Category Archives: Pop Culture

VIFF 44’s Galas & Special Presentations Programme, Pt. 4

VanRamblings returns today with a continuing look at the Galas & Special Presentations programme at this year’s 44th annual Vancouver International Film Festival. Click on the underlined link for each film title below to be taken to the VIFF web page for the film, which will both provide you with more information on the film, and allow you the opportunity to purchase a ticket for each award winning film (pleasing the VIFF folks no end), if you are of a mind to do so.

Father Mother Sister Brother. Winner of the Golden Lion, the top prize, at the Venice Film Festival this past weekend. Hollywood Elsewhere’s Jeffrey Wells in his review called the film inert and threadbare, also writing, “Jim Jarmusch’s new film is easily his weakest, least nourishing film ever, which is why Cannes Film Festival artistic director Thierry Fremaux declined to début the film four months ago.”

Clearly, American director Alexander Payne (Nebraska, The Descendants, Election, Sideways) who headed up the jury in Venice that chose Jarmusch’s film for the award had an entirely different take from Wells on the worthiness of the film.

The Hollywood Reporter’s David Rooney writes of the film, “For a three-part piece, it gains a gorgeous fluidity from the gossamer ribbon of melancholy threaded through it. Like Paterson, it’s a film whose simplicity, sweetness and unvarnished ordinariness make it seem almost a miracle,” while Variety’s Jessica Kiang calls the film “consistently beautiful.’ The Guardian’s Peter Bradshaw: “it is a film to savour.”

Are you are Jarmusch fan? Then Father, Mother, Sister Brother is a must-see.

Friday, October 3rd
5:45 pm
The Rio
Sunday, October 12th
6:30 pm
Vancouver Playhouse

Rental Family. A smash hit at the Toronto International Film Festival, with critics suggesting that Rental Family is a lock for a Best Picture Oscar nomination, and Brendan Fraser a Best Actor Oscar nomination, and maybe even another win.

Writes The Hollywood Reporter’s Frank Scheck …

“Oscar winners, especially those coming from left field, don’t always find worthy successors to their award-winning roles. But Brendan Fraser has come up with a beaut in his first starring part since The Whale. Playing an American actor living in Tokyo who finds a unique way to practice his craft, the actor delivers a superlative performance in Rental Family, a dramedy that proves a charming surprise balancing poignancy and humour with rare delicacy.”

Want a good cry in a darkened movie theatre? Then Rental Family is for you.

Saturday, October 4th
6:00 pm
The Rio Theatre

The Secret Agent. When far right conspiracy theorist, Trump acolyte and danger to humanity Jair Bolsonaro was President of Brazil (more’s the pity), Kleber Mendonça Filho — Brazil’s most acclaimed film director ever, and one of VanRamblings’ favourite directors dating back to 2012’s Neighbouring Sounds (a film we absolutely loved), Kleber Mendonça Filho was persona non grata, having to leave the country for fear of arrest (that’s what fascists do to prominent members of the arts community), but now that Lula is President (again) Kleber Mendonça Filho is back in the good graces of Brazil’s federal government. Thank goodness.

Allow a few prestigious film critics to weigh in on The Secret Agent

“Visually and dramatically superb in every way, moving with unhurried confidence across the screen, pausing to savour every bit of bizarre comedy or erotic byway, or note of pathos, on its circuitous path to the violent finale,” says The Guardian’s Peter Bradshaw.

Says The Film Stages’ Leonardo Goi, “The Secret Agent doesn’t just exist in conversation with the genre films from the decade in which most of it unfurls; it also testifies, time and again, to the director’s unwavering belief in cinema’s capacity to disquiet and mesmerize.”

Time Out’s Dave Calhoun, “The Secret Agent is vicious and vivid in its sense of place and danger, but also has a streak of weirdness, as it offers a very human take on the political-crime thriller genre.”

Slant Magazine’s Mark Hanson writes: “More broadly appealing than Kleber Mendonça Filho’s past films, The Secret Agent is still unmistakably the work of an artist who’s deeply fascinated with the ways in which cinema, politics, and personal history co-mingle.”

Destined for a Best International Feature Film Oscar nomination. See it now.

Monday, October 6th
9:00 pm
Vancouver Playhouse
Saturday, October 11th
2:00 pm
Vancouver Playhouse

For Part One of our VIFF Galas & Special Presentations columns click here.

For Part Two of our VIFF Galas & Special Presentations columns click here.

For Part Three of our VIFF Galas & Special Presentations columns click here.

VIFF 44’s Galas & Special Presentations Programme, Pt. 3

Today on VanRamblings we wrap up our look for the week at the Galas and Special Presentations programme set to screen between Thursday, October 2nd and 12th, as part of the Vancouver International Film Festival’s 44th annual edition.

By clicking on the underlined titles below, you will be taken to the VIFF web page for the film, providing you with the opportunity to purchase tickets, if you wish.

Orphan. Set in the aftermath of the 1956 Hungarian Uprising, Orphan is the heart-wrenching and ultra-realist latest from Oscar-winning filmmaker László Nemes (Son of Saul, VIFF#34, 2016 Oscar for Best International Feature Film). Set amongst the ruins of the violently suppressed Hungarian Revolution of 1956, in which thousands of anguished citizens challenged the USSR-backed dictatorship and were met with Soviet tanks and troops, the resultant violence and high death tolls led to nearly a quarter of a million Hungarians fleeing the country.

Living with his stoic and forbearing mother, Klára (Andrea Waskovics), in Budapest, Andor (12-year-old newcomer Bojtorján Barabas) is desperately searching for his identity. Although 11 years have passed since the liberation of the camps, his father has not returned. The family of two are members of the close-knit Jewish community, which — under the thumb of the Axis-aligned regime that preceded Soviet occupation — languished at the best of times and at the worst times disappeared. Although settled in their historic family home, they are under close observation by the current regime, which suspects their connection to at-large members of what remains of the underground resistance. Meanwhile, the family receives visits from Berend Mihály (Grégory Gadebois), a pompous and brutish man from the nearby countryside, linked to Klára’s mysterious past, who Andor begins to suspect holds the key to the true story of his mother’s survival during World War II.

Not to be missed.

Thursday, October 2nd
8:45 pm
Fifth Avenue Cinemas
Saturday, October 4th
6:30 pm
Cineplex International Village 9

Jay Kelly. Noam Baumbach’s latest is about a man (George Clooney) looking back at his life and reflecting on the choices, the sacrifices, the successes, the mistakes he’s made. When is it too late to change the course of our lives? Jay Kelly is an actor and as such the movie is about identity. How we perform ourselves. Who are we as parents, children, friends, professionals? Are we good? Are we bad? What is the gap between who we’ve decided we are and who we might actually be? What makes a life? Jay Kelly is about what it means to be yourself.

Jay Kelly follows famous movie actor Jay Kelly and his devoted manager Ron (Adam Sandler) as they embark on a whirlwind and unexpectedly profound journey through Europe. Along the way, both men are forced to confront the choices they’ve made, the relationships with their loved ones, and the legacies they’ll leave behind. A lock for multiple Oscar nominations. Another VIFF must-see.

Friday, October 10th
5:30 pm
Vancouver Playhouse

Sirât. Sergi López plays Luis, a man desperately searching for his missing daughter Marina throughout the harsh southern deserts of Morocco, along with his young son Esteban (Bruno Núñez Arjona) and their dog Pipa. At the film’s beginning — a pulsating open-air rave — the trio drifts through throngs of entranced and sweaty partygoers, handing out flyers with photos. As soldiers move in to shut down the festivities, father and son follow and ultimately join a motley bunch of roving ravers (memorably played by non-professionals) who set out in their van in search of the next party — and hopefully Marina — as hints of impending war multiply.

With swirling dust storms and solar flashes alighting the cinematic landscapes — all stunningly enhanced by director of photography Mauro Herce’s exquisite Super 16mm — and an award-winning, low end–heavy score by techno stalwart Kangding Ray, the gruelling expedition increasingly transforms into a sensorial and hypnotic experience that tests physical and psychological limits.

Simultaneously explosive and introspective — a film in which spirituality and altered states of consciousness exist alongside raw, sober humanity — Sirât, which means “path” in Arabic, explores the ways loss, grief, and violence can imbue life with both intensity and clarity. While many have evoked Mad Max, Zabriskie Point, and The Wages of Fear as cinematic touchstones, the film emerges cult-ready from the singular vision of Laxe, known for his mystical sensibility in probing truths.

The above capsule written by Andrea Picard for TIFF 50, which begins next week.

Friday, October 3rd
9:15 pm
Vancouver Playhouse
Sunday, October 12th
6:45 pm
The Rio Theatre

VanRamblings will be back next week to provide further insight into the breadth and depth of this year’s 44th annual Vancouver International Film Festival.

Vancouver International Film Festival Returns, Set to Run from Oct. 2 thru 12

At this year’s Opening Press Conference for the annual Vancouver International Film Festival (VIFF), which was held this past Wednesday, August 27th, Vancouver CityNews Reporter Angelina Revelli interviewed Kyle Fostner, VIFF’s Executive Director, and Curtis Woloschuk, VIFF’s Director of Programming, about this year’s 44th edition of the première arts event of the autumn season.

As Kyle Fostner stated at last week’s VIFF Opening Press conference, this year VIFF will bring 170 feature movies and 100 short films from around the world to this year’s 44th annual edition of VIFF, to screen at 10 Vancouver venues — including two new cultural partnership locations at the Granville Island Stage (Arts Club Theatre Company) and the Alliance Française — from October 2 thru 12.

From a press release from the Media Office of VIFF …

“In a world grappling with tension and austerity, it’s a privilege to be at VIFF during a period of optimism and ascendence,” said Kyle Fostner, Executive Director. “The growth we’ve seen over recent years is remarkable. We’re preparing to host more than 110,000 patrons over 11 packed days. We have 20 per cent more screenings in new theatres and new neighbourhoods. Our programming team continues to expand, with top-tier curators from around the world bringing fresh perspectives.”

Tickets to this year’s Festival start at $21, less expensive for students and seniors. For more information on tickets, ticket packs and passes, click here.

For information on the 10 venues where films will screen at VIFF, click here.

For information on the films that will screen at VIFF 2025, when and where — most of the films on offer this year at VIFF are set to screen twice, with 80% of the films on offer, sadly never to screen again on our shores — click here.


Renate Reinsve (left) and Inga Ibsdotter Lilleaas in Sentimental Value, director Joachim Trier’s Cannes’ Grand Prix winner — which will feature in the Oscar race — to screen on October 3rd and 8th.

C’mon back tomorrow, Wednesday and Thursday for more VIFF 2025 coverage.

#BCPoli | B.C. NDP Advertising Fails, and Necessary Remedies


B.C. NDP ads that have not resonated with a public anxious for change — whatever change might mean.

The 2024 provincial election in British Columbia is proving to be a pivotal moment for the British Columbia New Democratic Party (B.C. NDP), as they seek to retain power under the goal-directed, activist leadership of Premier David Eby.

However, their campaign ads have faced criticism for failing to connect with the electorate, especially at a time when voters are deeply concerned about housing, inflation, and health care. As British Columbians head to the polls, with advance voting already underway, the B.C. NDP needs to urgently revamp their messaging to effectively counter the rising threat posed by the possible, and increasingly likely, election of a  B.C. Conservative Party majority government on October 19.


To access the “John Rustad is a career politician” British Columbia New Democratic Party ad click here.

One of the B.C. NDP ads that has been running almost continually since long before the actual campaign got underway on September 21st, is the “John Rustad is a career politician, with a history of costing you more,” an ad that has driven CHEK-TV / Business in Vancouver Legislative reporter Rob Shaw around the bend.

Rob Shaw is anxious to point out that Mike Farnworth, B.C.’s Minister of Public Safety and Solicitor General before dissolution of the Legislature, has served in the Legislature dating back to 1997, when then B.C. NDP Premier Glen Clark appointed Mr. Farnworth Minister of Municipal Affairs and Housing — a full eight years before Mr. Rustad entered the Legislature, as the MLA for Prince George–Omineca.

Where does the B.C. NDP get off, then, calling John Rustad a “career politician”?

One of the main critiques of the B.C. NDP’s 2024 campaign ads is that they have failed to boldly and effectively address the key concerns of voters across British Columbia, particularly around housing affordability and rent control.

Let’s take a look at the “rent cap” legislation brought in by populist, working class B.C. NDP Premier John Horgan in 2019, in response to a B.C. Rental Housing Task Force report, written by and presented to the Premier by B.C. NDP Member of the Legislature representing Vancouver-West End, Spencer Chandra Herbert.

Prior to January 2019, the rent increase formula was inflation plus two per cent.

Premier John Horgan told a full session of the Legislature in the spring of 2019 that rent increases of inflation plus two per cent was “simply not sustainable for renters, many of whom are on fixed incomes, to see their rent increase by more than inflation each and every year.” Premier Horgan then brought in legislation that capped rents at the rate of inflation that was passed by the House.

By far the number one concern that has been expressed to VanRamblings, in the lines we’ve waited in at this year’s 43rd edition of the Vancouver International Film Festival, on the street when we’ve run into friends, or in coffee shops around town is the proposal of B.C. Conservative Party leader John Rustad to remove rent caps that he considers to be a burden to landlords.

One longtime friend and professional associate told VanRamblings the following:

“For the past 25 years, I have lived in an apartment in Burnaby, where the rent has gone up most years. Even so, thanks to the NDP’s rent cap legislation — given how out of control the rental market has become in recent years — my rent is still an affordable $850 per month, given my long tenure. The resident who recently moved into the apartment next door to me pays the market rent for his apartment of $1575 a month. Should John Rustad revoke the NDP’s rent cap legislation, I expect that my rent will go up 10% a year until I am paying more than double what I’m paying now, as the landlord increases my rent to the market rate. I don’t know what I’d do in such a circumstance. I’d be in dire, unconscionable straits, and would have to consider moving out of town.”

The story above is writ large across the entire province of British Columbia, as 600,000 renters would find themselves in the same dire circumstance as my friend.

The response of the B.C. NDP “not on your side government” to the egregious circumstance that will befall renters should a John Rustad-led Conservative Party be elected to government:  a namby-pamby ad that glosses over the rent cap removal topic, underplaying its impact — if it addresses the consequences of the rent cap removal (which it utterly fails to do) at all — should John Rustad’s commitment to the landlord class — over renters — come to pass post the October 19th election.

That’s our David Eby for ya.

Playing it right down the middle, doesn’t want to appear too radical, doesn’t want to upset landlords — heaven forbid! — while he leaves hundreds of thousands of renters to hang out to dry. Mr. Eby: you are going to have to decide whose side you’re on: the landlord class, or all those British Columbians who pay rent.

What’s it gonna be, sir?

The B.C. New Democrats, with a little more than two weeks to go before Election Day, are going to have to decide whose side they’re on, in a way their lacklustre campaign has utterly failed to do as the 2024 provincial election has unfolded.

Enough with those ineffectual ads the B.C. NDP have run the first two weeks of the campaign, ads that woefully ill serve the interests of potential B.C. NDP voters.

What the B.C. NDP must do: run saturation ads featuring British Columbians from across the province, addressing in stark terms the impact that removal of the rent cap will have on their family: British Columbians in every region of the province, British Columbians in every age and cultural demographic, real “live” human beings — you know, the British Columbians the B.C. NDP campaign has steadfastly ignored to date. Stop with this arrogant, condescending top-down nonsense.

Does the B.C. NDP brain trust not see how wildly effective the ads are that are being run by the Democratic Party in Washington state, just below our border, ads that really resonate, ads that always, always, always feature Washingtonians warning their fellow citizens about the perils that would occur should Republicans be elected to lead state government? Why are we not seeing those kinds of ads here?

Let’s hear from real British Columbians — not an anonymous voice over in an ad.

All ads to be run by the B.C. New Democrats in the final two weeks of the campaign must feature British Columbians warning their fellow citizens on what a John Rustad government would mean to the quality of their lives, and their children’s lives, covering a range of topics: climate change — which Mr. Rustad effectively denies, John Rustad’s plans to ban books in public schools to stop what he considers to be “indoctrination” by teachers, the revocation of the SOGI 123 legislation that protects vulnerable tweens and teens enrolled in our public education system, a John Rustad-led government that would not build affordable housing co-ops on Crown land as proposed by David Eby’s NDP government, and so very much more.

Make no mistake: vulnerable British Columbians are going to die, who otherwise might live, should John Rustad be elected to government come October 19th.

That is a message that will resonate with voters, if told properly and bluntly.