Category Archives: VanRamblings

Arts Friday | VIFF’s Magnificent Vancity Theatre

The Vancouver International Film Festival's year-round venue, The Vancity Theatre

Every year in late September thru mid-October, for 36 years now dating back to 1981, for 16 magnificent days the Vancouver International Film Festival brings the best of world cinema to our shores, offering as it has for so very long a humane, engaging window on our often troubled world.
But what of the remainder of the year?
Where will cinéastes find the best in world cinema over the remaining 50 weeks of the year? The answer is simple: the comfy-as-all-get-out 175-seat Vancity Theatre located at 1181 Seymour Street at Davie, designed by Hewitt and Kwasnicky Architects, and opened in September 2005 just in time for that year’s tremendous-as-always annual Vancouver film festival.
Yes, the year-round venue of the Vancouver International Film Festival (VIFF) is a warmly inviting not-for-profit cinema, operated by the film festival society on a site leased to VIFF at a nominal rate by the City of Vancouver, the City extracting from the developer, the Amacon & Onni Group (in exchange for greater height of their two Brava condominiums), a community amenity contribution that led to the construction of one of Vancouver’s most important year-round cultural resources, The Vancity Theatre — for which construction contribution you would have to think the late, celebrated Vancouver City Councillor Jim Green played a pivotal role.

The Vancouver International Film Festival's year-round venue, The Vancity TheatreThe comfy year-round VIFF venue, the 175-seat Vancity Theatre on Seymour, at Davie

Unlike the Toronto equivalent of The Vancity Theatre —&#32The Bell Lightbox Cinema —&#32which is losing money and contributing to the many woes of the Toronto International Film Festival, our Vancity Theatre is doing just fine.
Globe & Mail Arts Editor Barry Hertz and Molly Hayes have reported

Audiences aren’t showing up for screenings at the Lightbox building on King Street West, designed to provide a headquarters for TIFF year-round and serve as a draw for both local film lovers and tourists.

Conversations with more than 40 current and former TIFF employees, and two dozen other individuals close to the organization, present a picture of an institution whose vision is unarticulated and whose current business model appears to diverge with industry and audience trends.

Why is the Vancity Theatre doing so well in the era of streaming sites such as Netflix & Amazon Prime, which has viewers shifting their focus towards Dolby 7.1 surround-sound all-the-bells-&-whistles QLED home theatres?

Vancity Theatre programmer Tom Charity, Italian Cultural Centre Director Giulio ReccchioniVancity Theatre’s Tom Charity, left, with the Italian Cultural Centre’s Giulio Reccchioni

Two words: Tom Charity, who then VIFF Director Alan Franey (currently VIFF’s Director of International Programming) identified as a potential saviour of a Vancity Theatre which had fallen on hard times audience-wise. Since 2012, the utterly calm and phenomenally astute Mr. Charity has tapped into the unconscious consciousness of every demographic of film lover who resides across the Metro Vancouver region, and programmed The Vancity Theatre to a dizzyingly captivating and undreamed of success.

Coming attractions to the Vancity Theatre, in November and December 2017


The new film from acclaimed Australian director Benedict Andrews, Una (just click on the preceding link for dates and times) — which given the current, righteously angry #MeToo furore couldn’t be more timely, given the film’s sexual trangression subject matter, stars Rooney Mara, Ben Mendelsohn and Ruby Stokes in what can only be described as a challenging, transgressive film — opens today at The Vancity Theatre. There are only 7 screenings between this evening & Una’s final screening, Saturday, Nov. 11th, so you’ll want to purchase your tickets soon.


The Divine Order, one of VanRamblings’ 5 favourite films at VIFF 2017, and Switzerland’s Best Foreign Language Film Oscar nominee, opens two weeks from today, on Friday, November 17th. The Divine Order is simply a knockout, providing a gentle, humane, slice-of-real-life insight into the plight of Swiss women prior to 1971, when women were not allowed to vote, and were little more than chattel. The Divine Order, though, is as far as you could get from dour, this suffragette feminist film embracing hope, with a good deal of warmth and humour in the mix. We’ll write more about Petra Volpe’s The Divine Order on its opening day at The Vancity Theatre.

The Vancouver International Film Festival's Vancity Theatre, in the evening

Click on this link for a full listing of all the films Tom has booked into The Vancity Theatre between now and December 3rd. Tom always books a rockin’ holiday season programme (one could almost live at The Vancity Theatre from early December through early in the new year, and be all the better for it). The Vancity Theatre. Make a commitment to yourself: attend VIFF’s year-round venue this month or next. You’ll be mighty glad you did.

Thursday Potpurri: Celebrations of All Kinds and Description

Newly-elected leader of the federal NPD speaks to the party’s enthusiastic Vancouver supporters, in a speech given at The Imperial on Main, Wednesday night, November 1st

Young, energetic, articulate and clearly very bright, self-assured yet humble, charismatic, caring, Canada’s first non-white federal leader, representing generational change, fearless, embraced by NDP party activists across the land, hopeful, thoughtful and decidedly not halting in his speech, necessarily possessed of a clear sense of social-justice goals based on egalitarian principles, a dapper young politician who currently represents an urban, ethnically mixed riding in the Ontario legislature and — maybe, just maybe — Canada’s next Prime Minister, Jagmeet (pronounced Jugmeet) Singh made his way to Vancouver on Wednesday evening, introduced by NDP stalwart Constance Barnes, for a meet-and-greet at The Imperial on Main with a cross-section of party supporters.
Celebration. Good cheer. Singh = much-need change for the better, for all.
More Celebration

My friends, neighbours and NDP compatriots Bill Tieleman and Shirley Ross celebrated their 25th wedding anniversary this week, for which event VanRamblings wishes them a heartfelt congratulations on lives well-lived, and loved, and the respect, admiration and love of your many friends.

Shirley Ross and Bill Tieleman celebrate their 25th wedding anniversary at Bishops RestaurantShirley Ross and Bill Tieleman celebrate their 25th wedding anniversary at Bishops

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More Cause for Celebration (on a somewhat less salutary note)

What did we do before the advent of streaming video on Netflix? Were we actually truly living life without the ready access Netflix affords to 5600 movies of quality and 3500 TV shows, all for as little as $10 a month?

Dee Rees' award-winning Mudbound, starring Carey Mulligan, Jason Mitchel and Garrett HedlundDee Rees’ Sundance winner, starring Garrett Hedlund, Jason Mitchell & Carey Mulligan

One of the best reviewed films of the year, a smash hit at the Sundance Film Festival way back in January, and fortuitous for ye, me and thee, as it is set for a day-and-date release — which is to say, Mudbound will be available both at your local multiplex and on Netflix — on Friday, Nov. 17th.
Otherwise, there’s Godless — a 7-episode oater from Oscar winning director Steven Soderbergh, set in 1880s La Belle, New Mexico, a town mysteriously made up entirely of women. Stars Downton Abbey’s Michelle Dockery, Jeff Daniels, Jack O’Connell, Scott McNairy and a cast of hundreds.
Or, how about the fifth and final season of the peerlessly involving Longmire television series. Or, Birdman or (The Unexpected Virtue of Ignorance), Alejandro Gonzàlez Iñàrritu’s 2015 multiple Oscar winner. Or, Logan — another in the Marvel Wolverine series, which sees Hugh Jackman reprising his signature role. Or Gold, starring a less than hirsute Matthew McConaughey, which proves to be a surprisingly involving watch.
Then there’s the début of Spike Lee’s update of 1986’s She’s Gotta Have It. Should you watch the New to Netflix in November video above, you’ll find much, much more on offer from Netflix in the month of November.


Final tip: if you haven’t watched Kornél Mundruczó’s 2014 Cannes’ Un Certain Regard award-winning masterpiece, White God (VanRamblings’ favourite film this decade), you oughta. The Los Angeles Times says …

This small, touching fable about a girl and her dog becomes an adrenaline-pumping thriller about animals against humans in Hungarian filmmaker Kornél Mundruczó’s exhilarating radicalization allegory White God. By turns Dickensian, Marxist and dystopian, it’s a movie as deliriously unclassifiable as it is expertly focused in its desire to provoke and entertain.

The films opens with beautifully dreamlike shots of 13-year-old Lili bicycling down the empty streets of Budapest until scores of dogs careen around a corner, their bodies in full, magnificent motion. Are they following her? Or chasing her? By the time Mundruczó returns to that scene as something literal, it’s a powerful, pure-cinema reminder that the iconography of freedom and uprising needn’t only belong to humans.

And, yes, White God is on Netflix — you’ll want to add it to your list now.

VanRamblings Returns After a Year Long Absence

VanRamblings Returns After a Year Long Absence

Almost a year to the day since VanRamblings last published a column, this 14½ year-old website returns with daily posts.
Where VanRamblings will go in the times to come only those gifted with divine foresight might reasonably project; as for us, we’re not entirely sure what this restored publishing venture will bring, following a year responding to a diagnosis of terminal cancer — for all intents and purposes, we’re fine now, a miracle having been visited upon us, for reasons still unclear but salutary. Only time and words on a screen will tell the tale to be told.
Chances are that it’ll take some time for VanRamblings to find our voice.
For now, beginning tomorrow - Thursday, September 14th - VanRamblings will set about every second day through until the end of this year’s VIFF on Friday, October 13th to provide our near usual coverage of the upcoming and gloriously humane 36th annual Vancouver International Film Festival.
Every other day through until Saturday, October 14th, VanRamblings will provide our usual (and troubling to many, it seems) idiosyncratic take on the political scene, most specifically the upcoming Vancouver City Council and Vancouver School Board by-elections. Readers can reasonably expect liberal use of hyperbole, for which VanRamblings is justly (in)famous.

Hallelujah: VanRamblings Returns After A Prolonged Absence

Blurring The Lines Between Art and Politics

With a British Columbia provincial election looming fewer than nine months away — on Tuesday, May 9th, 2017 — the time has come for VanRamblings to arise phoenix like from the ashes of the 2016 Canadian federal election.
In the coming months, there will be much that will be written on this blog as to why any thinking, socially aware, informed and compassionate British Columbian must choose to vote for the New Democratic Party of British Columbia over Canada’s most right-wing, least responsive (except in the lead up to an election) Liberal-in-name-only provincial political party. That most important work will begin in November, in the weeks following the …

35th annual Vancouver International Film Festival

35th annual Vancouver International Film Festival, to which VanRamblings will dedicate almost all of its energies over the course of the next month, with the first of 30 VIFF columns to be published Monday, September 19th.
Following the conclusion of Vancouver’s annual film festival by the sea, chances are that VanRamblings will focus, mainly, on the upcoming U.S. election, offering opinion and reflection on what is to be wrought on Tuesday, November 8th south of the border, and the implications of the most important election in the United States in more than 50 years.
Although VanRamblings’ primary focus following the U.S. election will be British Columbia’s perhaps not quite so consequential provincial election, VanRamblings will also turn its attention to Vancouver municipal politics, focusing mainly on Park Board & School Board, as strong opinion abounds.
And, finally, in a departure from past VanRamblings practice, this blog will increasingly turn its attention to a personal journal, mordantly titled fixin’ to die rag, more as a service to VanRamblings’ two lovely children, Jude and Megan, so that they (and you) will come to better understand who it is that has composed posts on VanRamblings dating back to February 2004.
As has long proven to be the case, what you will find published on VanRamblings will please almost no one (opinion, fidelity and truth are hardly in vogue these days), least of all my children (and their mother) in respect of the fixin’ to die rag, most political figures of every stripe (as always, one can expect much consternation from the good-hearted folks involved in COPE), and those who reside on the political spectrum far from the territory where VanRamblings has long found its philosophical home.
Welcome back to VanRamblings — a raucous ride is all but guaranteed!