Arts Friday | The 72nd Annual Cannes Film Festival | Winners!

The 72nd annual Cannes Film Festival | 2019

Saturday night, the 72nd annual Cannes Film Festival draws to a close.
Why should that matter to you?
Well, if you love film, and foreign cinema in particular, the award winning films that will be announced Saturday night in Cannes highlight the most important films made outside the North American continent this year, and most probably predict this year’s Oscar award contenders for what used to be called Best Foreign Language Film but for the 2020 Oscar ceremony will be renamed the Best International Feature Film. Not to mention, for aficionados of the Vancouver International Film Festival, a raft of Cannes films will arrive on our shores this upcoming September and October.
Here’s IndieWire chief film critic Eric Kohn’s wrap up column on the 72nd annual Cannes Film Festival, Class War & the 2019 Cannes Film Festival.
WINNER, Palme d’Or | Director: Bong Joon-ho
Parasite | South Korea

The fearlessly and fiendishly well-crafted new film from director Bong Joon-ho (The Host, Snowpiecer) offers a masterful dissection of social inequality, in a film that while a diabolically fun watch is also resolutely political, the film’s tonal shifts clearly in service of its class politics, infecting Parasite’s breezy dark-comedy with notes of rage and melancholy. Bong delivers a stunning return to form with this newest venture, which takes bold leaps between tenors and tone, the film entertaining and intelligent, and an unsparing social indictment of class inequality — a roaringly raucous, blood-spattered social satire that is also luxuriously watchable, suspenseful, uproarious, and a brilliant return to form for South Korean auteur Bong.
For background on how the Cannes Jury chose Parasite, click here.
WINNER, Grand Prix | Director: Mati Diop
Atlantics | Senegal

Mati Diop entered the Official Competition at Cannes with plenty of attention, as the first black woman with a film in the section across the festival’s 72 years. But, according to IndieWire film critic, Eric Kohn …

“The real reason to pay attention to Atlantics is its singular vision of the migration crisis. Diop’s gorgeous, mesmerizing feature directorial début focuses on the experiences of a young woman named Ada (Mama Sané) stuck in repressive circumstances on the coast of Dakar after her boyfriend vanishes en route to Spain. But the film is less fixated on his departure than with the community around her.

Diop’s enigmatic, lyrical narrative left audiences dazzled by its cinematic textures and haunting atmosphere. The peculiar allegorical nature of its story, and a supernatural twist that creeps into the plot, could make it a tough consensus choice for this year’s jury. But it’s quite the impressive début, and could very well wind up with some sort of prize by the end of the festival.”

There was a tie for the next category …
WINNER, Jury Prize | Tie
Les Misérables | France | Director: Ladj Ly

The directorial début of Ladj Ly offers a relentless tale of mounting tension between tough police officers and an oppressed Muslim population in modern-day Paris. Ly’s jittery, naturalistic style spends much of its running time focused on several officers as they clash with the neighborhood youth, and one conflicted new recruit (Damien Bonnard) with a moral conscience. The suspense builds to an anxiety-inducing showdown involving the bubbling frustrations of a local Muslim boy (Issa Perica) whose pithy crimes receive a nasty comeuppance in the film’s wrenching finale, causing audiences to draw thematic parallels to Spike Lee’s Do the Right Thing.
Bacurau | Brazil | Directors: Kleber Mendonça Filho Juliano Dornelles

A bracingly confrontational commentary on the direction his home country of Brazil is taking in the Trump-like era of Bolsonaro, Bacurau’s propulsive storytelling doesn’t come at the expense of the vividly sketched personality of Brazil, in this often strange fever-dream Jacobean-style bloodbath of a film, all at once densely layered and rich, ruthless and clear-minded, a film that divided the critics, but not this year’s Cannes Jury, it would seem. Mendonça Filho has scored before at the Vancouver International Film Festival, with his absolutely brilliant Neighbouring Sounds, which took VIFF 2016 by storm, emerging as an audience favourite.
Best Screenplay | Writer / director: Céline Sciamma
Queer Palm (Feature) | Céline Sciamma
Portrait of a Lady on Fire | France

Acclaimed French director Céline Sciamma makes her long-overdue Competition début with this vivid period drama, which focuses on an 18th century lesbian romance about a painter (Noémie Merlant) hired to create a portrait of a woman from a wealthy family (Adèle Haenel) without her knowledge. In the process, the two women fall in love, against the backdrop of a magical seaside landscape. Sciamma’s sharp, picturesque imagery meshes with the palpable erotic sparks between her two stars, who transform this emotionally resonant two-hander into a riveting portrait of hidden sexuality, a film Hollywood Elsewhere’s Jeff Wells writes is “as close to perfect as a gently erotic, deeply passionate period drama could be,” while The Guardian’s Peter Bradshaw writes in his five-star review …

Céline Sciamma has brought a superbly elegant, enigmatic drama to Cannes that compels a shiver of aesthetic pleasure and fear, demonstrating a deeply satisfying new mastery of classical style to go with the contemporary social realism she showed in Girlhood (2014) and Tomboy (2011).

The setting is 18th-century Brittany, where an Italian noblewoman (Valeria Golino) has engaged what is officially a ladies’ companion for her beautiful daughter, Héloïse (Adèle Haenel), who has just come out of a convent and is recovering from the loss of her sister. The companion, Marianne (Noémie Merlant), is actually an artist, and the countess wishes her to paint a portrait of Héloïse in secret, to be shown to a wealthy prospective husband in Milan, because headstrong Héloïse would never consent to sitting for any such picture.

Sciamma brings the erotic together with the cerebral. The final scenes set in the art gallery and the opera house are gripping: a past obsession simultaneously sour and yet vividly alive. What did it remind me of? De Laclos’ Dangerous Liaisons? Nicolas Roeg’s Bad Timing? I don’t know.

But what a story of desire.

From the reviews out of Cannes, Portrait of a Lady on Fire is a sure-fire contender for the Palme d’Or, with a seeming Best Actress nod for the luminous Adèle Haenel [2017’s BPM (Beats Per Minute)] a near certainty.
Best Actor | Antonio Banderas
Pain and Glory | Spain

A beautiful, full-hearted celebration of the craft of filmmaking, Pain and Glory is one of the most meditative of Pedro Almodóvar’s career, an especially personal work, anchored by the director’s on-off muse Antonio Banderas in perhaps his greatest performance, as he sweeps through the Spanish maestro’s recurrent themes: high melodrama and kitsch comedy, piety and carnal lust, sex and death, human pain and transcendent glory.
Best Actress | Emily Beecham
Little Joe | France

An artfully unnerving, austerely hypnotic horror movie about a very sinister plant, visually Little Joe is a total feast for the eyes, contrasting art-deco pinks and mint greens against sterile, symmetrically framed expanses of white, vaguely evoking the aesthetic of some lost sci-fi film of the ’70s. Another film that divided the critics, with CineVue critic John Bleasdale writing, “compared to the sophisticated and nuanced horrors of Black Mirror, Little Joe feels like a fairly straightforward riff on a very familiar idea. Nonethless, because it won an award at Cannes, because it’s a horror film (and outside of the hothouse of the Cannes Film Festival, the film will receive stronger reviews), Little Joe will likely arrive on our shores at some point this summer or autumn.
Best Director | Jean-Pierre & Luc Dardenne
The Young Ahmed | Belgium

Camera d’Or
Our Mothers | Guatemala | Director: César Díaz

From the military dictatorship established in the late 1970’s in Guatemala was born a civil war that only ended some twenty years later, leaving in its wake more than 200, 000 victims, and burying the memories of 40, 000 missing people. With Our Mothers, selected in the Critics’ Week section of this year’s Cannes Film Festival, César Díaz offers a film of remembrance and resilience, Our Mothers erupting like a shout in the darkness that surrounds this often overlooked massacre that cost mostly Indian lives, the film a heartbreaking portrait of a mother and her son.

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Otherwise, the following films garnered praise at Cannes 2019 …

An American film, but director Quentin Tarantino and his all-star cast of Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, Lena Dunham, Kurt Russell, Dakota Fanning, James Marsden, Tim Roth, Timothy Olyphant and a host of other actors, stepped onto The Croisette at Cannes for the international début of his latest film, Once Upon a Time in Hollywood, which more than lived up to its hype in advance of the film’s much-anticipated mid-summer (July 26th) release in theatres across the continent.

The buzz out of Cannes 2019 for a Best Oscar nomination for Brad Pitt was very strongStrong buzz out of Cannes 2019 for Brad Pitt as a potential Best Actor Oscar winner in Quentin Tarantino’s enthusiastically received Once Upon a Time in Hollywood..

At screening’s end, Once Upon a Time received a rare 7-minute standing ovation, with both Brad Pitt and Leonardo DiCaprio scoring great reviews and buzz for the two as potential Best Actor Oscar nominees.

Another film emerging from Cannes with immense positive buzz for probable Best Actor Oscar nominee Taron Egerton, in the title role, is Dexter Fletcher’s Rocketman, the story of Elton John’s life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin, a film that the critics raved about, writing that Rocketman “explodes with the kind of colour and energy that only Elton John himself could invoke.”

“Freddie Mercury may have had the better voice,” writes the New York Post’s Johnny Oleksinski. “but it’s Elton John who gets the better movie. Rocketman, director Dexter Fletcher’s trippy new biopic about the flamboyant rocker is braver, deeper and more enlightening than last year’s slobbering piece of Queen propaganda Bohemian Rhapsody (which he also partly directed), a flashy fantasia of a movie that will have you both cheering and in tears in the film’s phenomenally moving pivotal scene.”

We’ll know soon enough — Rocketman opens in theatres next Friday.

Films striving to winner the coveted Cannes 2019 Palme d'Or

Since 1955, the Cannes Film Festival has awarded the coveted Palme d’Or to the greatest filmmakers of our age, from Frances Ford Coppola to Michael Haneke, Terrence Malick, Abdellatif Kechiche, Costas Gavras and Jane Campion. While Oscar season involves thousands of voters and aggressive, months-long campaigns, the Palme d’Or race among the 20, or so, films selected for Official Competition is often difficult to predict.
This year’s Cannes jury stands out for being particularly filmmaker-centric, with Cannes veteran Alejandro G. Iñarritu serving as president, joined by fellow directors Kelly Reichardt, Alice Rohrwatcher, Maimouna N’Diaye, Yorgos Lanthimos, and Pawel Pawlikowski — as well as Elle Fanning, the youngest Cannes juror in history. All have screened work at the festival, this year’s jury composed of particularly complex & disparate sensibilities.
Today’s update: the winners, and more, at the 2019 Cannes Film Festival, some of which will receive a Best International Film Feature Oscar nomination, most of which will screen at the 38th Vancouver International Film Festival, running from September 26th through October 11th, 2019.

Robert Eggers' The Lighthouse, starring Willem Dafoe and Robert Pattinson Wins Fipresci Critics Awards At Cannes Film Festival

Just announced: The Lighthouse has won the Fipresci Critics Awards at Cannes, about which the Deadline website writes …

“A story of two lighthouse keepers who drive each other to madness, won the Cannes Film Festival critics’ award for best first or second features in Directors’ Fortnight and Critics Week. The award was announced Saturday by the International Federation of Film Critics (Fipresci).

Robert Eggers The Lighthouse was shot in black and white and starred Willem Dafoe and Robert Pattinson.


Fipresci also honoured Elia Suleiman’s It Must Be Heaven as the best film in competition and Kantemir Balagov’s Beanpole as best film in the sidebar Un Certain Regard.

Terrence Malick’s Cannes competition entry, Hidden Life, won the Prize of the Ecumenical Jury.

The Lighthouse sees ‘two lead actors give stormy, career-best performances,” according to the statement from the Fipresci jury. It described the Eggers film as “a brutal work of art, all shot in beautiful black-and-white cinematography and fueled by a soundscape that echoes like a foghorn.”

The full list of winners at the 72nd annual Cannes Film Festival.

#BC + VanPoli | An Update on the Affordable Housing File in B.C.

BC NDP announces 20,000 affordable homes either completed or under construction in B.C. in 2019

After 16 years of despair under a too often far right-of-centre B.C. Liberal government where, in their final full year in office, 120 children died in the care of the province, while another 791 children in care were critically injured — all while the Christy Clark government left a $2.7 billion surplus for what would turn out to be an incoming BC NDP government — whether it was Gordon Campbell or Clark, the B.C. Liberal government proved day in and day out that they were dedicated not to the interests of the people of British Columbia (and certainly not the most vulnerable among us), but to the monied corporate titans and financial backers who, working collectively, built barely one unit of affordable housing amidst an unprecedented and ever worsening housing crisis in Canada’s third largest city and region.
Whether it’s the B.C. Liberals — as they’re presently constituted (VanRamblings awaits the day when Vancouver City Councillor Sarah Kirby-Yung is leader of the party, and Premier, to redefine fiscally and socially responsible, nominally right-of-centre government in B.C.) — or Andrew Scheer’s ultra-conservative Conservative party, make no mistake, right-of-centre parties & politicians are rarely on the side of the 95% of Canadians who earn less than $100,000 a year, which is to say not on your side.
BC NDP Government Has Built, or Will Build, 20,000 Affordable Homes in BC in 2019 | A Further 94,000 Homes Are on Their Way

B.C. Housing Minister reports that  20,000 affordable housing units under construction in B.C.Here’s the link to detail on the BC Homes graphic B.C. Housing Minister Selina Robinson presents above, including indigenous, community, student, regional, supportive, affordable rental and other housing currently completed, or under construction, in B.C.

Whether it be Chris Gailus and Global BC, the news team at CTV Vancouver, or as the local paper of record, the Vancouver Sun — or the Globe and Mail, or their even further right-of-centre brethren at the National Post — make no mistake, you’re not going to turn on your TV, pick up a local newspaper or surf to their online sites and read about the 20,000 affordable housing homes that have been completed, or are in process of being completed, in 2019, during the next year, or in early 2021.
God knows that corporate-owned media — none of which endorsed the BC NDP in 2017 — are interested in the least in reporting out to you the news that really matters: that in British Columbia citizens have a government in Victoria that actually cares about working people, and is committed to the realization of the construction and completion of 114,000 affordable homes, $10-a-day child care, and the construction of 24-hour-a-day, open and accessible urgent care centres in every municipality across B.C. — more than 780,000 British Columbians (that’s almost 17% of the population) don’t have a family doctor, the previous Liberal government abandoning their plan to link every person to a doctor by 2015 as “unachievable”.

British Columbia government funding 102 units of low cost housing in East VancouverConstruction on this 109-unit affordable rental building to be completed in early 2021. Location: 3185 Riverwalk Avenue, in the East Fraserlands area of Vancouver.

Funded by the British Columbia government under their Deepening Affordability Fund, this past December B.C. Housing Minister Selina Robinson announced the construction of 109 low-cost, affordable homes at 3185 Riverwalk Avenue in the East Fraserlands area of Vancouver — a five-storey project that will offer 7 studios, 30 one-bedroom, 48 two-bedroom & 24 three-bedroom homes + a shared amenity space — for seniors, families & those on fixed incomes, not a social, but an affordable rental, housing project, where tenants will pay no more than 30% of their income in rent.
Click on this link, and scroll down to the Deepening Affordability Fund section for more information on 490 more homes being built through the fund in Burnaby, Kamloops, Saanich, Port Alberni, Terrace and Courtenay.
In addition, by clicking on the link you will find detail on homes being built under the Supportive Housing Fund, as well as the Rapid Response to Homelessness, the Regional Housing First and the Student Loan Housing programmes, the Indigenous Housing Fund & the two projects being built as part of the Housing Hub programme, for a total of 20,000 new homes.

58 West Hastings Street in Vancouver will see the construction of 231 low-cost,affordable homesConstruction of 231 low-cost, affordable homes at 58 West Hastings underway.

In March of this year, the B.C. government provided a list of 25 affordable housing projects, currently under construction in Vancouver, to Vancouver Courier civic affairs journalist Mike Howell — a total of 2,450 new affordable rental homes, including a $14.8 million, 74-unit project at 6390 Crown Place that will be operated by the Musqueam Indian Band, and a $90 million 231-unit project at 58 West Hastings that will be operated — including $30 million in funding — by the Vancouver Chinatown Foundation.
The bottom line: all is not lost, there is a government in Victoria that is on our side, and although the provincial government may not be moving fast enough for some on their election promises, remember (as folks were wont to say in times past): “Rome wasn’t built in a day.”
The same very well might be said about our current Vancouver City Council, each of whom VanRamblings knows well, and who we know to be persons of grit, integrity & social responsibility who are also very much on our side.
If by 2022 (the next civic election) Vancouver City Councillors have not followed through on their commitment to the alleviation of the affordable housing crisis, they will become — as some have written — a one-term civic government, replaced by Councillors who can get the job done.
But you only have to know Christine Boyle, Lisa Dominato, Sarah Kirby-Yung, Pete Fry, Rebecca Bligh, Michael Wiebe, Jean Swanson, Colleen Hardwick, Adriane Carr and Melissa De Genova to know that this remarkably capable and utterly unique group of change makers are not about to let you down, that they’re on the case, with their heads screwed on straight and much sooner than later, they’ll come through for all of us.

#VanPoli Civic Politics | Civic Politicians’ Annual Remuneration

Vancouver Mayor and Vancouver City Councillor salariesThe table above represents only a portion of the annual remuneration for our Mayor and Councillors. In fact, civic official remuneration can, and often is, much more.

The most frequent query put to VanRamblings occurs in respect of the remuneration received by our City Councillors, in most people’s estimation only a part-time job. In fact, many folks believe that holding the office of City Councillor to be a volunteer position, without any remuneration whatsoever. These folks are stunned to learn that Vancouver’s City Councillors annual remuneration exceeds $100,000, and often much more.
From a January 8, 2019 article by Vancouver Courier civic affairs journalist, Mike Howell, reporting the 2.7% salary increase for Mayor Kennedy Stewart and Vancouver City Councillors will receive in the 2019 calendar year …

“The 2.7% bump shouldn’t be viewed as a surprise. Every Jan. 1 the mayor and council of the day get a pay increase. It fluctuates and has involved formulas that factor in the Consumer Price Index, the average weekly wage for B.C. and data from Statistics Canada.

In 2014 it was a 3.24% increase. In 2015, it was 0.82%.

Back in 1995, an independent panel decided the mayor and councillors needed a raise. Part of the rationale was based on mayors and councillors in other big cities making more cash than the Vancouver crew, which still holds true today. For example, the mayor of Edmonton pulled in $200,586 last year and councillors earned $113,325.

In 2016, Vancouver councillors made a move to get them closer to their counterparts in Edmonton and other cities by approving a series of changes to the payroll …

In addition to the base salary of $86,266 (plus an annual supplement of $3,048), according to the Deputy Mayor roster published by the Mayor’s office on November 1, 2018, Councillor Pete Fry will sit as Deputy Mayor twice in 2019 — in January and December — adding $6,390 to his “base” salary of $89,314; in addition, Councillor Fry will be Duty Councillor in September (another $3,195), and sit as Acting Mayor once during the year ($1,162). Total salary compensation for Councillor Fry in 2019 equals $100,061, and that figure doesn’t include compensation for his work on the Union of B.C. Municipalities, on which he is a Vancouver Council delegate.
Note, and perspective: the most recent census data shows the median income in 2015 for a one-person household in Vancouver was $38,449, and $89,207 for a household of two or more people. The “total household” median income was $65,327. Lone parent families earned $52,242.
In point of fact, 95% of Canadians earn less than $100,000 a year.

Vancouver City Councillor Adriane Carr to receive more than $143,000 in salary in 2019Base compensation for City Councillor Adriane Carr will exceed $143,000 in 2019.

In addition to a “base salary” in the range of $100,000, Green Party of Vancouver Councillors Adriane Carr and Michael Wiebe, OneCity Vancouver Councillor Christine Boyle, and Non-Partisan Association Councillors Colleen Hardwick and Lisa Dominato were appointed by the Mayor last autumn to sit on the Metro Vancouver Board, where they will be compensated to the tune of a minimum of $17,000 for the year.
Councillor Carr, in her role as Metro Vancouver Climate Action Committee Chair will receive a further $25,000 in compensation, in 2019.
For Councillors Wiebe, Boyle, Hardwick and Dominato, total salary compensation for 2019 will be in the range of $112,704, with Councillor Carr adding a further $25,000 to that figure.
The transportation allowance afforded each Councillor “for the conduct of city business” is compensated at up to $600 per month, or another up to $7200 annually. Each Councillor is entitled to “payment for local expenses incurred in any calendar year”, at a sum not to exceed 10% of the Councillors’ annual salary. There’s an annual travel and training expense budget afforded Councillors, as well as a “discretionary expenses budget” — when, in 2020, the City publishes figures for these latter “budgets”, voters will know the exact figure claimed by our City Councillors in 2019.
Suffice to say, our Vancouver City Councillors are not going to sleep hungry each night, or living in wont and financial despair, a circumstance afflicting far too many in our city, in every age demographic, across every neighbourhood. Let us hope that our Councillors — currently living high off the hog — remember they were elected as servants of the public interest.

Vancouver City Councillor Jean Swanson speaking with fellow Councillor Michael WiebeVancouver City Councillor Jean Swanson speaking with fellow Councillor Michael Wiebe.

Meanwhile, Coalition of Progressive Electors Vancouver City Councillor Jean Swanson, in keeping with an election promise made to voters last autumn, has stated that she aims to reduce her income to the average wage earned by single Vancouverites — about $44,000 — although she’s not there yet.

#VanPoli | An Instructive Tale for Vancouver City Councillors

Comox Board of Variance meeting

The Board of Variance. A History and Background.
Since the mid-1950s, every village, town & city elected body / City Council on the North American continent with a population of 10,000, or more, has been required by law to empower a quasi-judicial body of its citizens to constitute a Board of Variance, a lay body of five or more persons who are vested with the authority, and required under the provincial or state Act governing their conduct, to review — and should Board members deem it necessary, make changes to or even reject — any development application that in its conception requires a relaxation of the existing zoning bylaw applicable to the zone or neighbourhood where a developer, or homeowner, has made application for development or re-development of a property.
In Vancouver, as in most jurisdictions, the Board of Variance also oversees all applications concerning parking, signage, and tree matters, as well as — on occasion — licensing of a business for proper use.
As such, as an independent lay body overseeing all development in, say in this case, the City of Vancouver, the Board of Variance is seen by City Council, and the development services and planning departments at City Hall, as well as developers and homeowners requiring a relaxation of an existing zoning bylaw, as the most powerful creature of City Hall.
In point of fact, there are few Boards of Variance that are not regularly sued by the city or town government relating to a decision made by the Board to which city councillors, and more often administrators in development services or planning, have taken umbrage.

If you’ve seen the Oscar award-winning 1975 film Chinatown, which showed development decisions taking place behind closed doors and in smoke-filled rooms — more often than not with payoffs to elected officials, or city administrators — you can see why Canadian and U.S. Courts ruled that state and provincial governments must enact legislation empowering an open to the public and utterly transparent lay body, called the Board of Variance, to review all development decisions requiring a zoning relaxation.
The Board of Variance. A Raymond Tomlin Tale. Part One.

Board of Variance meeting, Vancouver City Hall

In early 2005, Aaron Jasper, Gary Kennedy, Quincey Kirschner and I had taken on the position of co-campaign managers / organizers on Mel Lehan’s Vancouver Point Grey provincial NDP campaign.
Terry Martin, a contractor and longtime NDP member, had — in provincial and federal NDP campaigns, and in municipal Coalition of Progressive Electors campaigns — taken on the task of building a workable office for campaigns, creating a volunteer phone bank centre, as well as taking responsibility for creating the office, locating desks, filing cabinets and all the materials required to run a functioning political campaign.
Over a number of weeks in January, February & March 2005, Terry and I became friends. One March afternoon, Terry informed me that he was a member of Vancouver’s Board of Variance, explaining what the Board did and his role on the Board, informing me that a Board vacancy was upcoming and he would like me to apply to fill the vacancy. Terry was very complimentary about how he saw me as a person of integrity, an individual committed to social justice, and someone with whom he would like to work on the Board of Variance. After some persuading, I filed my application.
At the time, there were three members of Vancouver City Council who constituted the Selection Committee responsible for filling all vacancies on the 33 advisory committees to Council, including the Board of Variance: the late Jim Green, then COPE Councillor Tim Louis, and NPA Councillor Sam Sullivan. As it happened, I knew them all. Terry arranged for me to meet with Jim and Tim, separately, to promote my application to the Board (there were 200 applicants, most more qualified than I). Both Jim Green and Tim Louis (the latter to whom I became very close for the next decade, and to the present) were welcoming of my application to fill the vacant Board of Variance position, and told Terry and I each would cast a ballot in my favour to fill the vacancy. I knew Sam Sullivan through friends —&#32we spoke, and I’m given to understand that he, too, cast a ballot in favour of my, now successful, application to the Board of Variance.
[Side note. At present, the Chairperson of Vancouver City Council’s Selection Committee is OneCity Vancouver Councillor Christine Boyle, who is joined her Council colleagues, the Non-Partisan Association’s Rebecca Bligh, and the Green Party of Vancouver’s Michael Wiebe.)
Long story short, my time — what would turn out to be truncated tenure on the Board, as all members were fired by Mayor Sam Sullivan on July 1, 2006 (a story for another day) — on the Board of Variance remains one of the highlights of my life. There is not one block in the city on which the Board of Variance on which I sat did not make a life-changing decision, for homeowners, for developers, and more importantly, for citizens.
Terry Martin, Jan Pierce, Quincey Kirschner and Bruce Chown were, and remain to this day, the finest, most thoughtful, hardest working people of wit, intelligence, conscience & integrity with whom I have worked in the collective endeavour of city building, in the interest of Vancouver citizens.
Each member on the Board of Variance on which I sat was a rugged individualist committed to the common good, and responsible conduct that best served the interests of citizens — and we were damn good at our job.
As chaired by Terry Martin, the meetings — which began Wednesday afternoon at 1:30pm — often lasted until two or three the next morning. Twelve to fourteen hour Board of Variance meetings were not uncommon — the public wanted to be heard, and we heard them. Of course, at the time the Board was empowered to hear Third Party Appeals, empowering any citizen in a neighbourhood where the development was taking place the opportunity to be heard before the Board — and citizens, often strumming guitars, singing, putting on little skits and otherwise addressing the members of the Board — appeared in droves. Everyone was heard, and all decisions were citizen driven, in the finest, most celebratory act of respectful citizen engagement in which I have ever been a participant.
The Board of Variance. A Raymond Tomlin Tale. Part Two.

Board of Variance meeting, Vancouver City Hall, with citizens looking on.

Here’s how the Board worked, the standard process for decision-making:
The Board of Variance met to adjudicate appeals every second Wednesday. On the Friday before the Board meeting, a 300-page binder was delivered to each of the Board members’ homes, containing all the relevant materials from the 30 appeals that would be heard the following week.
Much of the Board member’s weekend was spent reading the documentation contained in the binder, and performing whatever research tasks a Board member felt was relevant to the taking of a fair and just decision. On the Tuesday, at noon the day before the Board of Variance meeting, the five members of the Board met with the Secretary to the Board, Louis Ng (who still acts in that position) at the bottom of the steps at the back of City Hall, whereupon we all climbed into a van acquired from the City by Louis, to ferry the Board members around to the sites of applicant appeals, with Louis providing a narrative concerning each appeal, the history of the appeal, the position of both the Planning and Development Services departments at City Hall respecting the appeal, answering any and all proper and judicious questions put to him by Board members. The “drive around” was generally completed by 7pm.
The Board met the next day at 1:15pm in Committee Room 1 — the largest meeting room on the third floor at City Hall, situated in the southeast corner of that floor. As Board members were forbidden to discuss any appeal prior to its hearing, we greeted one another, and place our binders in front of us, as well as any relevant materials we felt necessary for us to properly take a decision on any given appeal. Each Board member had a sheet in front of them listing the order in which all the appeals would be heard, with a suggested time frame for the hearing of each appeal.
The Board of Variance meeting began on time at 1:30pm, with Board members situated around the east end of the massive oak Board table, with a citizens gallery on the west end of the Board room. Louis Ng introduced each appeal, stating the technical facts. Representatives from development services and planning, sitting on chairs in the southeast corner of the Board table presented the position of their departments on the efficacy of the appeal, giving indication as to whether the City opposed or approved of the applicant’s appeal. Once the City had been heard, the appellant was asked to take a seat at the far west end of the Board table & begin their appeal.
Within the first minute of being heard, most (okay, okay — make that all) applicants burst into tears, inconsolable, and more often than not fearful of the process, and / or the position taken by the City opposing their appeal.
Once the appellant was calmed, the appeal continued. Upon completion of the statement / presentation of the appeals applicant, as well as input from neighbours and citizens opposed to the appeal, at the end of each statement by appellant or neighbour / citizen, the Board members were provided the opportunity to ask questions of the appellant, or the citizens opposed to the appeal. The focus of the meeting was then returned to the City, where administrative development and planning staff assigned to present the City’s position on an appeal re-iterated their position on the appeal. Each Board member queried city staff on issues that had arisen during the appeal — with City staff very much wanting their way, and Board members uncertain as to whether the enunciated position of staff best served the interests of Vancouver citizens, and just city building.
More often than not, the members of the Board of Variance voted contrary to the wishes of city staff — not because Board members harboured any ill will towards city staff, almost all of whom were dedicated and accomplished civil servants, with years of experience in city building, and advanced Masters, PhDs, urban planning and architectural and engineering degrees.
As lay citizens dedicated to an open and transparent development appeals process, the members of the Board — again, among the finest and most accomplished persons with whom I have ever had the opportunity to work — cast a vote, separately, individually and without any external pressure exerted on the Board decision makers, votes that we as citizens believed best served the interests of those of us who reside in Vancouver, and who are committed to a fair and just city, a livable city, a city that serves the interests of all. I will write another day on a few of the decisions taken by the Board, for which all Board members remain justly proud today.
The Board of Variance. Raymond finally gets to the point. Why it is important for Vancouver City Councillors to read the following …

One particular spring afternoon in 2006, the senior administrator in development and planning with the City, a particularly avuncular fellow, always smiling, always of good cheer, a sort of Wilford Brimley type, clearly a very bright and accomplished man, a good-natured but no nonsense type of fellow, the second in command in development and planning services at City Hall, and for very good reason one would have to think upon meeting him. There was about this fellow, as well, something … well, sinister, nothing you could put your finger on, but you knew upon meeting him that you wouldn’t want to get on his bad side, or some night find yourself in a dark alley with him — now, that’s a prospect no one would look forward to.
The particular day in question, this senior City official turned up at the Board meeting to present the City’s position on an appeal by a developer — an appeal that the City made abundantly clear they were in full support of. The developer presented drawings for a 90-foot high, 25-foot wide backlit “blade sign” that was to be placed above the parking entrance next to the Starbucks in the Paramount Centre / the Scotiabank Theatre complex.
From the tenor of the questions put to the developer respecting this massive backlit sign, and more specifically to the avuncular senior City official speaking in support of the sign, indication was Board members’ were in strong opposition to the sign, which it became clear in its “massive scale” was inappropriate for the downtown neighbourhood, or any city neighbourhood. But me being me, I came into these sorts of appeals with an open mind, even more so because I believed in the integrity of the City official — there must be a reason he supported the appeal.
I wanted to know why. Our give & take dialogue went something like this …

Me. Mr. (Avuncular), I would like to welcome you to this Board of Variance meeting. Your attendance at our meetings is rare, and I want to go on record as stating that I am pleased that a senior City official is taking time out of his busy day to spend a half hour with the members of the Board of Variance.

Mr. A. Mr. Tomlin, I am always pleased to meet with the members of the Board, although as you say, my schedule is often very busy, and I am not afforded the opportunity as often as I would like to attend at the very important Board of Variance meetings.

Me. Mr. A, you speak very much in favour of the appeal, and I am wondering from where the genesis of your support arises. As I sit around the Board table this afternoon, I wonder about your prior involvement with the developer, if any, and whether such involvement, if such is the case, plays any role in your support of the appeal, as presented to the Board today.

Mr. A. I assure you, Mr. Tomlin, that the only reason I am here today to present the appeal arises from an opening in my schedule this afternoon, and my heartfelt desire to sit in this sun-filled room with you and your Board colleagues, to spend an afternoon with people for whom I hold the highest regard, and arising as well from my commitment to the democratic process, particularly as it is practiced by the very fine members of the Board of Variance, present here today.

Mr. A. then went on to elucidate the specific reasons why he found himself speaking in support of the “blade sign”, a downtown design element, he suggested in no uncertain terms, that would enhance the cultural and design integrity of a downtown core in the midst of change, the blade sign a bold and, in his estimation, beautiful, design forward and architecturally sound sign element entirely consistent with the City’s design guidelines.

900 Burrard Street in Vancouver, the Paramount building, also home to the Scotianbank Theatre

Mr. A. assured me that prior to that afternoon, he had no involvement with the developer, or anyone else associated with Paramount building, that he was absentis, si rem (absent of interest) in respect of the sign — he simply thought it was beautiful, and on a personal level looked forward to seeing the sign mounted, should the Board see fit to cast their vote in favour.
At the completion of his statement, the Chair called for a vote on the appeal respecting the sign: four opposed, one in favour.
I was the one who voted in favour, my vote based on the eloquent presentation of the senior City official.
After the meeting, my fellow Board members shook their heads at me, wondering what I was thinking in voting to approve “that godawful sign that would have lit up the West End, and caused countless hours of unrest to citizens living nearby.” Still, and all, the Board members stood by the integrity of the Board’s decision-making process, acknowledging that we often voted differently from one another, and taking solace in the fact that the “blade sign” application had been refused.

Getting to the point.

Now, here’s where the story begins to get interesting.
At the time, and even still, I believe myself to be much like our current City Councillors — a person of integrity and good will, a person with a steadfast belief in humanity, and a respect for accomplished persons of character, most particularly the hard working and dedicated individuals who toil on our behalf at Vancouver City Hall, and around the City.
Who am I to question the integrity of accomplished persons who have long dedicated their energies, and the better part of their professional lives, to the process of city building in Vancouver.
In the weeks that followed I learned the following: the senior development services and planning official who presented the Paramount “blade sign” appeal had appointed himself the point person on the development from its inception, some six years prior. This avuncular City official had worked closely with the developer to move the development expeditiously forward through City Hall, and as far as was possible, champion the development in the offices, committee rooms and hallways at Vancouver City Hall.
I learned, further, that this senior City official had some years previous presented to the Vancouver Planning Commission on his support for the Paramount development, and in particular the “blade sign”.
Even more, I learned that this senior City official had chaired the Development Permit Board that had approved the development, a development for which he stated he was in full support (as could be attested to in a reading of the minutes of the DP Board).
I presented the “evidence” of which I was now aware to the Board Chair. Terry just shook his head, and rolled his eyes. “Raymond, Raymond, Raymond,” he said, “let this be a lesson to you. Do your research, don’t let your good nature and your insistent and heartening belief in the humanity of all get in the way of good and proper decision-making at the Board.”
In weeks subsequent, I had opportunity to meet and speak with Mr. A., our conversation going something like this …

Me. Do you recall the appeal on the blade sign that you presented to the Board some weeks ago?

Mr. A. Yes, and despite my loss at the Board, I appreciated your support of the appeal, and the opportunity with which I was provided to spend part of a productive afternoon with you and your Board colleagues.

Me. I recently became aware that, contrary to the information you presented to me at the Board meeting that afternoon that you, 1) Were involved with the Paramount development from its outset, and had championed the development in the offices, committee rooms and hallways of City Hall, and 2) That not only had you presented to the Planning Commission some years back in support of the Paramount development, that you were the Chairperson of the Development Permit Board that had approved the Paramount development, and at that time had spoken specifically about your support for the blade sign.

I am left to wonder, “A”, why is it you mislead me that sunny afternoon in Committee Room 1?

Mr. A. Well, Raymond, I think it is important that you know that any time a member of my department presents on an appeal to the Board, that we come in to the Board meeting with an agenda: we want what we want, and we’re going to do everything in our power to ensure that the position of development services and planning is not only heard, but successful in its adherence to the heartfelt desires of senior staff at City Hall. Your job is to be informed and to do your homework, and to never ask a question to which you do not already know the answer.

My job is to champion the interests of my department, to do whatever it takes to ensure that we — the civil servants charged with the responsibility of city building — and the arguments we make carry the day, to do whatever it takes to ensure our success, given our heartfelt belief that we, as professionals, know what is best for the citizenry. Sometimes we’re successful before the Board, most times I would say, and sometimes we’re not. That’s life.

Great speaking with you, Raymond. I look forward to presenting to the Board at sometime again in the near future.”

Following my conversation with Mr. A, did I emerge a different person than I was before the conversation? The short answer: no.
I continue to believe in the goodness of humanity.
Still and all, subsequent to my conversation with Mr. A, I became ever more diligent in my decision-making, ever more dedicated to conducting in-depth research into the appeals the Board would hear, and for as much as I respected the city staff who presented to the Board, I was now much more acutely aware that city staff presented to the Board with an agenda, that city staff had been sent to the Board by senior staff to get what the planning staff wanted — for a city staff person to consistently fail at the Board was to jeopardize her or his employment, and potential for advancement in the structure of city decision-making.

Mayor and Vancouver City Councillors group photo in Council chambers on inauguration dayVancouver City Council, l-r: Councillors Rebecca Bligh, Christine Boyle, Colleen Hardwick, Pete Fry, Adriane Carr and Mayor Kennedy Stewart, and Councillors Melissa De Genova, Jean Swanson, Michael Wiebe, Lisa Dominato, and Sarah Kirby-Yung

A word to the wise to our accomplished City Councillors is in order: keep your eyes open, do your research, remember that you are on Council to champion the interests of the electorate, and not necessarily the interests of the city staff who present to you. More often than not, I think you will come to find, the interests of citizens and the interests of city staff are at odds, the interests of city staff while well-intentioned more often than not inconsistent with the interests of the citizenry, with the city staff in need of a good-natured “nudge” (direction) from our elected officials.
Going forward, it is critical that our Vancouver City Councillors reclaim the City for the citizenry, and put behind us aspects of 10 years of top down decision-making by the previous civic regime, that while serving the interests of developers, too often ill-served the interests of citizens.
You, our most beloved City Councillors, were elected on a wave of change for the better. The work of Vision Vancouver, and the senior city staff who were appointed to carry out the wishes of the previous civic party in power, were soundly rejected at the polls last October.
We, the citizens of Vancouver, want change, change for the better.
For our City Councillors to focus on the #1 priority identified by the electorate, and to which you committed yourselves to addressing: relief from the affordable housing crisis that imperils our city and the lives of too many of our citizens, and the recognition of housing as a human right.
Almost everything else you do, however well-intentioned, is a distraction from the job you are meant to achieve, not years down the road, but now.
Your responsibility as City Councillors is to set the agenda — and have city staff carry out that agenda. There are many in our community who believe you are in sway to our city staff, that you are quiescent in the face of change, that as some have written that you are Vision 2.0, perhaps the worst thing that may be said about you, our new Council, by people who voted for change for the better & called upon you to achieve that change.