VIFF2006: Mrs. Palfrey at the Claremont


MRS. PALFREY AT THE CLAREMONT

Dan Ireland is a homegrown boy, a producer and filmmaker of some renown (more in the United States — where he has resided for more than a quarter century — than in Canada), the person who “discovered” Renée Zellweger when he cast her in his award-winning directorial début, The Whole Wide World, and the director of the accomplished and very lovely Mrs. Palfrey at the Claremont, which will make its auspicious, if somewhat unheralded (as you might expect, we’re attempting to change that with this posting), Canadian début this coming Friday at 7 p.m. at the Granville 7, Cinema 7.
Now, whether Mr. Ireland makes it to these shores from Arizona — where he is filming his latest, with Dermot Mulroney and Donald Sutherland, among others (but try to find mention of either Mr. Sutherland’s or Mulroney’s participation in the film on the Internet Movie Database) — seems a bit iffy at this writing. (Update: in fact, Mr. Ireland will arrive in town very late Friday night, in time for a 7 p.m., invitation only, screening of Mrs. Palfrey at the Claremont, to be shown at the VanCity Theatre on Saturday night). But whether you meet Dan at a screening, or not (at least he’ll make it to Vancouver to visit his mother, who lives just down the street from where VanRamblings resides, twice this year), VanRamblings whole-heartedly recommends that you catch a screening of the film.
VanRamblings believes that Mrs. Palfrey at the Claremont (starring Joan Plowright) will likely emerge as one of your favourites at this year’s Fest, and perhaps one of your favourite films of the year, as it is ours.
And, if you don’t catch Dan Ireland’s charming and completely satisfying film at one of its two screenings at the Festival, you are very likely indeed to miss Mrs. Palfrey at the Claremont entirely. And that would be a pity.

Continue reading VIFF2006: Mrs. Palfrey at the Claremont

VIFF2006: Scary Monsters, Religion and Terrorism

film-collage-oct-2.jpg

Yes, it was just another day at the Film Fest on Sunday, when the inimitable Mr. Shayne and your humble agent caught three screenings: a South Korean monster flick, an unsettling true life German horror film (depending on your definition of ‘horror’), and a quiet, meditative drama about blowing up central Manhattan’s ever-so-decorous Times Square.
So far, Mr. Shayne and your scribe are nine for nine: 9 screenings, 9 great films … our best average yet, in some 32 years of Festival going (this dating back to the Vancouver Film Festival that Don Barnes held at the now-defunct Varsity Theatre on West 10th Avenue) in Vancouver.
After having taken the first part of the day to compose yesterday’s piece, do a wash in order to have something to wear to work today, as well as go out for a coffee and a perusal of the local newspapers, it was off to the first screening of the day, in line by 3 p.m. for a 4 p.m. screening of …
Requiem: Winner of the Best Actress Award for lead Sandra Hüller at the 2006 Berlin International Film Festival (the young actress making her big screen début), Requiem is compelling every moment Hüller is on screen, her character a 21-year-old college student who while living with epilepsy becomes convinced that she is possessed by the devil. Not a happy film by any means, director Hans-Christian Schmid’s naturalistic approach to the subject matter turns what might have been a second-rate horror film into a first rate family drama. With fine performances all around.
Next up, after a brief break for “dinner” at the Salad Loop (very good, actually), Mr. Shayne and your scribe lined up for the 7 p.m. screening of …

Continue reading VIFF2006: Scary Monsters, Religion and Terrorism

VIFF2006: In Search of the Perfect Orgasm

film-collage-oct-1.jpg

One of the more salutary aspects of attending and participating in the 25th annual Vancouver International Film Festival, at least for this scribe, is the ride home on the bus at the end of a long day viewing movies in one, or more, of the film festival theatres located in Vancouver’s downtown core.
The bus ride home from Vancouver’s West End / downtown area through Kitsilano and Point Grey, to our home on the far west side of the city, is rife with life and possibility, love and the potential for connection, energy and flow, all within the context of safe passage in Vancouver’s (let’s face it, we’ve got something good going on here) Pacific west coast paradise.
Now, we’ve already made mention of the unseasonably warm and inviting weather that has accompanied the 25th annual edition of the Fest (right now, it’s sunny and 57° on a beautiful sunny afternoon on Canada’s west coast, as we take a short break to compose this fourth entry of our Fest coverage), almost a continuation of summer. So, when the last movie of the night lets out, it’s on to a Translink bus, full of humanity, mostly of the late-and-post teen University of British Columbia variety, making out, tipsy from hours in the bar or at the disco, alive and full of energy — and the perfect real-life extension of a day spent inside the lives of men and women and children on the screen, those life experiences spanning our globe.
Saturday, as had been agreed the day before, was to be Mr. Shayne’s day to choose the movies, and for the evening’s entertainment he chose …
The Last King of Scotland: Everything you’ve heard is true. Forest Whitaker will absolutely garner an Oscar nomination for the perfect embodiment of Ugandan dictator Idi Amin, the film tremendously moving, funny, tragic, historically accurate (for the most part, that is; the doctor, played by James McAvoy, is a composite character created by author Giles Foden in his 1999 novel of the same title), and one of the most important films of the year.
You might think, “Maybe I’ll see The Last King of Scotland at the multiplex, maybe I won’t,” but you’d be doing yourself a tremendous disservice by not catching a film variously described by critics as “Shakespearean in its vision, an edgy, shockingly transformative, eye-riveting tale with a formidably compelling tour-de-force performance by Forest Whitaker that is all at once Faustian, suspenseful, volatile and absolutely spellbinding.”

Continue reading VIFF2006: In Search of the Perfect Orgasm

VIFF2006: Peace, Love and Understanding

film-collage-sept30.jpg

Yes, it’s Day 3 of the 25th annual Vancouver International Festival, the rains and cloud-covered skies have returned (although the sun peeks through the clouds intermittently), the Festival is well underway and there’s still two salutary weeks to go before this year’s event draws to a close.
Just a few items in this brief third instalment of our Fest coverage, so here goes …
Should you be of a mind to do so, turn to page 195 of this year’s Festival programme, and take a gander under the final category, “Under 18 May Attend”. Then allow your eyes to traipse on down to the final title listed in this category, “The White Planet,” page 47. Then, turn to page 47, and this is what you’ll see … that’s VIFF for ya … progressive all the way.
Apparently, there are a good many mistakes in this year’s programme (those poor folks who put the guide together … oh well). When you run across similar “errors”, click here to drop us a line.
The Editor of the VIFF programme guide, longtime VIFF stalwart Jack Vermee, was present Friday evening in the G7’s Cinema 5 to introduce Swel Noury, the young co-director / screenwriter of Heaven’s Doors, surely the most audacious film that will screen at this year’s Fest. A propulsive, operatic, heartrending three-act passion play, the Noury brothers’ début feature has been compared to City of God, as well it should. Still due to screen Sunday at 3:30 p.m. at the Granville 7, and again next Saturday at 1:30 p.m., again at the G7, this is one film you’ll want to catch for sure.
Another stunningly wonderful film at this year’s Fest is Finnish auteur Aki Kaurismäki’s concluding film in his “loser trilogy” — following “Drifting Clouds” and “The Man Without a Past” — the latest entry, titled Lights in the Dusk, telling the story of a sad sack night watchman who wouldn’t have any luck at all if it wasn’t bad luck. Easily the equal of the two previous films in the series in tone and substance, if more minimalist and somewhat less emotional in presentation, this is utterly original filmmaking, and another must-see at this year’s Fest. The film screens on Monday at 2 p.m. at the G7 and again next Thursday at 11 a.m., again at the G7.

Continue reading VIFF2006: Peace, Love and Understanding