Category Archives: Cinema

An Appreciation of Jeffrey Wells’ Hollywood Elsewhere

Hollywood Elsewhere

We’ve written about him before, and we’ll write about him again: Jeff Wells, of the cinema-related website, Hollywood Elsewhere, is our favourite online columnist, writer, racounteur, curmudgeon and all around high energy, take no shit, “I’ll speak my mind, and damn the consequences” online wonder, who posts about film — films that are upcoming, and the best of films past — and often American politics, six times a day, and more, writing cogently, with élan and savoir faire.
Mr. Wells’ output is impressive, as is his ability to write reviews at length, as he at all times remains utterly original and true to himself. Sure, he can piss his readers off, but that’s all to the good.

Hollywood Elsewhere

VanRamblings visits Hollywood Elsewhere several times throughout the day, each and every day.
There’s almost always some new, provocative and thought-provoking topic of interest available on his blog / website. For the most part, the ‘commentary’ on his site (those who comment on his posts) is first-class: sometimes the commentary is screamingly funny, and almost always the commentary is thoughtful, well-considered and informative.
Again, for the most part, Mr. Wells (can we call him Jeff?) allows his commenters free reign, and although I’m sure he doesn’t appreciate it, the site is sometimes at its best when Mr. Wells finds himself under amiable attack. We particularly appreciate those who comment on Jeff’s site about his propensity to define people relating to the ‘thread count’ of their clothing, bedding or bathroom towels, or when he used to refer to his upstairs neighbours (he’s since moved) as Hispanic party elephants — there’s a ludicrous, whacked-out craziness (we mean our commentary to be read with the deepest affection for Jeffrey Wells) to his frustration.
Jeff almost never ‘holds back’.
VanRamblings’ appreciation for Jeffrey Wells has grown that much more since the recent début of his and Sasha Stone’s iTunes podcast, Oscar Poker. Both Jeff and Sasha are incredibly well-informed about film, the film market, and the work of prominent actors and directors past and present.
Their rapport on Oscar Poker is utterly relatable, natural and becoming, informed and compelling. Honestly, Oscar Poker’s two commentators come across as if they’re lovers, their affection for one another deep, abiding and respectful. At all times (despite Jeff’s propensity to be curmudgeonly, which Sasha Stone only laughs at — with a knowing affection for Jeff, cuz he’s outrageous but right) both Jeff and Sasha come across as generous and thoughtful commentators and human beings — these are people you’d actually like to get to know, to discuss ‘the movies’ with over a beer.
That those who follow Wells’ website affectionately attack him for his sometimes intolerant rants allows Jeffrey Wells the opportunity to come across as all the more human, for all of us are flawed, and all of us can be intolerant at times — and if you’re reading this, and you know you’re perfect, neither Mr. Wells, nor VanRamblings, would wish to have anything to do with you, and would recommend to you most highly that you repair, as soon as possible, to a psychiatrist for some much-needed talk therapy.

VIFF 2010, Redux: The Festival Lives On With VIFF Highlights

VIFF 2010
Although the 29th annual Vancouver International Film Festival has come to a close, the good folks at VIFF, and the fine folks at the VanCity Theatre, have come up with a way to alleviate the pain of festival’s end, by programming a series of favoured features and Festival highlights, all of which will screen this week, few though the number of those films may be.

Uncle-Boonmee-Who-Can-RecalL His Past Lives

Cannes Festival Palme D’or winner Uncle Boonmee Who Can Recall His Past Lives screens through Friday, October 22nd. You can catch a screening of Uncle Boonmee on Sunday, Oct. 17th @ at both 6:30pm and 8:45pm; on Monday, Oct. 18th @ 6:30pm; Tuesday, Oct. 19th @ 6:30pm; Wednesday, Oct. 20 @ 6:30pm; and for a final time on Friday, Oct. 22nd @ 9pm.
Other than Uncle Boonmee, Kinshasa Symphony, VIFF’s 2010 Most Popular Nonfiction Film, Claus Wischmann and Martin Baer’s documentary about a Congo orchestra who play European classical music, screens for a final time this Tuesday, October 19th at 6:30pm.
The remaining programme highlights, screening at VIFF’s VanCity Theatre are available here, including the very lovely Snow White.

VIFF 2010, Day 16: Adios, Sayonara, Auf Wiedersehen, Adieu

Waste Land

Lucy Walker’s Waste Land — depicting the rich subculture of Rio de Janeiro’s scavengers who swarm the world’s largest landfill to extract recyclable materials for re-sale and economic sustenance — won the Rogers People’s Choice Award, presented at the closing Gala ceremony of the 29th annual Vancouver International Film Festival on Friday, October 15th.
Meanwhile, Denis Villeneuve’s Canadian Foreign Language Oscar nominee, Incendies, won the Best Canadian Film, while most promising director of a Canadian Short Film, went to Halima Ouardiri, also of Québec, for her short Mokhtar, the moving 15-minute short about a young Moroccan goatherder.
The remaining award winners at the Closing Gala included …

  • Kinshasa Symphony: Claus Wischmann and Martin Baer’s documentary about a Congo orchestra who play European classical music (often on homemade instruments) emerged as Most Popular Nonfiction Film.

  • Force of Nature: The David Suzuki Movie: Sturla Gunnarsson’s doc about Vancouver-based, world-renowned environmentalist, Dr. David Suzuki, won VIFF’s Environmental Film Audience Award.

  • Leave Them Laughing: Yves Ma, from the National Film Board, presented the NFB Most Popular Canadian Documentary Award to Leave Them Laughing, about performer and terminal ALS patient Carla Zilbersmith. The film was directed by John Zaritsky, winner of more than 30 awards for his past documentary features.

  • Two Indians Talking: BC-based director Sara McIntyre’s dramedy was named the Most Popular Canadian Film. She accepted the award with her producer and actor Carmen Moore.

  • Deborah Kara Unger (Crash), one of the Canadian Images jury members — along with Emily Carr University film instructor/director Sandy Wilson (My American Cousin), and Andrea Henning, executive director of B.C. Arts and Culture — made special mention of Denis Côté’s Curling.
    “We would like to honour a film that not only distinguished itself for its confidence of vision, but also its philosophical bravery, which indeed has provoked extreme responses, with its brittle Brechtian architecture, and its subtle, unapologetic power, akin to the art of Rothko, in its realization of life beneath the surface of winter.”


Just as an aside, and incidentally, Côté was a juror for the Dragons & Tigers For Young Cinema award that, mid-Festival, presented $10,000 to Hirohara Satoru for his début film, Good Morning to the World!
Dave Hewitt, from the VIFF Board of Directors, provided a guesstimate as to 2010 VIFF attendance, based on estimates of attendance in 2009. Mr. Hewitt suggested that approximately 10,000 people per day attended the 29th annual edition of the Vancouver International Film Festival, totaling approximately 140,000 to 150,000 attendees, and tickets sold.
Final figures on attendance will be provided at a later date, as will a list of the titles of the narrative features that found most favour with patrons at VIFF 2010. In our next posting, VanRamblings will provide a list of our favourites, a compendium from Mr. Know-It-All and J.B. ‘Showbiz’ Shayne.