late on a weekend night, for Megan and I, The Elephant Man and 1984 two of John Hurt’s more memorable films that we have watched with you at home, or when we were younger, at the cinema.”
Here’s the song Jude gave to me that late afternoon, early summer’s day …

Stories of a Life | Events of Summer 1957 | Failing Grade One

Lord Nelson Elementary School, on Vancouver's east side, circa 1957

In November 2017, I wrote of a signal event of my life — a 7th birthday present from my mother of a transistor radio, on August 11th, 1957.
The acquisition of the leather-encased transistor radio — I was the first boy in my neighbourhood to own one — so influenced my life that I developed not only a lifelong love of pop culture as a consequence of receiving the present, but a lifelong love for radio, which less than 10 years later would see me working at CFUN — then Vancouver’s rock ‘n roll giant — studying with Red Robinson (at the time, the programme director), producing the station’s Sunday night programming, and occasionally going on the air.

CKNW radio in Vancouver, circa 1957

The gift of the transistor radio also meant that after going to bed at my usual bedtime of 8pm, I could turn the radio on to CKNW and listen to the classic radio programmes of the 1940s and 1950s: The Shadow, Our Miss Brooks, the Jack Benny – a favourite – and Red Skelton shows, and George Burns and Gracie Allen, and The Charlie McCarthy shows.
Summer 1957 also had a darker aspect.
For the first five years of my life, I didn’t speak. I sang, but I didn’t speak. Early childhood trauma, I expect — neglect, a lack of love, and darker goings on I won’t write about today, but there was joy in my young life — the Sunshine Bread truck that would situate itself in the park at the end of Alice Street, over by Victoria and 24th, providing the young children who lived in the neighbourhood an opportunity to ride on the tiny merry-go-round on the back of the truck, the children running home to their mothers saying, “Mom, oh mom, you’ve got to buy some Sunshine Bread.”
During this period, though, and throughout my life, there was not a mother at home for me to run to. My father, too, was absent; I’m not sure where he spent his days, all I knew was that he didn’t have work — my parents argued about it all the time — and neither was he a fit parent, as he proved time and time again. There were nannies at home, recent immigrants from Germany, mostly, from whom I acquired my love of warm & filling oatmeal for my breakfast in the morning, for there wasn’t much food in my home, and often that oatmeal breakfast would constitute my meal for the day.
At age five, I began to speak, first haltingly and then in full sentences. For anyone who knows me, they’d probably say that for many years now, I have been making up for the lost words of the first five years of my life.

Mother reading her son a bedtime story

In my home, there were no bedtime stories. Not that either of my parents were inclined to read to my sister and I. My father had a Grade One education, and couldn’t read. My mother had a Grade Three education, and she could read — but not to either me or my sister. Not that she was ever around the house long enough to read stories to us, even if she was so inclined — which she wasn’t.
My mother was the breadwinner in my family.
From the earliest years of my life, through all the years of my maturational growth, my mother always worked three jobs — for many years she worked days at Bonor and Bemis, just off Strathcona Park, a factory job where she worked in the part of the factory responsible for making paper bags; afternoons saw my father lifting my sister into the back seat of the car to pick my mother up from work, to drive her to Lulu Island and the Swift Meat Packing Plant, after which my father, sister and I traveled home in our 10-year-old Plymouth, the car barreling down Victoria Drive, with my sister far too often opening the back door of the car, spilling out onto the roadway, as my father’s car sped away down the street, me screaming, “Dad, dad — Linda’s jumped out of the car!” at which point he would stop, turn the car around and head back to where my sister lay in the middle of the road, a car having stopped so he wouldn’t run her over, holding up traffic, my father rushing over to pick up my sister to take her home.
In any one of those incidents, my father never thought to take Linda to the hospital. Sometimes the driver of the car that had stopped — to prevent himself from driving over Linda — would repair to my home, on Alice Street, or East 2nd Avenue, with me screaming at my father or the man or men who were standing around in the kitchen of my house, Linda laying bruised and bleeding on the hard melamite kitchen table, me now screeching at the adults gathered around my sister, men hands held to their chin, doing nothing, my screaming at them to take her to the hospital.
But they never did.

Class picture, Grade One class, Lord Nelson Elementary School, Vancouver's east side, circa 1957

In September 1956, I entered Grade One. My mother was actually present to enroll me my first day of school at Lord Nelson Elementary, at Templeton Drive and Charles. Miss Pugh was my Grade One teacher. The only memory I have of her involves asking the children in class to put our heads down on our desks when her boyfriend would come to visit, as I peeked toward the front of the class, where I would see the two of them kissing — the only affection between adults I had ever witnessed to that point in my life.
Grade One was, for me, a blur.
I was, I suppose, unmanageable, full of life, although I don’t have any strong memories of my attendance at Lord Nelson Elementary school, from September 1956 through June of 1957 — I had never been socialized, no one had ever made demands of me in regards of my conduct, although I would receive hard spankings if I got out of line, although it was always difficult to determine what “getting out of line meant,” as there were no boundaries around my conduct that I can recall having been set for me.
I enjoyed my pre-school days (read: before I attended elementary school), and I suppose I enjoyed school, my memory of playing marbles at recess acute. Quite honestly, though, I can’t remember anything else of my first year of school — apart from the kissing at the front of the class, from time to time, between my teacher and her boyfriend. As my mother was working three jobs — 16 hours a day, six days a week, 24 hours on the 7th day, the unskilled factory jobs paying, early on, about 25 cents an hour, climbing to 35 cents by 1957 — I was lost, there were no governors in my life, no love, no affection, I felt alone, and more often than not, full of dread and fear.
My most cogent memories of September 1956 to June 1957 are this …

  • Walking to school alone through billowy white fog, so thick you couldn’t see your hand in front of you, arriving at school on time, and settling into a day where I would learn nothing;
  • Running to Joy and Louise’s house after school, and playing with them for 2 hours, their parents at work, just the three of us at home playing make believe;
  • Spending occasional afternoons at my best friend John Pavich’s home, his mother with fresh-baked, warm cookies at the ready, a glass of milk on the table. I would often stay for only a half hour, after which I would walk down Charles Street in the rain, towards Nanaimo, rumbling thunder and lightning in the steel blue skies a wondrous delight for me.

I have always felt most secure in overcast weather. Clouds in the sky, particularly the dark billowy clouds that covered the sky on those most overcast of days, offered me a secure and reassuring blanket, a security I lacked in every other aspect of my life, my love of darkened — some would say, forboding, but not me — a feeling that lives in me still.
I love the rain, I love leaden skies, I love the security that those overhead clouds continue to provide me, as if nothing bad can or will happen to me — and in a life, as far back as my pre-school days, an ever more present and necessary feeling as I glided through my Grade One year, untouched, unaware, when I raised myself alone (who knew where my sister was?), the clouds in the sky offering me the only security that was available to me.

Raymond Tomlin on his bike, spring 1957, at 2165 East 2nd Avenue, in VancouverSix-year-old me, Raymond Tomlin, on my bike, outside my home, in the spring of 1957

As the school year was ending, the sports day complete, the warm summer days having now just begun, on the last day of school in June 1957, I received my report card, taking it directly to my home as instructed by my Principal and my teacher. There was no one home. I played make believe all on my own. I left my report card on the kitchen table. Alone, I felt fatigued, and went to bed early on that June 30th afternoon, unsure of what the summer would bring, and what life held in store for me.
Early the next morning, following 12 hours of fitful sleep, upon opening my eyes, I was surprised to see my mother standing over my bed. She looked at me, seething, her lips pursed and tight, her face purple with rage — next thing I knew, she hit me across the face, hard. “You failed Grade One. No son of mine is going to fail Grade One. You are in for a summer of hell!”
And so it proved to be.
For the only time in all the years I lived at home, my mother left her employment, staying home with me through July and August, the renters in the downstairs suite evicted that summer, my days of hell beginning at 8am, tied to a chair in the kitchen of the downstairs suite, from 8am til 8pm Monday through Friday of each week of summer 1957, for near on 60 days — save my birthday, on August 11th, when I was given a day off — I was beaten, the rope tying me to the chair cutting into my skin, the early part of the summer finding me screaming in fear and in pain.
Hour upon hour upon hour.
Of course, in those days, there was no definiing concept of child abuse, no such thing as a Ministry of Human Resources or Ministry of Children and Family Development, no one to look after the welfare of children. A child screaming, most parents — at least in my east side Grandview-Woodland neighbourhood — thought the child probably had it coming to them.
Over the course of the thirty-one days of July 1957, something of a miracle occurred amidst the tears, and the now lessening screams of the day: I learned to read. I learned arithmetic. I learned to print. I learned everything I had not learned in ten months of enrollment in Grade One.
By summer’s end — as would soon be discovered, I knew how to print and to write in cursive longhand, my arithmetic skills progressing far beyond basic addition and subtraction into fractions, and elementary algebra and geometry. I learned to read, I read for hours every day.
I memorized the small dictionary my mother had purchased for the express purpose of teaching me language. I learned the meaning of thousands of words, and I learned to spell those words correctly — lest I be beaten, or slapped hard across the face. That summer I learned to love learning.

Children lined up, ready to go into the school to begin their day, circa 1957

On the first day of school in September 1957, my mother — as you may have gathered, a force of nature — marched me into the school office, confronting the Principal, an anger in her that had transmogrified into rage, my mother fierce and unrelenting in a barrage of hate-filled words that filled the room, fear and dread also filling the room, the Principal clearly unsettled, teachers running towards the office to see what this mad woman who had taken control of the office wanted, was demanding.
“My son is ready for Grade 2,” my mother screamed at my Principal, whose complexion now was ruddy, his face shuddering, his eyes wary, wide, concern – perhaps for his safety, perhaps for me – spilling out of his eyes.
“But Mrs. Tomlin, your son can’t read, he doesn’t even know the letters of the alphabet, and he doesn’t know how to do even the most basic addition and subtraction, not even one plus one equals two. I cannot place your son in Grade Two, just because you wish it to be so.”
My mother looked around the office. There was a large plaque on one of the walls, with 20 or so lines of print on the plaque.
Turning to me, pointing to the plaque, she bellowed, “Read it.” And I did. While I was reading the dozens of words on the plaque, my mother looked around the office, spotting a Grade 5 Math book.
Handing the Math book to the Principal, her eyes now in a squint, she demanded of the Principal, “turn to any page, ask him to solve any problem on that page. Now!” The principal did as he was instructed to do by my mother, asking me one question after another, as he flipped through page after page of the Math book. I answered every question correctly — and quickly, as I had been instructed in my basement dungeon at home.
The Principal turned to me and said, “Wait here son, take a seat over there. Mrs. Tomlin, please come with me to my office.”
Twenty minutes later I entered Mrs. Goloff’s Grade Two class, in a portable outside along Charles Street, beginning what would be one of the best years of my life. The school had spelling bees. I won every time, not just for Grade 2, but for the whole school. I breezed through Grade 2. Somehow, over the summer, I had gained a love of learning that resides in me still, and informs my life each and every day. I loved to read, spending hours in the school library reading whatever I could get my hands on.
I loved challenging myself, my facility with math always not just functional, but acute. And memory — looking back on it, I suppose the summer of 1957 was when I acquired my near photographic memory. I loved challenging myself to remember facts and information, discovering a way to achieve near perfect recall by inventing context through narrative. I suppose, too, that the summer of 1957 was when I first gained my love for narrative — as a tool and as a means to create recall and meaning, and a feature of how I would bring myself to the world, from my years in radio having to memorize how long the “musical beds” were for hundreds of songs, so that I could speak over the musical beds right up to the beat just before the lyrics to the song would kick in, or when in high school, taking the lead in school plays, and learning three hours of dialogue with ease.
The summer of 1957. A pivotal summer in my life, not just my young life, but the whole of my life, the most impactful summer of my near 68 years on this planet. In retrospect, looking back on that summer of what began as misery and pain, and what it has meant to me over the course of the next 60 years of my life — I love my mother for what she did for me.
As I have written previously, and as I will write again, I am who I am because of the tough, caring women who have come into my life, who have been demanding of me to be my best, to give all that I can give.
As is the case with most of the women with whom I have shared my life, my mother was a tough, bright, brooked no nonsense and driven woman, someone you did not want to cross, ever, who was also — not to put too fine a point on the matter — crazy (a consequence of childhood trauma), but a survivor nonetheless, and was in her own way, loving, but in terms of the woman who was supposed to raise me, in large measure and for the most part, absent — save one particular summer, the summer of 1957.

13 Reasons Why | 2 | Surprising, Engaging, Honest, Unblinking

13 Reasons Why, Season 2 | Netflix | Friday, May 18th, 2018

13 Reasons Why | Season 2 | Netflix | May 18
Far and away the most groundbreaking television series to début in 2017.
By far, the most well-conceived cable / streaming television series since Mathew Weiner’s Mad Men first wowed audiences on July 19th, 2007 — the most heartwrenching and heart-rending, honest, emotional, well-acted, absolutely compelling to watch, you didn’t want it to end, watching the series fucked you up, made you feel human, created characters of unending depth, humanity and emotional resonance …

The always moving, episode by episode devastating soundtrack, the most knowing, authentic, compelling, gripping, near apocalyptic, controversial, compulsively and obsessively watchable, tragic, mournful, awkwardly sensitive, and vital binge-watchable streaming wonderment ever to début on the must-have and essential Netflix platform …
Almost needless to say, the woefully overlooked television series adjudicated by the ageist and increasingly irrelevant television academy …

13 Reasons Why returns next Friday, May 18th, for it’s sure-to-be spectacular, you won’t be able to leave the house, you better set aside next weekend putting all else to the side, or on the back-burner, reason why you won’t be answering the phone, posting e-mails or otherwise engaging with the outside world Season 2 début …
Because you won’t be able to get off the sofa, or talk to anyone, or feel anything other than you better lay in a supply of cotton handkerchiefs Clay Jensen / Dylan Minnette, and where did she come from 17-year-old Hannah Baker / Katherine Langford, the beautiful girl who commits suicide …
Leaving behind 13 audacious audio tapes — yes, legacy media — each chapter dedicated to a person behind one of the reasons why, and we’re about find out more, if you can handle it, if we can somehow handle it, make sure your therapist’s telephone number is on speed dial, reason why you will be alone or with a loved one next Friday, Saturday and Sunday.