Four more films to see on Wednesday, the second-to-last full day of the 28th annual Vancouver International Film Festival.
Arrived early for the passholder’s line-up, just before 9:30 a.m., and stood in line to make sure that VanRamblings secured a pass to …
An Education (Grade: A-): Quite as heartbreakingly lovely, and transporting, as it’s been reported to be, with an even lovelier ingenue performance from ‘find of the year’ actress, standout performer and certain Oscar nominee Carey Mulligan, in addition to Ms. Mulligan’s breakout performance, the whole cast acquit themselves well, particularly Alfred Molina, Rosamund Pike, Cara Seymour and Olivia Williams, although Dominic Cooper, Peter Sargaard, Sally Hawkins and Emma Thompson are hardly pikers. Really, first-rate Oscar bait entertainment, and a VIFF must-see.
Next, we trucked on up to Pacific Cinémathèque, on Howe Street, to see …
Empire State Building Murders (Grade:C+): French director William Karel and co-writer Jerome Charyn have crafted a film in which they’ve remixed classic noir genre footage from the ’30s, ’40s and ’50s and edited them to tell an ‘original story’. Essentially, in the viewing, a piffle and much too clever for it’s own good, the movie’s central conceit revolves around the ‘real life’ retelling of a series of murders that occurred within the Empire State Building. James Cagney is the central star of yesteryear, but given that he’s been dead for a few years, actors Ben Gazarra and Anne Jeffries carry the storytelling weight. Clever, yes. Entertaining? Not so much.
Back to the Granville 7, on a rain-drenched Wednesday, Day 14, to see …

A rain-drenched Day 14 of the 28th annual Vancouver International Film Festival

The next film, introduced by writer-director, Alix de Maistre, herself …
For a Son (Grade: B+): Sort of a Gallic take on Clint Eastwood’s The Changeling, Alix de Maistre’s For a Son is teeming with atmosphere and dark, brooding tension, as the psychodrama ratches up the stakes: is ‘Tony’ (Kevin Lelannier), the young man who presents himself as Catherine’s (Miou-Miou) long lost son, in fact her long missing son, or will the detective who originally conducted the missing child investigation, Omer (a very effective Olivier Gourmet) find that ‘Tony’ is a fraud? Abounding with outstanding, natural performances, and first-rate camera work, the audience in attendance at Granville 7 was pleased they caught this VIFF film.
After a fine, natural organic dinner at Nuba, Mr. Know-It-All and ‘Showbiz’ Shayne took the bus (it was pouring outside) five blocks back to the Empire Granville 7 cinema for our final VIFF 2009 screening of the day …
John Rabe (Grade: A): A challenging, but rewarding, way to end an inclement Day 14 of the Festival occurred with the screening of writer-director Florian Gallenberger’s much acclaimed, award-winning epic drama, a moving, historically accurate and effective re-telling of the 1937 Rape of Nanking, when an invading Japanese army massacred more than 300,000 residents of Nanking, China over a six-week period. With a narrative rooted in the real John Rabe’s personal journal, and with breakthrough performances from the whole cast — including Bavarian Best Actor winner Ulrich Tukur, Daniel Brühl (recently seen in Quentin Tarantino’s Inglourious Basterds), Zhang Jingchu (recently seen, and impressive, in the lead role in Night and Fog, which screened early at VIFF 2009), among others — given that John Rabe is Germany’s Best Foreign Film Oscar nominee this year, you’re likely to see Gallenberger’s very fine film on an art screen near you soon, when you’ll want to ensure you take in a screening. A VIFF must-see.

With just three days to the end of the 28th annual Vancouver International Film Festival, Mr. Know-It-All and ‘Showbiz’ Shayne are hard at it, catching as many of the remaining VIFF films as is humanly possible. Your dynamic duo managed to screen five great VIFF documentaries over the course of a very long Tuesday, and have plans to see many, many more of the well-received VIFF fiction films before the Festival wraps late Friday evening.
The first non-fiction film on tap on a chilly, overcast Tuesday morning …

Vancouver International Film Centre, Seymour north of Davie Street

The Inheritors (Grade: A-): The ‘story’ of child labour — focusing on the child labourers themselves — situated in every region of Mexico, and the particularly hardscrabble life these very young children lead, Eugenio Polgovsky’s The Inheritors explores young lives defined by hard work and integrity of purpose. The film’s almost wordless narrative focuses on the three-to-seven year old children as they harvest beans, cucumbers, tomatoes, and any number of other vegetable and fruit crops, as they carry a third of their weight in overladen 6 – 8 kilogram pails to the produce transport truck. In addition, we see the children producing and laying earthen bricks, cutting sugar cane, ox-plowing fields and planting by hand. Made for only $35,000, The Inheritors is, throughout, magical and involving, hopeful and, in its own way, transporting. Most assuredly, The Inheritors is one of VanRamblings favourite VIFF films in 2009.
Next, VanRamblings sauntered up to Pacific Cinémathèque to see …
Crude (Grade: B): Part of the VIFF’s ‘Way of Nature‘ environmental series, producer-director Joe Berlinger is better known for award-winning non-fiction dramas like Brother’s Keeper, Paradise Lost, and Metallica: Some Kind of Monster, but this time around Berlinger has chosen to go the ‘issue-oriented‘ route, with varying degrees of success. Overall the film does possess its gripping moments — when Berlinger, or a member of his crew, interview a family member whose life has been devastated by Chevron’s mistreatment of the natural environment — but too often the film’s approach is desultory, as it records the struggle of the Ecuadorean people to have the catastrophically impacted jungles of the Amazon remediated. Focusing on Ecuadorian activist lawyer Pablo Fajardo’s David and Goliath court battle with multi-national oil conglomerate Chevron, Crude relays its message through ‘talking heads’, giving the narrative an adverse static feel. As praiseworthy as Berlinger’s non-fiction telling of this little known story may be, he does not entirely succeed in his laudable mission.
Following a quick break for lunch at Starbucks, VanRamblings was off to see …
American Casino (Grade: A): Positing that the predatory home mortgage lenders, and Wall Street, targeted inner-city African American neighbourhoods, and individuals who were in no position to pay a mortgage, even at a sub-prime rate, producer-director Leslie Cockburn’s tremendous Tribeca Film Festival award-winning documentary involves from beginning to end, as it examines the subprime mortgage meltdown and its devastating impact, most particularly, on poor African-Americans across the U.S., all the way through to the equally devastating impact the financial crisis has had on wealthy Californians with swimming pools, whose previously secure lives have now been all but destroyed.
VanRamblings carried on with our VIFF duties by lining up for, and seeing …
Sweetgrass (Grade: B+): Beautiful and evocative, with humour and grace documentary filmmakers Lucien Castaing-Taylor (who addressed the audience before the 7 p.m. screening at the VanCity Theatre, and took questions afterward), and partner / co-director Ilisa Barbash, offer an extraordinary piece of visual anthropology as they track the last sheep drive, in 2003, up Montana’s vertiginous Beartooth Mountains to summer pasture. Unhurried and unadorned, and empathetic to the weather-worn cowboys on the trail who, while on the trail, live in teepees made of branches and canvas, cook from stoves that have been used for generations, and ride on worn saddles across Montana’s gorgeous blue sky country, there’s both a zen peacefulness, and a reassuring ‘old western’ feel, to Sweetgrass that impresses mightily, and at every moment.
And for our final VIFF film on a rainy, overcast Festival Tuesday, Day 13 …
The Agony and the Ecstasy of Phil Spector (Grade: A-): British director Vikram Jayanti captures Mr. Wall-of-Sound himself, the ever weird — but phenomenally talented, if broken — Phil Spector, responsible for a groundbreaking set of 1960s hits, ranging from The Ronettes’ Be My Baby to Ike & Tina Turner’s River Deep – Mountain High, not to mention his role as producer of the Beatles’ last album, Let It Be, in a series of candid, revealing interviews, recorded in 2007 during his first trial for the murder of 40-year-old actress Lana Clarkson. As cultural anthropology, Jayanti’s film can’t be beat. Offering a fascinating insight into a brilliant, if troubled mind, The Agony was fun to watch (no mean feat), if a bit disturbing at times.

Up late again, but on the bus and downtown in enough time to catch …
The Exploding Girl (Grade: A-): Essentially, the story of Ivy (Zoe Kazan), a young vulnerable woman, with epilepsy, who travels home on a break from college to upstate New York to visit her mother. Not so much mumblecore in presentation, but rather more naturalistic and heartfelt, director Bradley Rust Gray (Salt), in focusing on Ivy’s every day life, and her relationship with her terminally indecisive friend, Al (Mark Rendall, in an outstanding performance) presents a more honest portrait of what it means for a twenty-something to live with the restrictions imposed by adult epilepsy than any you’d ever find on a disease-of-the-week TV show. For very good reason, Zoe Kazan won the Best Actress award at the Tribeca Film Festival earlier this year. The Exploding Girl has finished its 2009 VIFF run.
Now, we could tell you that we didn’t get downtown in time to pick up our ticket for Police, Adjective, and that we prevailed on a ‘too busy for words’ Pierre LeFebvre (pictured below) to take VanRamblings’ pass to give to ‘way-too-busy-for-words’ Exhibitions Manager, Bob Albanese, to give to Mr. Shayne, so Mr. Shayne could pick up a ticket for the evening screening, because VanRamblings had a Thanksgiving dinner to attend, and wouldn’t be available to stand in line at 4:30 p.m. to pick up … well, we could tell you that tale of sadness and woe, and of how we imposed on Mr. LeFebvre and Mr. Albanese, and tears would flow, and readers would be aghast, but …

VIFF’s Pierre LeFebvre, 2009 Concierge and Guest Relations Manager

Instead, we’ll eviscerate …
Police, Adjective (Grade: D-): The story of a Romanian police detective experiencing a crisis of conscience, surrounding the surveillance of three young people who are doing no more than smoking a little dope. That this teenage activity is not looked favourably upon by the authorities, and more particularly his boss, turns into a long, boring, pointless philosophical discussion about morality, and the role of the state to uphold social mores. Patrons walked out in droves. VanRamblings didn’t. We should have.