Category Archives: VanRamblings

#VanPoli | Hope | City Council Finds Collegial Transcendence

November 19, 2018#VanPoli Civic Politics, BC Politics, Politics, Vancouver Votes 2018, VanRamblingsRaymond Tomlin

Newly-elected Vancouver Mayor and City Councillors in chambers, November 2018 Here they are: your new Mayor & City Councillors, in chambers and ready to get to work

Last Tuesday morning, November 13th, the first “business meeting” for Vancouver’s new Mayor and eight recently-elected, and two re-elected City Councillors, VanRamblings was seated in the balcony area above the round that is the seating of council chambers at Vancouver City Hall.
At 9:29am, standing for just a moment, peering over the guard rail down onto the now seated Mayor and Council, we glanced over to our left to see Christine Boyle turning to her seat mate, Rebecca Bligh, seated to her right, when a smile washed over Ms. Boyle’s face that simply lit up the room, the smile wordless, but saying so much: “Well, Rebecca, the next phase of our lives is about to begin. I don’t know what the future holds, but I do know this: we’re in this together, all of us in this room.”
Rebecca Bligh smiled back at Christine Boyle, centred and calming and utterly supportive of her new Council colleague, a zen presence in Council chambers, as serene as we’ve ever seen anyone around the Council “table”, utterly poised and composed, prepared for life to unfold before her.
VanRamblings then looked over at the new Mayor and each of the other Councillors who, although they may not have witnessed Christine Boyle’s beatific and reassuring smile, felt the impact of that smile, Colleen Hardwick also serene, as was the case with Pete Fry sitting next to her, Adriane Carr away for the first part of the meeting, fulfilling her responsibility as a Councillor to be present at the provincial government’s announcement of 4,950 new units of affordable housing across the province, a good number of which will begin construction in neighbourhoods across the City of Vancouver in the months to come.
Looking to our right, Sarah Kirby-Yung could also be seen smiling, utterly at peace around the Council table, as was the case with the seatmates to her right, Lisa Dominato, Michael Wiebe, Jean Swanson and Melissa De Genova.
The Vancouver Courier’s very fine civic affairs reporter, Mike Howell, yesterday published a column titled, Top 20 observations of new Vancouver council. We had already planned to do something similar today — but it would be unfair not to acknowledge that Mike got their first.
Last week, on Twitter, we published the following …

Now, we got heck for posting the above Twitter comment, as if somehow we were being critical of our new, well-intentioned, wholesomely democratic Vancouver City Council — which observations by our critics couldn’t be further from the truth. Rather, our intention was to point out that during the course of a 12+ hour initial Council meeting, not a lot got done, the meeting bogged down (as pointed out by the observant Mr. Howell) in amendments, amendments to amendments, and a well-intentioned procedural hell that was not only frustrating for observers and Councillors, but for those reporters covering that first meeting.
All of us reporting out on, and observing, that first Council meeting realize that these are early days, and given the wit, the intelligence, the heart, the collegiality and the good will clearly evident around the Council table, sooner than later, the new Council will find their feet, accomplish that which needs doing, and build for themselves, and for all of us, a legacy of achievement that will stand in Vancouver civic history as an outstanding contribution to the livability of our city, towards building the city we need.
So, that’s the pre-amble to today’s column …
Random Observations on Vancouver City Council’s first week …

Colleen Hardwick was mute throughout the entirety of the morning of the first Council meeting. In meetings such as this, Councillors most often feel compelled to weigh in on issues that come before Council — but, as we say, Ms. Hardwick remained mute the entire morning;
When Council broke for lunch, just outside of Council chambers, Colleen (we’ve been friends, so we’re going to refer her by her Christian name) greeted us warmly and in a friendly manner, for the first time in months. We were both bowled over, and grateful. Then Councillor Hardwick proceeded to initiate a scrum with reporters in the third floor foyer, where she blasted her Council mates. More on this in a moment;
On the second morning, Christine Boyle moved a motion that would ensure that all of Vancouver’s 23 neighbourhoods would be participant in a “building out” of affordable housing. Pete Fry, in support of Ms. Boyle’s motion, suggested an amendment that would include the words spatial justice, a term with which the distaff Councillor was obviously unfamiliar, as she rejected the suggested amendment by her colleague outright;
Later on that second day, Ms. Boyle suggested a supportive amendment to the wording of a motion placed before Council on 58 West Hastings. Christine Boyle’s suggested amendment was entirely supportive of the intent of Jean Swanson’s motion, but Ms. Swanson swatted away Ms. Boyle’s suggested amendment, as if it was the most irksome thing she’d heard at Council that day, or on any other day of her life;
Sarah Kirby-Yung, as may well be expected, emerged as the most articulate, well-reasoned Councillor, and contrary to her usual habit of speaking just a tad too quickly, around the Council table she spoke more slowly, injecting both a gravitas and authority that was quite something to witness (may we say, “Good on you, Sarah!” — note should be made that Ms. Kirby-Yung is pretty much the only Councillor that can stand to be around us, although the rest of the Councillors make a game effort to be kind to this old, if voluble, gentleman);
In the zen sweepstakes, Mayor Kennedy Stewart — who we have to say just knocked our socks off, friendly, reasonable, articulate, bright, and zen to a degree that is took more than a year for Gregor Robertson to develop (which he did, very much to his credit) in the Chair, and around the Council table the next couple of days — would seem to have competition from Rebecca Bligh. Now, as we’ve written previously, we were admiring of Ms. Bligh the first time we met her, as the most authentic and socially skilled person with whom we’d come into contact in years (there is greatness in this woman).
Now, as anyone who knows us soon realizes, VanRamblings is bereft of even a hint of social skills (alas) — we tend to greatly admire those possessed of skills of which VanRamblings is completely incapable (another example: we will never be as articulate, well-spoken or as superb a writer as Pete Fry — it just is, and we’re grateful that his voice will be heard in Vancouver’s, and British Columbia’s, civic affairs) — the fact that Ms. Bligh also brings a zen approach to matters before Council, as well as a fine intellect, an ability to listen & peer into your soul, and a well-developed social conscience … just colour us mightily impressed!;
Back to Colleen Hardwick for a moment. VanRamblings officially calls for a truce between Ms. Hardwick and VanRamblings. Here’s what we figure about Colleen Hardwick on Council: Ms. Hardwick does not suffer fools gladly (those not agreeing with her fall into the category of ‘fools’). Ms. Hardwick was elected because she is outspoken — we believe that’s what those who supported her and voted for her expect, that she’ll speak her mind, and although she may be viewed as being impolitic from time to time, clearly Colleen believes there’s work to be done, and has every intention of lighting a fire under Council to get moving on her agenda, for which she expects Council’s co-operation. Council’s unanimous support for her call for development of a City Plan must be seen as a win for Councillor Hardwick — even if her motion calling for the revocation of duplexes as a housing type would seem destined for defeat (the motion was referred to staff — a general sign of death for a motion as originally drafted). Colleen Hardwick will be just fine on Council. As we say: truce;
For us, the most heartening development on Council is the well-deserved respect that Lisa Dominato is being afforded by her Council mates, something that we thought was unforgivably missing during her brief tenure on School Board. We continue to believe that Ms. Dominato is, and will be seen to be, a powerhouse on Council. We will live to our dying day regretting not endorsing her candidacy for Council — one cannot ask for forgiveness for the unforgivable, though, so we’ll simply be tremendously supportive of Councillor Dominato going forward, in all she does (reserving the right, of course, to be critical — as would be the case with her fellow Councillors — from time to time — but, respectfully);
We’ve already elucidated how we feel about Councillor Pete Fry — our enthusiasm for the work Pete will take on at Council is boundless, our good will for Councillor Fry unrelenting.
And, oh yes, Councillor Fry missed a portion of the meeting last week: Pete was off doing work with the Union of B.C. Municipalities, to which body he is Council’s delegate. And, oh yes, part deux, Councillor Bligh missed a bit of Thursday’s Council tête-à-tête, as she was back east as Council’s delegate to the Federation of Canadian Municipalities;
We have to say, we feel pretty much the same thing about Councillor Michael Wiebe, who each hour and each day moves from strength to strength to strength. Michael’s potential to do good is … limitless;
Councillor Melissa De Genova — long one of our favourite electeds, for the record — moved the motion to refer Jean Swanson’s 58 West Hastings motion to staff, but while doing so and in her capacity as City Hall Budget Director stated her full and unwavering support for Councillor Swanson’s motion — although Ms. Swanson may not get the 130 units of income assistance level supportive housing she and others have so long fought for, we’re willing to bet that Council will achieve something pretty darn close to that, finally moving on a project that Vision Vancouver had kept in abeyance for seven years;
Adriane Carr: democrat.
The voice of the people. Honestly, does anything more have to be said about Vancouver’s favourite City Councillor? Nope. Continue your good work, Councillor Carr.

And, finally, on the other good news front: Councillors Pete Fry and Christine Boyle’s motion to establish a Renter’s Office at City Hall (more on this another time) passed with flying colours, which is to say, unanimously — which is good for all of us, and most particularly, renters.
When most of the rest of the world seems to be falling apart, we here in Vancouver and in British Columbia, seem to be doing just fine — for which the voters and the citizens of our city and of our province, and the members of our new City Council and our new and glorious and humane NDP government, deserve our undying gratitude.
As Mike Howell writes … the next Council meeting, December 4th.

The Music of One’s Life | Kasey Chambers | The Captain

November 18, 2018A & E, Jude and Megan, Music, Pop Culture, VanRamblingsRaymond Tomlin

As the year draws to a close, the thoughts of music lovers everywhere is the anticipation of the discovery of new music made extant through the publication of the various year-end lists by respected music critics of the best new, under-the-radar music releases of the previous 11 months.
Such was the case during the holiday season in 2000, when the then not-discredited Charlie Rose had on the then not-discredited longtime New Yorker music critic Sasha Frere-Jones on his show to discuss the best albums of 2000. Mr. Frere-Jones found himself able to talk about one artist and one artist alone: Kasey Chambers, a then 23-year-old woman raised in the southern Australian outback who, he insisted, had released the best album of the year, the best country album he’d heard in years. Mr. Frere-Jones could not help himself from extolling Ms. Chambers’ many virtues as a singer-songwriter, going on to insist that Mr. Rose, and his other guests around the table that evening — and everyone tuned into PBS’ The Charlie Rose Show first thing the next morning repair to their local record store to secure, or order, Kasey Chambers’ début album release, The Captain.
Enthusiasm exhibited by a usually taciturn critic is a rare commodity at the best of times — critics being a cynical lot, by nature — leaving the viewer of that evening’s episode of The Charlie Rose Show no option other than to purchase The Captain first thing the next day — which, of course, I did.
Kasey Chambers’ music is timeless, as is the case with every song on The Captain. If you’ve not heard The Captain prior to this, you can listen to each of the songs on the album through YouTube, after which I assure you, you’ll want to download the entire album, and make it a part of your music library, and the soundtrack of your life, going forward. Important, really.

Click or tap on this link to listen to & savour Kasey Chambers’ The Captain in its entirety

Kasey Chambers was born in Mount Gambier, the second most populated city in South Australia (urban population: 28,684) early on the Friday afternoon of June 4th, 1976, the younger sister of brother Nash, who was born in 1974. Kasey’s parents, Diane and Bill, were musicians, itinerant farmers and hunters, who wanted nothing to do with big city life.

Mount Gambier’s crystalline Blue Lake

As money was often tight, on the few occasions when the family came to town, given that all members of the family were fine, well-respected musicians, arrangements were made for the family to play a series of concerts, the monies earned enough to pay for supplies until the next time the Chambers family came to town. By 1986, when Kasey was only 10, the family had formed a band called the Dead Ringer Band, so-named because Nash and Kasey looked like younger versions of their parents.
From the outset, it was clear to anyone that heard Kasey Chambers that she was a preternatural talent, Kasey Jo Chambers providing vocals and writing songs for a series of albums released by her parents between 1987 and 1993. When interviewed by the press — word of Kasey’s talent spread quickly across Australia, almost from the outset — she often cited Emmylou Harris as one of her primary influences, recalling that Harris’ music was frequently played by her parents, ever since she was a child.
Kasey Chambers recorded her début solo album, The Captain in July and August of 1998, with her brother Nash producing, and her father Bill on guitar (her parents were in the throes of divorce, so mother Diane played no role in the recording of the album). Joining the family on the recording were American country musicians, Buddy Miller and Julie Miller, who added guitars and vocals to four tracks. The Captain was released in Australia in May 1999, and worldwide, in June 2000 by Asylum Records.
And, as is often said, the rest is transcendent & salutary musical history.
Cry Like a Baby went on to win the country music Song of the Year award in 2000, The Captain winning the same award the following year. The next year, Kasey Chambers toured across the globe as the supporting and opening act for Lucinda Williams, who was touring to support her breakthrough, multi-award winning album, Car Wheels on a Gravel Road.
At my insistence, my friend J.B. Shayne (not a fan of country music) and I attended the Lucinda Williams concert at The Vogue in late 2001 — a three-hour concert that blew the roof of the venue — J.B. commenting to me afterwards, “That was like attending a Doors concert. I don’t think I’ve ever heard better musicianship. Lucinda Williams and her band (two drummers / percussionists, two lead guitarists, a rhythm guitarist, a slide guitarist, an organist, and a pianist) are probably the finest band I’ve heard in years. It’s maybe the most stoned concert I’ve ever attended.” And so it was.
Kasey Chambers, of course, was the opening act — and proved to be everything and more that I’d promised J.B. Within minutes, she had the audience in the palm of her hand, clapping, cheering, shouting, and head over heels in love with this Aussie girl who just knocked their socks off, not only performing most of the songs off The Captain, but previewing songs from her new album, Barricades & Brickwalls, produced by her brother Nash, the song Not Pretty Enough going on to win CMA Song of the Year.

Stories of a Life | CFUN & CKLG | The Hits Just Keep on Comin’

November 17, 2018A & E, Radio, Stories of a Life, Vancouver, VanRamblingsRaymond Tomlin

In the autumn of 1966, C-FUN — long the A.M. rock’n roll radio giant of Vancouver — put out a call to listeners requesting applications to take on the task of organizing fan clubs for rock groups getting airplay on the radio. All you had to do was turn up one Saturday morning at 10am, meet with C-FUN’s Program Director Red Robinson — who would assign you a group to organize a fan club for, and once the fan club had been established, you’d turn up on subsequent Saturdays for an hour to secure memberships.

With Douglas Miller, recently arrived from Kelowna, working the 10 a.m. to 2 p.m. shift, I arrived each Saturday morning just before 11 a.m. to take phone calls in the studio next to the main control room. Doug Miller would give out the phone number, Doug Pearson — a friend of mine — and I would take calls for an hour, and after each call-in session, we’d take a break for an hour, before heading out to a local venue — more often than not a local department store — to listen to the group play a few songs, and sign up new fan club members. The group I was assigned to: The Chessmen, consisting of Terry Jacks, Susan Pesklevits, and Craig McCaw.

I know, and am friends with, Craig McCaw, to this very day.

A couple of weeks into this volunteer gig, after the call-in session, Red Robinson called me into his office and said, “You’re a good lookin’ kid. I bet you’d do well in radio.” I remember thinking to myself, “But this is radio — listeners can’t see you.” Nonetheless, each Saturday from noon til 12:30pm, Red Robinson proceeded to teach me everything he knew about radio, most particularly how to read copy for a commercial.

In addition, he signed me up for voice lessons with a woman voice coach who lived in the West End, who had trained every voice on radio in Vancouver. Within a year, I sounded like a radio announcer. I had also, much to my surprise, developed a deep bass, mellifluous voice. I’d play back tapes of me on the radio, and say to myself, “Who is that guy?”

Weekend, midday, radio aircheck of Daryl B. (Burlingham) on 14 C-FUN

During that period I became friends with John Tanner, Fred Latremouille, Al Jordan, Tom Peacock, Neil Soper, Daryl B., and Roff Johannsen, among other radio luminaries. Although I worked the occasional relief overnight weekend shift, my main job was to produce the six hours of foreground programming each Sunday evening, that was required by the CRTC. All of this work was done for free — but I was given ready access to the radio station, could “practice” being a radio announcer in the production studio, attend concerts at no charge, meet all of the traveling rock ‘n roll groups that stopped off in Vancouver as part of a North American tour of gigs to support the group’s latest hit release. All and all, I had a blast.

The Boss Radio, ‘Drake format’, upbeat radio package exported out of Los Angeles

But radio was changing in 1966, particularly when classical music Lion’s Gate radio, CKLG Vancouver, adopted the hit Drake format that had catapulted KHJ Los Angeles from a last place radio station in the market to #1 in a matter of months: CKLG adopted the Drake format, the jingles, the 17-song-an-hour ‘hot clock’, talking over the intro, upbeat radio format, by early 1967 stealing away C-FUN’s listenership, and catapulting CKLG to #2 in the Vancouver radio market, just behind powerhouse Top Dog radio, CKNW 98. One announcer after another left C-FUN for CKLG.

In early 1967, in a last ditch effort to save C-FUN (which to that point had refused to play The Rolling Stones, and any Motown music — which CKLG just thrived on) — Red Robinson hired a deejay out of Regina by the name of Terry David Mulligan, giving him the 7pm to midnight show. I sat with Terry, and his wife, CarolAnn (who everyone called Angel, and with whom I fell head over heels in love) in the studio on his first night on 1410 C-FUN. But it was too late. Within three months, Terry moved over to do noon to three on CKLG, CFUN folding to become CKVN, The Voice of News.

Soon enough, I was over at CKLG, as well — working on the FM side (CKLG-FM), six to noon Sundays on both CKLG-FM & A.M., as well as operating throughout the week in the evenings, for Bill Reiter and his Groovin’ Blue program 6pm to 8pm, as well as operating for Tim Burge. Occasionally — because absolutely no one listened to FM in those days, CKLG-FM Program Director John Runge would give me a midday shift, requiring me to skip school — my voice all hushed baritone, playing whole album sides during any given shift. I was in radio heaven — working daily with radio legends Roy Hennessey, Daryl B., J.B. Shayne, Stevie Wonder, Michael Morgan, Don Richards, John Tanner, Bob Ness, Rick Honey, Stirling Faux, Terry David Mulligan, and a raft of others. I had found my family.

Aircheck, J.B. Shayne, overnight, 1am til 2am on 73 CKLG Vancouver, April 11, 1968

Working in radio, going to concerts, being on air, hosting various public events for CKLG, hanging out with J.B., Fred, John, Terry, Rick, Stirling, Jim Hault, Daryl B., John Runge, Bill Reiter and more was the gift of a lifetime, a gift I will cherish forever, a gift which keeps me young to this day.

There are a great many stories to tell, all of which I’ll leave for another day.

Arts Friday | Oscar Contenders Already Playing in Theatres

November 16, 2018A & E, Cinema, Vancouver, VanRamblingsRaymond Tomlin

It’s that most wonderful time of the year: the season when blockbuster holiday movies and Oscar contenders collide.
Do you like to take yourself too seriously and lecture people on the pitfalls of British period pieces? No worries: VanRamblings has your back.
No matter what you’re looking for, November probably has it in store for you. Today on VanRamblings, the best movies — Oscar contenders, and just plain, flat out good fun inside a darkened movie theatre, plus a probable Best Picture Oscar winner opening next month that is a must-see — but mostly, films currently playing at your local multiplex (and at the Vancouver International Film Festival’s Vancity Theatre) that you should keep an eye out for during the early part of the 2018 holiday season.
Holiday Movies & Oscar Contenders Currently Playing in Vancouver

A Star is Born
Whaddya mean you haven’t seen Bradley Cooper’s smashing directorial début? This multiple Oscar contender, since it’s October 5th opening weekend, has (as of Wednesday) already grossed a record $330,259,035 on a puny $36 million production budget. You don’t care about that stuff? Fine. Doesn’t mean you shouldn’t see the single most entertaining film on offer this holiday season, worth every penny you’ll pay at the box office.

Transit. Opens today. Vancity Theatre.
Christian Petzold’s masterful new film, Transit, opens today at the Vancity Theatre for a limited, seven screening run. A refugee portrait that lands at a place of piercing emotional acuity, Petzold’s adaptation of Anna Seghers’ 1942 novel takes a brazen, bounding risk right off the bat by stripping its story — about a German concentration camp survivor seeking passage to North America in Nazi-occupied France — of any external period trappings, relocating it to a kind of liminal, sunburned present day. As Variety critic Guy Lodge writes, “there’s a method to the madness of Petzold’s modern-dress Holocaust drama: Transit invites viewers to trace their own speculative connections between Seghers’ narrative and the contemporary rise in neo-Nazism and anti-refugee sentiment, all while its principal story remains achingly moving.” Startling and gut-wrenching. Recommended.

Say it with me, “Melissa McCarthy. Best Actress Oscar winner.” I knew you could. Currently screening exclusively at Vancouver’s Fifth Avenue Cinema.

77,000 women and men are currently being held in conversion therapy across North America. Arising from a motion moved by retired Vancouver City Councillor Tim Stevenson, gay conversion therapy is now banned in the city of Vancouver. Boy Erased oughta provide some insight into why that is.

The most compelling reason to see A Private War is Rosamund Pike’s stunning, sure-to-be Oscar nominated performance as Marie Colvin, the American war correspondent who died in a bombardment while covering the Syrian government’s 2012 siege of Homs. Absorbing & transformative.

Academy Award winner Damien Chazelle’s First Man has emerged as the most compelling, Oscar contending movie of the holiday season, a film that demands to be seen, a lock Best Supporting Actress contender in Claire Foy, with a raft of other Oscar nominations sure to follow. A must-see film.

Widows. Opens today. Cineplex International Village + more.
Tour-de-force filmmaking from Academy Award-winning director Steve McQueen & the breakout surprise of the holiday season that has catapulted Viola Davis into the Best Actress Oscar race, Widows is gracefully written, soulful, smart and darkly exhilarating, weaving statements on race, gender, crime and grief into a tick-tock heist plot, a sinewy treat of a film that seamlessly intertwines close-up character studies & big picture politics into a mournful, brilliantly tense and strikingly relevant entertainment that will have you gripping your seat throughout its taut 140-minute running time.

Alfonso Cuarón’s Golden Lion winner (that’s Best Film to the uninitiated) at this year’s Venice Film Festival will win the Best Picture Oscar at the 91st Academy Awards on Sunday, February 24th, 2019. You read it here first.
And we don’t mean Best Foreign Language Film — we mean, the Academy Award for Best Picture. Period. Funded by Netflix, and due to début on the streaming service in mid-December, Roma demands to be seen on the big screen. But where? Yep, Vancity Theatre programmer Tom Charity has managed to secure the exclusive rights to screen Alfonso Cuarón’s new film next month, as the film is meant to be seen: in a darkened theatre, in comfy seats, in the respectful, hushed confines of the Vancity Theatre.
From Friday, December 14th at 3pm (when I’ll see the film), through Thursday, December 20th at 8:20pm, this year’s certain Best Picture Academy Award winner will screen an unprecedented three times a day (except for Sunday, December 16th, when Roma will screen only twice).
Update: Due to demand, more screenings of Roma have been added, daily through December 31st (not Christmas Day). See Roma as you are able.
Think of it as a very special post-Chanukah / early Christmas present from the good and fine and tremendous folks at the Vancouver International Film Festival, and the esteemed and erudite (and cinema-loving) Tom Charity — the best darned gift any cinema lover could wish for this holiday season.
Click here to book your screening of Cuarón’s Golden Lion winner, and treat yourself to great cinema. You’ll be mighty glad you did — we promise.