Justin Trudeau | Second Wave Trudeaumania | Campaign of Hope

In every election, there’s a turning point, a moment in time that becomes indelible in the Canadian political consciousness, and that moment occurred on Monday evening at the Munk Debate in Toronto, when Justin Pierre James Trudeau emerged, once and for all, as the Canadian federal political leader for a new millennium, and when we came to see Stephen Harper’s churlish tenure as Prime Minister for what it always was: an aberration, a political history Canadians will not reflect kindly upon in the years to come.
Fifty-eight days into Canada’s 42nd federal election campaign, federal Liberal Party leader Justin Trudeau has finally found his voice, and is uttering the language of hope Canadians most want to hear …

“I am my father’s son. I stand for the same values and principles for which my father stood. Make no mistake, the Canadian Charter of Rights and Freedoms remains a central feature of my father’s legacy, as does a multicultural Canada and respect for diversity. Not to mention, it was my father who lowered the voting age from 21 to 18, sought to keep government out of the bedrooms of the nation, extended Canada’s territorial waters to 200 miles, and with the passage of the Canada Health Act restricted provinces from privatizing health care.”

Make no mistake, Pierre Elliott Trudeau is a beloved Canadian political figure.
When Tom Mulcair invoked the memory of the War Measures Act, Justin Trudeau turned the tables on the NDP leader for one of the night’s most memorable moments, as he embraced his father’s record in a way he’d not done previously. Pointing out that it was the anniversary of Pierre Trudeau’s death may have been unfair, since it’s unlikely Mr. Mulcair had any idea when he negatively invoked his memory, but it was effective — and so wounded the NDP leader and his party that the NDP will not recover from the gaffe.
Meanwhile, a wearied Stephen Harper appeared as a vacant vessel on the Munk Debate stage, an uncomfortable and discomfiting old man who wished on this night of change that he could be anywhere else but on that stage.

Justin Trudeau and British Columbia's Liberal candidatesFederal Liberal Party leader, Justin Trudeau, stands with his British Columbia candidates

All Politics is Local
Now that Justin Trudeau has emerged as the electable, popular and populist agent of change on Canada’s federal political scene, the impact for Conservative and New Democratic party candidates across Canada may be seen as, at best, prejudiced.
In British Columbia, Liberal “bubble” candidates may very well carry the day: it is entirely likely Terry Beech will emerge as the winning candidate in Burnaby-North Seymour, Judy Higginbotham could well take Surrey-White Rock from former Surrey Mayor Dianne Watts, lawyer Carla Qualtrough could win Delta for the Liberals, Translink public affairs manager Ken Hardie could come from behind for a win in Fleetwood-Port Kells, Lawrence Wells’ prospects in Richmond Centre all of a sudden look much better, as is the case with Jody Wilson-Raybould in Vancouver Granville and Joe Peschisolido in Steveston-Richmond East, while Jonathan Wilkinson in North Vancouver appears primed to take that seat in a walk, as is the case with Sukh Dhaliwal in Surrey-Newton, Canadian Armed Forces Lieutenant-Colonel Harjit Sajjan in Vancouver South, and Pamela Goldsmith-Jones in West Vancouver-Sunshine Coast-Sea to Sky, not to mention Liberal incumbents Joyce Murray in Vancouver Quadra and Dr. Hedy Fry in Vancouver Centre, for whom electoral support is rock solid. All told, potentially winning Liberal candidates in B.C. constitute the lucky 13, for a 650% increase over 2011.

Justin Trudeau, Liberal Party leader of CanadaJustin Pierre James Trudeau, federal Liberal Party leader, and Canada’s next Prime Minister

Canadians are about to witness, and be participants in, a generational change in political leadership in Ottawa, a dramatic political transformation that will see the influence of baby boomers give way to a younger and more vibrantly alive, alert and attuned millennial generation, all the members of which have very different ways of seeing the world, connecting and working.
In Canada, we are about to come out of a decade of lost leadership.
In Justin Trudeau, over the course of the next 19 days, Canadians will increasingly come to realize that it is Mr. Trudeau who offers change and hope for Canada’s future, and a new political vision founded in a higher sense of ethics and values, a new generation who will bring along with them new perspectives and ideas, and the energy and boldness to achieve them.
For the first time in almost 50 years, even in this cynical unforgiving age of ours, Canadians are about to be party to a dynamic, engaging and contemporary manifestation of Trudeaumania, and a hope for Canada’s future that is one based on generosity and reason, fairness and social justice, wisdom and security. In twenty days, on election day, Monday, October 19th, a record number of millennials will take to the polls, in the process transforming Canada into what once was, and can be again.

VIFF2015: Welcoming, Organized and Logistically Pristine

Brie Koniczek (on the right), the Wayne Gretzky of VIFF venue managementVIFF venue manager extraordinaire, the lovely Brie Koniczek (on the right) with VIFF staff

Brie Koniczek has worked with the Vancouver International Film Festival for a number of years, and during her time with VIFF has taken on the herculean task of managing various of the VIFF venues (we first wrote about Brie in 2011), this year and for the past couple of years, the Cineplex International Village site. Last year VanRamblings wrote about Brie …

“In the centre of an early morning storm at the Cineplex site Brie, and Brie alone, working with volunteer staff, remained calm, always smiling, always genuine (utterly, utterly genuine and humane), always lovely and engaging beyond words, communicative, warming, welcoming and reassuring while assuming the onerous responsibility of taking virtually sole responsibility for overseeing the ingress of three long lines of patrons, distributing the “ticketing chits”, directing volunteer staff quietly, efficiently, and humanely, all the while interacting with and re-assuring patrons in all three lines, and down in the will call / rush line-up, that all was well, Brie’s commitment always to logistically pristine exhibition management, and a most salutary patron experience.”

Of course, Brie does not manage the VIFF Cineplex site all on her own.
In 2015, the good lookin’ and quintessentially organized Peter Quin-Conroy, the ever-wonderful and humane Sue Cormier, among others (and let’s not forget VIFF’s Audience Relations Manager, Mickey Brazeau, quite simply one of my favourite people on the planet), find themselves pulling “management duty” at the VIFF Cineplex International Village site, all to good effect, providing the best possible VIFF patron experience.
Then, along with Mickey, there’s the VIFF team of managers who pulled the whole logistically pristine venue management scheme together for 2015 (and wildly successful it is this year, too): in particular, Faye Parlow, VIFF’s Operations Manager, and Lori Strong, VIFF’s Office & Facility Manager, about whom there has been much positive buzz this year …

“It was Faye and Lori who, along with Mickey, pulled in new managers this year, and it’s the three of them who are in good measure responsible for the success we’ve had at the various venues, in 2015.”

In a future post, VanRamblings will introduce you to the new, 2015 VIFF venue managers, when we’ll write about the returning managers, as well. And, of course, it goes without saying (but should be said nonetheless), that all of us who love the Vancouver International Film Festival are grateful-beyond-words for the invaluable role VIFF volunteers play in helping to keep VIFF an accessible, welcoming & pleasurable experience for patrons.

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Given all of the above, there is one reigning intelligence overseeing VIFF venue management this year, as he did for the first time last year as the newly-installed VIFF Exhibitions Manager, the one person about whom everyone VanRamblings has spoken with about venue management in 2015 year speaks about in reverential tones of near awe and amazement, and that transcendent personage of nonpareil accomplishment would be …

Sean Wilson, Exhibitions Manager, Vancouver International Film FestivalSean Wilson, 2015 Vancouver International Film Festival Exhibitions Manager | VIFF2015

Yes, that would be Sean Wilson above who at VIFF2015 may be found alone, sequestered deep inside a darkened room, almost recumbent and near zen-like in front of the VIFF venue management computer at this year’s glorious, one-of-a-kind, long-to-be-fondly-remembered 34th annual Vancouver International Film Festival, you know, the computer that tracks the whereabouts of volunteers (and whether they’re going to make their shifts), tracks the gloriously structured and structural venue management team, the computer into which streams messages of importance (the emergent kind, the oh-so-don’t let them happen, but gawd it’s going to happen anyway emergency variety, and the not-quite-so-problematical non-emergency kind), and at the centre of this maelstrom of information?
The seer, the one, the only Sean Wilson — you likely won’t see a great deal of Sean this first week of the Festival, but when you do … thank him (and thank Brie, too). And, when you find yourself at The Vancity Theatre, acknowledge the very fine Donna Soares (a find by VIFF Audience Relations Manager Mickey Brazeau, who spotted Donna performing wonderful service at the Push Festival), and the peerless Kaen Seguin, Robyn Wilson and Jennifer Tennant at The Centre, and (once again) Peter, Brie, Mickey, Sue and Mike at VIFF’s Cineplex site, and all of the fine VIFF venue managers at The Playhouse, SFU Woodwards, The Cinematheque and The Rio.

VIFF2015 | Room | Most Audacious Breakout Indie Film of 2015

Breakout film of the year, Room, starring Brie LarsonRoom | Dir. Lenny Abrahamson | Author: Emma Donoghue | Brie Larson, Jacob Tremblay

Every year, there’s a breakout film, usually an independently-produced film, that seemingly comes out of nowhere to take the critics, and appreciative audiences, by storm, emerging as Oscar bait, finally finding itself so ingrained in the Oscar conversation that it goes on to a slew of Academy of Motion Picture Arts and Sciences nominations. In 2015, Room is that film.
Garnering immense positive buzz at the Telluride Film Festival in early September, and going on to win the prestigious People’s Choice award at the Toronto Film Festival — where Room received an unprecedented and wildly enthusiastic 15-minute standing ovation — director Lenny Abrahamson’s adaptation of Canadian-Irish author Emma Donoghue’s acclaimed best-seller (Ms. Donoghue also wrote the screenplay for the film) opens tonight at VIFF2015, at the gorgeous and inviting Centre for the Performing Arts, in what is sure to be a sold-out screening of the probable recipient of Best Picture, Best Actress, Best Supporting Actor (5-year-old local actor Jacob Tremblay will likely become the youngest ever Oscar award nominee), Best Screenplay, and a raft of other accolades, and subsequent Independent Spirit/Gotham and, finally, well-deserved Oscar nominations.

Variety | Justin Chang
The cramped 11-by-11-foot interior of a sealed, sound-proof garden shed isn’t the only thing keeping a boy and his mother prisoner in Room, a suspenseful and heartrending drama that finds perhaps the most extreme possible metaphor for how time, regret and the end of childhood can make unknowing captives of us all.
Indiewire | Eric Kohn, Chief Film Critic | A-
Director Lenny Abrahamson seamlessly translates Emma Donoghue’s masterful work into cinematic terms with his gripping and involving adaptation, the drama owing just as much to its two stars, Brie Larson and newcomer Jacob Tremblay, whose textured, human-scale performances turn distressing circumstance into a credible and tense tale of survival.

Room, starring certain Oscar nominees Brie Larson and Jacob Tremblay

Note: Author Emma Donoghue will be in attendance at tonight’s screening of Room to introduce the film, and take part in a Q&A after the screening.
Bring tissues. Get your tickets now. Line up early. See ya tonight, at Room.

VIFF 2015: Three Upcoming, Can’t Miss VIFF Must-Sees

Senior VIFF Programmer PoChu AuYeung, and an already weary J.B. ShayneSenior VIFF Programmer PoChu AuYeung, and the ever dour and oh-so-weary J.B. Shayne

Well, here we are into Day Four of the 34th annual Vancouver International Film Festival — the most logistically pristine Festival in all of its 34 voluptuously triumphant years — and the films just keep on comin’. And what a great Festival for world cinema VIFF 2015 has proven to be …
Non-Fiction (America) | In Transit

In Transit | Albert Maysles’ visionary new film | VIFF Canadian Premiere | a VIFF must-see

In Transit (Grade: A+): A non-fiction film that revels in the search for the authentic self, celebrated documentarian Albert Maysles’ final film is all at once: groundbreaking, masterful, chillingly powerful, thoughtful, intimate, engaging, philosophical, and an extraordinarily humane chronicle on the narrative power of our everyday lives. As Ronnie Scheib, in Variety, writes, “a fitting farewell to an American ethnographer.” Showtimes: October 5th, 10:30am, Cin8; Oct. 7th, 7pm, Cin10; Oct. 8th, 2pm, Cin10. A must-see.
Canadian / Quebeçois | Ville-Marie

Ville-Marie (Grade: A-): Guy Édoin’s lushly appointed film keenly observes four characters: Pierre (Patrick Hivon), an ambulance driver coping with PTSD, Marie (the luminous Pascale Bussières), an ER nurse at the understaffed Ville-Marie Hospital, Sophie Bernard (Monica Bellucci), a European actress who’s in Montréal to shoot a semi-autobiographical film, and Thomas (Aliocha Schneider), her gay son, who is increasingly insistent that she reveal the name of his father and the circumstances of his birth. Captivating from beginning to end as it comes to focus on the mercies of the protagonists’ past tragedies, Ville-Marie moves from strength to strength to strength, from movie’s outset to its relevatory denouement. Showtimes: October 1st, 9:15pm, Cin10; Oct. 4th, 10:30am, Cin8.
Non-Fiction (Iranian) | No Land’s Song

No Land’s Song (Grade: A): Three years ago, the Iranian singer and composer Sara Najafi came up with the idea of hosting a concert in Tehran, her hometown. It was a plan so audacious, it seemed slightly crazy. The concert would be “a festival of the female voice” featuring solo singers — not just Iranians, but artists from France and Tunisia, too. Nothing like it had been attempted in Iran for 35 years: after the Islamic Revolution of 1979, women were banned from singing solo in public.
No Land’s Song review: Tender, undeniable, deeply affecting (or, as one critic wrote, “incredibly emotional“), provocative, risky, occasionally hugely depressing and, in the end, thrillingly heartbreaking and heart-stoppingly redemptive, No Land’s Song is one of the must-see documentary films at this year’s Vancouver International Film Festival. Showtimes: September 29th, 10:30am, Cin8; October 3rd, 9pm & October 5th, 4pm, Playhouse.