Justin Trudeau is to Vitaminwater, as Stephen Harper is to Poison

Justin Trudeau, Liberal Party leader of CanadaMake it happen: Justin Trudeau, federal Liberal Party leader, as Canada’s next Prime Minister

VanRamblings does not live for film alone, for there is a critically important federal election going on, that we’ve somehow managed to follow with alacrity. So, it’s back to writing about the 34th annual Vancouver International Film Festival tomorrow, and a column today as to why it is necessary to — 13 days out from Canada’s 42nd federal election — give serious thought to voting Liberal in key ridings across Canada, even if it costs seats to the New Democratic Party or Elizabeth May’s Green party.
Make no mistake, VanRamblings is a dyed-in-the-wool Dipper, always have been, always will be (we believe in the fundamental maxim, “Ya dance with the one that brung ya.”). Even so, in this too-close-for-comfort election, it is necessary to cast a ballot for the party that has the best chance of defeating Stephen “I’m a xenophobic, fear-mongering racist” Harper, and that party would be the Liberal Party of Canada, and the first-rate, should win candidate running for the Liberal party in your home riding (at least in close races, anyway — and, please, do vote NDP where that party is way ahead, or vote Green where it won’t make a darn bit of difference to the outcome of the election — otherwise, vote Liberal, vote Liberal, vote Liberal).
The 2015 national election is not about voting with your heart, but is all about ridding Canada of the most malevolent national political force ever to take office at the federal level, in the 148-year history of our glorious land.

CTV Nanos Research federal election poll results for October 5, 2015

As VanRamblings predicted last week, second wave Trudeaumania has gripped the nation as — according to CTV and pollster Nik Nanos — Justin Trudeau and the Liberal party have gained one point in the polls each day since that column was published, catapulting from 29.3% support to the 35.6% support you see in the three-day rolling poll results above. Meanwhile, the NDP would appear to have dropped out of serious contention for government, losing 12 points in the Nanos poll over that same period, plummeting from 34.6% support to the paltry 22.8% above.
Unfortunately for Justin Trudeau and the federal Liberal Party, the much-increased support of Canadians for the Liberal plan, and the Liberal leader, has failed to properly and fortuitously translate into the necessary projected seat count increase in the upcoming 43rd Canadian Parliament, a seat count that will ensure the defeat of Stephen Harper and the (not progressive, but regressive, George Bush-like) Conservative party.

Globe and Mail seat projection, October 5, 2015

Only 9 more projected seats than the Conservatives when the Liberal Party has a 4.6% polling advantage? Clearly, the Liberal Party has some work to do to convince an increasing number of Canadians that it is the Liberal Party alone, that can defeat Stephen Harper on election day, Monday, Oct. 19th. Consult 308.com to see which candidates are doing well in your riding.
In British Columbia’s 1996 provincial election, Gordon Campbell’s Liberal party garnered 41.82% of the popular vote to the NDP’s 39.45%, yet the NDP gained a majority in the BC Legislature, winning 39 seats to the Liberals’ 33 seats. On the national level in 2015, Canadians cannot allow a similar scenario to play out in the current federal election.
In British Columbia in 2015, all 13 of the winnable Liberal seats must, in fact, go to the Liberals. As we’ve written previously, there are half a dozen BC ridings that are a lock for the Liberals (Vancouver Quadra, Vancouver Centre, Vancouver South, North Vancouver, Surrey-Newton, Vancouver-Sunshine Coast) but, if the Liberals are to form government in the next Parliament, the Liberal party will need to take the winnable seats of Vancouver-Granville, Surrey-White Rock, Delta, Steveston-Richmond East, Fleetwood-Port Kells, Richmond Centre, and Burnaby-North Seymour.
At the moment, Eric Grenier’s threehundredeight.com projects 12 seats across the Prairies for the Liberals, 51 seats in Ontario (which will have to climb to 60, representing half the seats in the province), 20 seats in Québec, and 26 seats, or better, in the Maritimes and the Territories.
Despite the late election Trudeaumania wave, the seat projections above represent a best case scenario for the Liberals, and even if the projections above prove accurate, the Liberals will end up electing only 131 members to Parliament, for the slimmest possible minority government.
Contrary to the ads the Conservative party has run ad nauseum the past couple of years that Justin Trudeau is “not ready”, if you’ve seen Mr. Trudeau on the hustings, in the debates, and on the nightly news television clips, it is clear to any thinking, rational human being that Justin Trudeau, and the Liberal Party, are indeed ready to form government, and that the ads are so much codswallop. Co-operating with the NDP post election night, together the two progressive parties at the federal level will work to undo the damage of Canada’s lost years under the mean-spirited, not on your side, secretive and corrupt Stephen Harper-led government in Ottawa.

Upholding the rights of Canadians, the Supreme Court of Canada

VanRamblings would have preferred a Tom Mulcair-led New Democratic Party government in Ottawa — but that ain’t gonna happen, folks. Let’s be clear about what’s at stake in this election, which is — in case you didn’t realize it — the very soul of our nation, and any notion of responsible government that serves the interests of the broadest cross-section of Canadians, on all of the important issues of the day, ranging from health care to affordable housing, to upholding the Canadian Charter of Rights and Freedoms and the consequent respect for the 9 Justices who sit on the Supreme Court of Canada (a respect Stephen Harper has sorely lacked), and the building of a full-employment economy that will allow our nation to once again thrive, as it had prior to the election of Stephen Harper as Prime Minister, and as it will again under the leadership of Justin Pierre James Trudeau, held to account by Mr. Mulcair & the federal New Democratic Party.

VIFF2015: The Must-See Best of the Fest Films Still to Come

2015 Vancouver International Film Festival must-see films

Well, here we are in the final days of the 34th annual Vancouver International Film Festival as VIFF regulars (also known as VIFF cinephiles) prepare for the end of this year’s glorious cinematic wonderment, awaiting the announcement as to what films are available for holdover at the Vancity Theatre following Friday’s fest end. All in due time, dear & constant reader.
In this final week there are two more must-see films to be screened over the course of the next four days — one from Lithuania, one from Iceland — both unlikely to return to our shores, tremendous films that are more than worthy of your limited time, and given your wearied state, your attention.
The Summer of Sangailé | Dir. Alanté Kavaïté | Julija Steponaitytė, Aistė Diržiūtė | Lithuania
The Summer of Sangailé (Grade: A): Achingly beautiful and intoxicating, director Alanté Kavaïté won Best Director at Sundance earlier this year for her erotic and lyrical depiction of a young girl’s sexual awakening, an at times roiling coming of age tale that explores the wounded psychology of the main lead (a voluptuously enchanting Julija Steponaitytė, her character a provocative mix of naivete and ripe, unbridled sexuality), in one of the most dreamily tender yet near terrifying depictions of first love ever captured on screen. Gorgeously lensed, sun-kissed, alluring, intimate, affecting, memorable, beautifully universal, hypnotic and at times blazingly intense, the film’s dreamlike mood is set through music, and the rapturous soundtrack written by Jean-Benoît Dunckel, one of the lead members of Air. Skilfully melding gesture, poetry and innocence into the slow-burning emotional and physical realms of romantic love, The Summer of Sangailé emerges as one of the year’s best films, and another VIFF 2015 must-see. Final screening: Wednesday, October 7th, 6:30pm, in Cineplex’s Cinema 9.

Sparrows, award-winning film from Iceland screening at VIFF 2015

Sparrows (Grade: A): Breathtakingly intense, Rúnar Rúnarsson’s sad, delicate Icelandic coming-of-age tale quietly observes a lanky teenage boy, Avi (Atli Oskar Fjalarsson) who we first meet singing counter-tenor in a boy’s choir in Rekjavik. When Avi’s mother is hired to supervise a research project in Africa, the boy is sent to live with his estranged father in the distant western fjords of the country, where the locals medicate the ills of a declining economy with alcohol; small town life proves anything but charming. Avi’s potential love interest, young Lara, carries the fatalism of a girl who settles for the local bully, while Kjeld, Avi’s kindly grandmother, is the exceptional figure who lives with a simple dignity. As Guy Lodge writes in his Variety review, ” this outwardly conventional coming-of-ager rewards viewers’ patience, delivering a late narrative jolt that is bound to stir heated post-screening conversation in its chilly wake.” Fortunately, the film saves a tiny dose of sentiment & redemptive humanity for the film’s final moments. Final screening: Thursday, October 8th at 2:30pm, in the Vancity Theatre.
Additional VIFF Must-Sees Before The Festival Wends To Its End
The double bill of VIFF 2015: Wednesday afternoon you’ll want to take in a screening of VIFF 2015’s best feature film, Sylvia’s Chang’s Taiwanese stunner Murmur of the Hearts, 4:15pm in Cineplex’s Cinema 10, followed by VIFF’s best documentary, Albert Maysles’ In Transit, also in Cinema 10.

Son of Saul, a film from László Nemes

Upcoming must-sees: Son of Saul, One Million Dubliners, there’s good buzz on Zinia Flower and The Measure of a Man, I am Nojoom, Age 10 and Divorced is a must-see, while there’s good buzz on The Competition, folks have been raving about Accused, and James White. Schneider vs Bax also has quite a following, as does Peruvian director Salvador del Solar’s Magallanes, which screens for a final time Tuesday at 3:30pm in Cinema 9 at Cineplex’s International Village. Lots to see as VIFF 2015 wends to a close.

VIFF2015: Spiritual Transcendence in the Midst of Anomie

The Church of Cinema, at The Centre

VanRamblings feels that it is necessary for all concerned that we “revive” our annual column on why it is that the cinephiles who each year attend 50+ VIFF films (and there are a whole bunch of us) feel so passionate about wanting to hear every sound, burrow into every picture, experience the every emotion of the characters on screen before us, at Vancouver’s annual splendid, glorious and enchanting little film festival by the sea.
Worshipping at the Church of Cinema
Imagine yourself on a Sunday morning at the 34th annual Vancouver International Film Festival. You’ve just walked into The Centre, where you’ve been greeted by one of the church members, and are then ushered into a dark room with seats all facing forward. You feel reverent.
You are about to worship at the ‘church of cinema‘.
One hundred years on, global cinema has arrived as a form of transcendence, for many replacing the once venerated position held by the institutional church. Think about the similarities: churches and the cinema are both large buildings built in the public space. Both have signage out front indicating what is about to occur inside.
As physical structures, the church and the cinema create a sense of sacred space with their high ceilings, long aisles running the length of the darkened rooms inside, the use of dim lighting, the sweeping curvature of the walls, and the use of curtains to enhance the sacredness of the experience.
In the church of cinema we take communion not with bread and wine, but with the ritualistic consumption of our favourite snack.
Consider if you will, the memorable moment when you enter the auditorium to find your perfect viewing angle, allowing you to sit back, relax and enjoy. Although you may not receive absolution at the cinema, there is the two-hour reprieve from the burden of your daily life.
As the lights are dimmed, the service begins: The seating, and the opening introduction constitute a liturgy for one and all, not dissimilar to the welcoming ritual that occurs in a church service prior to the sermon. If you are like most people, you obey an unwritten rule that requires you to be in place in time for either the singing (if you’re in church) or the introduction of a film by a Vancouver Film Festival theatre manager. And, you remain silent while in the theatre, focused on all that unfolds before you.
There is, too, the notion that as the film limns your unconscious mind you are being transported, elevated in some meaningful way, left in awe in the presence of a work of film art.
What we want from church is often, these days, more of what we receive from the cinema on offer at the Vancouver International Film Festival: the vague, unshakable notion that the eternal and invisible world is all around us, transporting us as we sit in rapt attention. We experience the progress and acceleration of time, as we see life begin, progress, and find redemption. All within two hours. The films at the Vancouver International Film Festival constitute much more than entertainment; each film is a thoughtful meditation on our place in society and our purpose in life.
As a film draws to a close, just as is the case following a sermon we might hear in church, our desire is to set about to discuss with friends that which we have just experienced. Phrases and moments, transcending current frustrations with a new resolve, all in response to a line of dialogue or an image on the screen that we have now incorporated into how we will lead our life going forward.
In the holy trinity of meaning, cinema reigns supreme, the personal altar of our home theatres placing a distant second place, the city providing the physical proof of the reality the other two point to, oriented towards the satisfaction of the devout cinemagoer’s theology.
Throughout the centuries we have sought to find meaning through manifest ritual and symbolism. As in the scene from American Beauty - a plastic bag sailing in the breeze as an intimation of immortality - there is, perhaps, something for us to consider respecting the difference between art as diversion and art in our lives as a symbolic representation of an awakened mindfulness, allowing us to transcend the troubles of our lives.
For those who attend the Vancouver International Film Festival, cinema has emerged as that place where we might experience life in the form of parable, within a safe and welcoming environment, that place where we are able to become vulnerable and open, hungry to make sense of our lives. Cinema delivers for many of us access to the new spiritualism, the place where we experience not merely film, but language, memory, art, love, death and, perhaps even, spiritual transcendence.

VIFF2015: Murmur of the Hearts, VIFF’s BEST FILM in 2015

Murmur of the Hearts, a masterful new film by Taiwanese director Sylvia ChangThe sensuously hypnotic Isabella Leong & Joseph Chang in a scene from Murmur of the Hearts

Murmur of the Hearts (Grade: A+): A fable given over to exposition tempered by forays into the realm of magical realism, elegiac, a film that adopts time not just as an elastic concept but with a spiritual sense previously unexplored in the cinematic realm, gifted with gorgeously lustrous and moodily hypnotic cinematography, utterly sublime and original, epic and tour-de-force filmmaking of the first order, quietly introspective, subtle, moving, whimsical, enchanting, resonant, ethereal, wildly and sensuously ambitious, poignant, mesmerizing, rapturous, poetic and surprisingly affecting, the memories of the film’s four protagonists woven into the most lyrically beautiful film you’ll see this or any other year. The 34th Vancouver International Film Festival’s one must, must, must-see. Two upcoming must-see VIFF screenings: on Sunday, October 4th, at 8:30pm at Cineplex International Village, in Cinema 9; and on Wednesday, October 7th at 4:15pm, at Cineplex International Village, in Cinema 10.

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Brooklyn | Dir. John Crowley | Saoirse Ronan | 105 min. | Mon., Oct. 5, 12:30pm, The Centre

Brooklyn (Grade: A): Everything you’ve heard about Brooklyn is true: Saoirse Ronan will emerge as Best Actress at the 88th Academy Awards ceremony on February 28th, 2016, Brooklyn will win the Best Picture Oscar (and a well-deserved win it will be, too), and when you take in the final VIFF screening of Brooklyn this coming week, you’ll be glad you did, you’ll cry your eyes out from beginning to end (not to worry, there are humorous bits, as well), and you’ll leave Cineplex’s Tinseltown Cinema 10 knowing that you’ve just seen the most powerful film to reach our shores in 2015. Final VIFF 2015 screening: Monday, October 5th, at 12:30pm, in The Centre.

Sparrows | Dir. Rúnar Rúnarsson | Iceland | Oct 3, 8:45pm, Cin 8; Oct 8, 2:30pm, Vancity

Note should be made that there is immense positive buzz from VIFF passholders and patrons about the following must-see films …

  • Sparrows. Tonight, at 9:15pm, Cineplex International Village, Cinema 10; and Thursday, October 8th, at 2:30pm in the Vancity Theatre;
  • Accused. On Friday, October 9th at 6pm, at The Cinematheque;
  • Magallanes. On Tuesday, October 6th, at 3:30pm, Cineplex Cinema 9;
  • Marshland. On Monday, October 5th at 6pm, in the Rio Theatre; and
  • James White. On Friday, October 9th, 1:30pm, at SFU Woodwards

Not to mention, this upcoming week there are three must-see screenings of VanRamblings’ favourite documentary, Albert Maysles’ final film, In Transit, and the incredibly wonderful Quebeçois film, Ville-Marie, and the deeply affecting and entirely wondrous Iranian documentary, No Land’s Song, all of which we wrote about last Sunday; and then there’s VIFF Director of Programming Alan Franey’s favourites, which we wrote about earlier (scroll down the page — it’s a pretty skookum list of can’t miss VIFF films).