On this Thanksgiving Monday, VanRamblings would like to give thanks to the folks who, each year, make our annual Vancouver International Film Festival possible, focusing accolades on the volunteers, and the hard-
working theatre ‘administrative staff’ hired for the duration of the Festival.
VanRamblings is certainly grateful to the Festival’s full-time administrative staff: longtime Festival Director Alan Franey and able Programme Manager / Senior Programmer, PoChu AuYeung, as well as all of the other fine programmers, administrators and board members, publications, box office, film handling, film and television forum, hospitality, and publicity and promotions folks who make our annual Film Festival a joy for us. Theirs is a sacrifice made for each of us, and for that we should be especially grateful.
In this posting, though, we want to focus most particularly on Iulia Manolescu (pictured above), the so-called VIFF ‘exhibitions assistant’ (we think her contribution merits a title more grand than that of ‘assistant‘), at the Empire Granville 7 Theatre. Iulia, quite simply, has made VanRamblings’ Festival; we believe most heartily that Iulia represents everything that is right and good about our local, annual Vancouver International Film Festival.
Iulia may be designated the exhibitions ‘assistant‘, but throughout the first twelve days of the Festival, this year and last and previous to that, she has been so front-and-centre — as she works one arduous 18-hour day after another, keeping VIFF volunteers, her fellow theatre staff, and grateful (and sometimes difficult) VIFF patrons happy and calm, directed and appreciative of their contribution to our annual Vancouver International Film Festival — that her contribution has proved to be invaluable, and near transcendent.
Certainly VanRamblings (who tends to be a little over-enthusiastic during the Festival, well-meaning with a tendency to exuberance) acknowledges Iulia’s contribution to our personal appreciation of the annual Festival.
Always present with a ready smile, calm in the midst of what seems at times to be madness, ensuring that lines of communication are always kept open, and patron lines move in properly, ready with a kind and thoughtful reply to any question posed to her (we try not to be a bother to Iulia and limit our questions to her, as we see just how ‘in demand’ and available she is to her fellow staff and to patrons), Iulia is a wonder and a miracle of kindness and becoming serenity during the often hectic days of our Film Festival.
Thank you Iulia.
And thank you, once again, to every one of the hundreds of administrative and volunteer staff who continue to make our annual Vancouver International Film Festival the première social and cultural event of the year.

VanRamblings is just a bit tuckered and overwhelmed by our five-plus film a day pace, set since the opening day of the Festival on September 30th. So, we’re gonna take a bit of a break from posting (Thanksgiving weekend / family / work also come into play), but we’ll be back reviewing on Tuesday.
While we’re away, we’ll direct your attention to fellow reviewers, including …

• Nurse Bob. We were introduced to ‘Nurse Bob’ (works as a nurse in Vancouver, loves film) by our friend John Skibinski. Nurse Bob has attended VIFF for years and offers a differing take on the films VanRamblings has seen or intends to see. A site worth checking out.
  

• The esteemed Dr. David Bordwell, a fixture at VIFF lo these many years, his coverage of our Festival thoughtful and well-considered.
  

• Jason Whyte: The efilmcritic founder (soon to expand to more online publications) has emerged, in recent years, as the hardest working journalist covering VIFF (the folks in the media department must be thrilled). Have a look at the various links on his website, and enjoy.
  

• Kathie Smith: About whom we know little, other than that she’s covering the 29th annual VIFF, that she writes well, seems to know and love cinema, and whose capsule reviews are well worth reading.
  

• Quiet Earth: Marina Antunes seems to be doing a darn fine job of covering our Festival.
  

• The Straight: Janet Smith, Ken Eisner, Mark Harris and Craig Takeuchi, among others, have really committed themselves to VIFF this year, with some very fine (and comprehensive) coverage of our little Festival by the sea. Definitely worth checking out, at least daily.
  

• Volkmar Richter: The retired (and esteemed) CBC radio producer now covers film for the online publication, The Vancouver Observer. Day in, day out, Mr. Richter has provided insight into the best VIFF has on offer. Betcha he’s grateful that we dragged him to the Festival lo these many years ago. Now he, too, has become a VIFF fixture.

We’ll see you back here in a couple of days. In the meantime, enjoy your holiday Thanksgiving weekend (and save a bit of turkey for us, won’t ya?).

The 29th annual Vancouver Film Festival continues into it’s second week (and second, and final, weekend) with much more world cinema débuting during the next seven days, including this Thanksgiving weekend.
The folks on the programming team at the Vancouver International Film Festival — through a series of press releases — are pointing filmgoers towards the following noteworthy films in particular …

• Jacques Rivette’s Around a Small Mountain, screening for a final time at 1 p.m. on Sunday, at the Park Theatre. The NY Times’ lead critic, A.O. Scott calls the film, “”a short, late minor gem from (the) French master of long-form cinema … transporting and graceful …”
  

• Director Benjamin Heisenberg’s Bourne-like thriller The Robber, a hit at both the New York and Chicago Film Festivals, both currently underway. The Robber screens on Sunday, Oct 10th @ 7:00pm GR2; Tues., Oct 12th @ 3 pm @ GR4, and Fri., Oct 15th @ 11 am, GR7.
  

• Charles-Olivier Michaud’s 2010 Slamdance winner, Snow and Ashes. Writing form the 2010 Newport Beach Film Festival, critic Elliot V. Kotek called Snow and Ashes, “a formidable first effort by (the Québec-based) 30-year-old writer-director.” Snow and Ashes screens for a final time on Sunday, October 10th @ 10:45am, Pacific Cinémathèque.

As to a film VanRamblings loved, we took in a screening of Sophie Letourneur smashing début film, Chicks (which should have more appropriately been titled Life at the Ranch, the name for the communal house shared by the film’s outré female protagonists).

An entirely fetching anthropological examination tracking the lives of a half-dozen twenty-something young women, La Vie Au Ranch (Chicks ) offers an entirely fresh and authentic take on GenY culture, the sex, the sensuality, the drinking, the drugs, the dancing and clubbing, amour (and falling out of love), and the general joie de vivre with which most twenty-somethings approach life. Chicks is a wonderful, life affirming film, and definitely worth catching this holiday weekend, the film screening for a final time on Thanksgiving Monday, Oct 11th @ 7 pm, at the Vancity Theatre.

After seven consecutive 20-hour days, VanRamblings hit a wall last night (we’re talking figuratively here, but with VanRamblings you never know). We stayed home during the day on Thursday, attending only two evening films, the Chinese blockbuster, Aftershock (which, truth to tell, we found kind of cheesy in a Michael Bay sorta way, although we liked lead actress Jingchu Zhang, who we fell in love with last year in the film Night and Fog), and the quite extraordinary Spanish documentary, Garbo the Spy.
Prior to the screening of Aftershock on Thursday evening, the folks at the Vancouver International Film Festival announced Good Morning to the World! (Sekai, Good Morning!), directed by Hirohara Satoru of Japan, as the winner of the 17th annual Dragons & Tigers Award for Young Cinema. It’d be safe to say that Mr. Satoru was excited about his win, as can be seen in Ariane Colenbrander’s photo of the award’s event.
This year, the Dragons and Tigers jury was comprised of Bong Joon Ho (The Host, Mother), Quebec-based producer-director Denis Côté and Jia Zhangke, whose 1998 film Xiao Wu was a Dragons & Tigers winner. Mr. Côté presented the award, along with a cash prize of $10,000.

We’ll likely post more later on today.
In the meantime, though, if you’re looking for something to see on Friday, you couldn’t possibly go wrong with a 2:30 p.m. screening of the captivating Polish film Reverse, or a 4:15 p.m. screening of Cell 211, one of the most powerful films we’ve seen at this year’s Festival.

As for ourselves, we’ll be taking in an 11:40 a.m. screening of Chicks (see picture above), and a 9 p.m. screening of Thomas Arslan’s In The Shadows, one of the buzz films at this year’s Berlin Film Festival.
Although we intend to catch a couple of screenings early in the day on Saturday, VanRamblings will be returning to our ‘regular work’ later on Saturday through until late Monday night, to return to the Festival first thing on Tuesday morning (probably even more tuckered than we are now but, hey, somebody’s gotta dedicate their life to film … hmmm).