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Arts Friday | VanRamblings’ Annual VIFF Introductory Column

The 41st Annual Vancouver International Film Festival

The Vancouver International Film Festival returns to theatres after two years of a predominantly virtual, COVID-influenced online film festival.

Opening on Thursday, September 29th, the Festival’s Gala Presentation features a celebrated Indigenous film, Bones of Crows — a hit at the Toronto International Film Festival this year — by Métis filmmaker Marie Clements, who tells an epic story of survival during a shameful period in Canadian history, a powerful indictment of the abuse of Indigenous peoples and a stirring story of extraordinary resilience and resistance.

Fearless in its denunciation of centuries of oppressive policies by Canadian governments and institutions, Bones of Crows is also a memorable paean to the resilience and determination of those who survived the residential schools — and those who sought to bring their oppressors’ crimes to light.

The Festival will close 11 days later, on October 9th, with a Gala Presentation of VIFF favourite, South Korea’s Hirokazu Kore-eda, Broker, a sprawling crime story about a baby kidnapping scheme starring Song Kang-ho (Parasite), winner of Best Actor at Cannes earlier this year.

Winner of the Palme d’Or in 2018 for Shoplifters and winner of the Jury Prize five years before that for Like Father Like Son, the writer-director once again displays great empathy for characters who are trying to put their lives in order, examining their predicaments from every possible angle and ultimately guiding them into a position where they can do the right thing.

Unfolding over a truncated 11 days (rather than its pre-pandemic customary length of 16 days), the Festival will again feature a virtual online presence, though not every one of the 135+ feature films and 102+ shorts will be available virtually.

In total, twenty-four films will screen online through VIFF Connect.

In person, meanwhile, as was the practice in the pre-pandemic times, VIFF’s theatres where all 135+ feature films and 102+ shorts will screen, include …

The VIFF digital Festival Guide is now available; click on the preceding link.

The free, glossy printed Festival guide is available across Metro Vancouver, at libraries, coffee shops, and bookstores, and all your favourite local haunts.

Although the Festival is smaller than in past years, the film programme categories will look familiar: Panorama, the main Festival film feature programme curated by Alan Franey and PoChu AuYeung, showcasing 90 carefully curated narrative films arriving from across the globe.

Northern Lights features the next wave of Canadian and Indigenous storytellers; while Insights, the always illuminating documentary programme, this year will incorporate the Spectrum programme, a collection of innovative nonfiction filmmaking; and then there’s Portraits, a kaleidoscope of ground-breaking artists, great performances, and cultural icons; and, Altered States, 8 challenging and  bizarre films the constitute VIFF’s 2022 late night series.

In last week’s, award winning VIFF films in 2022 featuring the work of Oscar-winning director Sam Mendes, who brings his latest film, Empire of Light to VIFF; Martin McDonagh’s masterful, surprisingly poignant, and dazzlingly designed and performed, The Banshees of Inisherin; Corsage, Austrian filmmaker Marie Kreutzer’s biopic about late 19th century Empress Elisabeth.

More Special Presentations? How about Korean filmmaker Park Chan-wook’s Best Director Prize winner at Cannes this year, Decision to Leave, which offers a teasing, tantalizing neo-noir genre piece about a homicide detective who falls in love with the widow of an apparent suicide. There’s Mia Hansen-Løve’s quietly miraculous One Fine Morning, a balm of a film and another glorious showcase for the director’s light touch when dealing with complicated emotions.

VIFF’s Director of Programming Curtis Woloschuk told VanRamblings VIFF programmers curated a record number of films that emerged after the pandemic — half of VIFF’s films in  2022 feature first time filmmakers!

“There were over 4,000 films that our programming team watched and considered this year that leave us more educated and illuminated about the world we live in.”

In addition to the many screenings, VIFF Talks boasts visiting artists like Deborah Lynn Scott — responsible for clothing actors in films ranging from Titanic to the new, upcoming Avatar: The Way of Water  — who will present a masterclass on costume design. Kate Byron, who just led production design on Olivia Wilde’s Don’t Worry Darling, will give a masterclass on production design. And, Michael Abels, the composer for director Jordan Peele’s Get Out, Us, and Nope will make a special performance and speaking engagement with the Vancouver Symphony Orchestra on October 6th.

The VIFF Amp Symposium on Music in Film is set to run October 6th to 9th.

In other new and expanded initiatives, VIFF Executive Director Kyle Fostner told VanRamblings that, for the first time, the Vancouver International Film Festival will offer free memberships for persons 19 to 25 years of age, free access to Indigenous peoples, and more free offerings to community groups.

Individual tickets prices remain what they’ve been for years: $15 for any screening, except Special Presentations, which costs $17 for the award-winning future Oscar contenders, with reduced prices for seniors & youth.

VIFF passes and packages are also available again this year. A full Festival pass costs $350, with a senior rate at $300, and a youth rate of $120. There’s a 6-ticket pack at $84, and a 10-ticket pack available at $135. As was the case in 2020 and 2021, the VIFF Connect virtual online Festival pass will cost $70.

The VIFF Infoline, staffed by volunteers, is available 7 days a week, from noon til 7pm. Simply call (604) 683-3456 to have any question you have answered.

Arts Friday | Vancouver International Film Festival Special Presentations

Here we are, less than two weeks away from the singular cinematic arts event of the autumn season, the much anticipated 41st annual Vancouver International Film Festival.

Next Friday, September 23rd, VanRamblings will publish our annual introductory VIFF column, with all the information you’re going to need — ticket and pass prices, and where to secure these valuable items and how much time you should set aside for lining up, the best cafés, bistro, restaurants and bars nearby Festival venues — including the VIFF 41 films that are, quite simply, must-attends.

Talking about must-attends, have we got a treat for you today: the twelve finely curated, award-winning, future Oscar-contending Special Presentations, the celebrated and critically-acclaimed films that will début in Vancouver over the course of the 11-day running time of the 41st annual Vancouver International Film Festival.


Empire of Light
6pm, Friday, September 30th
The Centre for the Performing Arts


Decision To Leave
9:15pm, Friday, September 30th
9pm, Thursday, October 6th
The Centre for the Performing Arts


The Grizzlie Truth
2pm, Saturday, October 1st
6pm, Wednesday, October 5th


The Son
6pm, Saturday, October 1st
The Centre for the Performing Arts


The Banshees of Inisherin
9:15pm, Saturday, October 1st
The Centre for the Performing Arts


EO
4pm, Sunday, October 2nd
The Vancouver Playhouse

9:30pm, Saturday, October 8th
The Centre for the Performing Arts


One Fine Morning
9pm, Sunday, October 2nd
6pm, Tuesday, October 4th
The Centre for the Performing Arts


Corsage
6pm, Monday, October 3rd
6pm, Thursday, October 6th
The Centre for the Performing Arts


Triangle of Sadness
9pm, Monday, October 3rd
The Centre for the Performing Arts


Stars at Noon
9pm, Monday, October 3rd
The Playhouse

1pm, Saturday, October 8th
The Centre for the Performing Arts


The Whale
5:45pm, Sunday, October 2nd
The Centre for the Performing Arts


Women Talking
9:15pm, Wednesday, October 5th
The Centre for the Performing Arts

Each of the films titles, italicized and in red, link to the VIFF webpage for the film, which will allow you to read about the film, discover the various awards the films have garnered at Festivals prior to arriving at VIFF, and to purchase tickets, if you’re of a mind to do so — and we hope such is the case.

The VIFF digital Festival Guide is now available; click on the preceding link.

While picking up our Media Pass to VIFF41 on Friday afternoon — at the VIFF Centre on Seymour Street, just north of Davie Street — VanRamblings also secured a hard copy of the 41st annual Vancouver International Film Festival film guide.

Arts Friday | Vancouver International Film Festival | Sept. 29 – Oct. 9th 2022

In Vancouver, and across the province of British Columbia, we may find ourselves in the midst of civic elections in villages, towns and cities in every far flung corner of our province, but as you’re no doubt aware, life goes on.

At the end of September each year for the past 41 years (in the early years, VIFF happened in the spring), come rain or come shine, the good folks long associated with the Vancouver International Film Festival — who have spent the past 12 months curating film submissions from thousands of filmmakers, and visiting almost every film festival screening films in almost every country on our, it seems, ever smaller globe — present the best in world cinema to appreciative British Columbia audiences, cinephiles and cinéastes who love film, and those persons in our city who look forward each year to opening a window on this vast world of ours, to gain insight into how folks who live in every country across the planet live their lives, and how their struggles mirror our struggles.


VIFF’s Director of Programming, Curtis Woloschuk, introduces the depth and breadth of the 41st annual Vancouver International Film Festival. A must watch.

Vancouver International Film Festival: a humanizing experience like no other.

Each Friday in September, VanRamblings will present  you with insight into the 41st annual Vancouver International Film Festival — which films are can’t miss in 2022, and demand to be seen on the big screen (screening at the 1800-seat Centre for the Performing Arts is a Festival must), the tiny gems that are always at the heart of VIFF each year, which films Vancouver is sharing with other film festivals screening simultaneously to Vancouver’s homegrown festival by the ocean, the celebrated award winners, and so very much more.

135+ feature films
102+ shorts
25+ events
11 days

The VIFF 2022 digital guide will be available for download after September 15.

The VIFF printed guide will be available across Metro Vancouver on Sept. 20.

So many films to look forward to, and so many films to move and change you.

Arts Friday | 2022’s Film Festival Season | An Oscar Season in Preview

With cooling weather finally having taken hold, and the heat of the summer season soon to be but a fond memory, today VanRamblings will set about to preview the always provocative cinematic season of serious import,  the fall film festival season

As we discover each September, autumn is the season for all of our senses.

The feel of cooler temperatures after a long summer. A warm, visually pleasing palate of reds, oranges and browns. The taste of pumpkin spice in everything.

The sound of crunching leaves underfoot.

The smell of woodsmoke.

Like spring, autumn is a season of transition, a reminder of the value of change, in this case from a bright, buzzing, verdant summer of picnics in the park, towards the darker, quieter, more redolent calm of autumn and winter. It’s a journey inward; first experiential, then intellectual, delving into the collective unconscious.

“Autumn light is the loveliest light there is,” wrote author Margaret Renkl. “Soft, forgiving, it makes all the world an illuminated dream.”

In a cinephile’s world, dreams come to the fore in the fall through the release of films which will take on Oscar importance in the winter season to come.

Telluride, Venice, Toronto, New York each early autumn introduce the films which will fill our film consciousness over the many months yet to come.

The first of the important later summer film festivals occurs amidst the mountain landscape of Telluride, Colorado, which locale will be overrun with cinéastes over September’s Labour Day weekend, where prestige filmmakers ranging from Canada’s Sarah Polley (Women Talking), Luca Guadagnino (Bones and All), Sam Mendes (Empire of Light), Alejandro G. Inarritu (Bardo), Todd Field (TÁR), Sebastian Leilo (The Wonder), and Scott Cooper (The Pale Blue Eye) are set to garner the most buzz among the film cognoscenti, each of these filmmakers recipients of much past Oscar glory, each film highly anticipated, each film Oscar bound.

Overlapping the Telluride Film Festival is the 79th annual Venice International Film Festival, the Biennale Cinema, which will run from Wednesday, August 31 thru Saturday, September 10, where many of the films débuting at Telluride stateside will also feature in the star-studded Venice locale.

The big buzz film in Venice this year is White Noise, Noah Baumbach’s first film since Marriage Story. White Noise is a zany adaptation of Don DeLillo’s seminal novel about a Hitler Studies professor (Adam Driver) and his beleaguered wife (Greta Gerwig) whose lives are threatened by a toxic event.

Also at Venice: Andrew Dominik’s evocative drama Blonde, starring Ana de Armas as Marilyn Monroe, who disappears into the role as she struggles to cope under the glare of the spotlight. Add Bobby Cannavale as her second husband, Joe DiMaggio; Adrien Brody as her third husband, Arthur Miller; meticulous production design & luminous cinematography, and you have a potential awards-season juggernaut, streaming on Netflix Sept. 28th.

Olivia Wilde’s psychological chiller, Don’t Worry Darling, sees Florence Pugh and Harry Styles embody a picture-perfect ’50s couple whose unbridled passion for one another turns to suspicion when the former begins to fear that something sinister lurks beneath their carefree existence. Prepare for jump scares, glorious interiors, and Chris Pine as the film’s menacing mastermind.


A TIFF programme screen capture of Steven Spielberg’s autobiographical film, The Fabelmans

As the Telluride and Venice festivals wrap, the film festival season focus will turn to a renewed Toronto International Film Festival (TIFF), now in its 47th season, running from Thursday, September 8th through Sunday, September 18th, as TIFF marks a return to its pre-pandemic days of in-person screenings, after two scaled-down editions spent in hybrid mode the past couple of years.

The big buzz film débuting in Toronto this year is Steven Spielberg’s The Fabelmans, which will have its world première at this fall’s TIFF, with the iconic Oscar-winning director attending TIFF for the first time ever.

A long-in-the-works semi-autobiographical film, The Fabelmans is described by producers as a “deeply personal portrait of 20th-century American childhood,” which focuses on a family based in post-Second World War-era Arizona, the film following the young Spielberg facsimile Sammy Fabelman (played by Gabriel LaBelle) as he grows up with his father (Paul Dano), mother (Michelle Williams) and uncle (Seth Rogen). After discovering a “shattering family secret,” Sammy dives into the wonder of cinema to cope and find a path forward.

With a screenplay by regular Spielberg collaborator Tony Kushner (Munich, Lincoln, and last year’s West Side Story), The Fabelmans is Spielberg’s latest shot at awards-season glory. The film’s première represents a huge coup for TIFF.

The New York Film Festival  has lined up titles from Kelly Reichardt, Claire Denis, Alice Diop, Joanna Hogg, and more for its Main Slate this year. Women directed or co-directed 13 of the 32 Main Slate films, amounting to about 41%.

The NYFF has returned to the city that never sleeps for its 60th year at the Lincoln Centre, which recently announced Laura Poitras’ new documentary, All the Beauty and the Bloodshed, to serve as the festival’s Centerpiece film. A story about art, politics, addiction, and David v. Goliath battles, the documentary chronicles the life of photographer Nan Goldin and her fight to hold the Sackler family accountable for their role in the opioid epidemic.

Mia Hansen-Løve’s latest, the Léa Seydoux-starring romantic drama One Fine Morning, is also part of the Main Slate, as are Claire Denis’ Stars at Noon; Kelly Reichardt’s Showing Up; Joanna Hogg’s The Eternal Daughter; Alice Diop’s Saint Omer; Charlotte Wells’ Aftersun; and Marie Kreutzer’s Corsage.

Another Oscar bound film? Clemency director Chinonye Chukwu’s Till, a biopic about the lynching of Emmett Till, and his mother’s pursuit of justice.

As has been the case since it’s inception 41 years ago, the NYFF runs in tandem with the Vancouver International Film Festival, our somewhat truncated festival set to run from from Thursday, September 29th through Sunday, October 9th.

The importance of festivals to culture and society cannot be underestimated, as they set about to provide empathetic insight into our often confusing world. Film festivals also provide the opportunity to switch off your everyday life, to become enmeshed in the lives of people from across the globe.