Category Archives: Arts Friday

#VIFF2024 | Four More Films to Be Celebrated at This Year’s Film Festival


The 43rd annual Vancouver International Film Festival, running from September 26th thru October 6th

In this second of a series on the upcoming Vancouver International Film Festival, as we did last Friday, once again today we will present four more films for you to put on your VIFF 2024 film schedule, films to take in and appreciate, films you will love, and films that will change your life immeasurably for the better.

All We Imagine As Light
Saturday September 28th
9:30pm, Vancouver Playhouse

Tuesday October 1st
3pm, Vancouver Playhouse

Tickets available online for the Saturday screening. Just click on this link.

Tickets available online for the Tuesday screening. Just click on this link.

Grand Prix winner, Cannes 2024

In last week’s edition of the IndieWire Screen Talk podcast, co-host Anne Thompson — for 40 years a luminary in the film business, the beloved editor of what was once upon a time the recognized standard in journalistic film coverage,  Premiere magazine, and long Hollywood’s most accurate Oscar prognosticator — Anne Thompson enthusiastically expressed that All We Imagine As Light is her favourite film this year, the film she enthused: “an exquisite, spellbindlingly hypnotic, and poignantly lyrical symphonic film that transcends form and style, and a film of enriching humanity and gentleness, languorous eroticism, joy and sadness, presented throughout with an epiphanic, captivating beauty rarely seen on film.”

All We Imagine As Light relates the story of the lives of three women nurses who are front and centre in director Payal Kapadia’s luminous Mumbai-set drama. Prabha works long hours to avoid thinking about her husband, who left for Germany long ago and eventually stopped calling, while two of her colleagues are struggling with troubles of their own. Winner of the Grand Prix at Cannes this year (an historic first for an Indian film), the film offers a moving portrait of resistance and camaraderie, and a VIFF 2024 film that finds beauty and solace in the unlikeliest of places.

No Other Land
Saturday, September 28th
3:30pm, SFU Woodwards

Tuesday, October 1st
6:30pm, Fifth Avenue Cinema
Auditorium 3

Tickets available online for the Saturday screening. Just click on this link.

Tickets available online for the Tuesday screening. Just click on this link.

Best Documentary Award, Berlin 2024

A vital and wrenching documentary about Israel’s often barbaric efforts to expel a Palestinian community, co-directed by a collective of Israeli and Palestinian filmmakers, No Other Land offers a ground-level view of an occupation in action in this must-see, award-winning documentary.

A painfully human story, the film tracks Basel Adra, a young Palestinian activist from Masafer Yatta on the southern West Bank, and the mass expulsion of his community that has been his lifelong reality. Faced with the systematic demolition of homes and schools, carried out to make room for an Israeli military training ground, residents confront a painful choice: either move away and relinquish their land or endure and try to rebuild.

With the help of Yuval Abraham, an Israeli journalist, Adra documents the evictions and organizes protests against them, even as the pair’s unequal personal situations hang over their work together. No Other Land is a vérité project and a witness testimony. It operates within the logic that visual evidence will galvanize the public to acknowledge the brutality faced by Palestinians.

Given the conditions of its production, No Other Land would be vital even in a more ragged form. But the filmmaking here is tight and considered, with nimble editing that captures the sense of time at once passing and looping back on itself. The intense, jolting impact of the film’s intense sequences of Palestinian-Israeli confrontation — often shot on phone cameras, to the consternation of army officials, and violent enough to shock many complacent fence-sitters on the issue into angry awareness — is balanced with more composed, observational scenes of Adra, his family and his neighbours trying to live an everyday life on ground that keeps getting pulled out from under them.

Hope is fading that the next generation might retain their ancestral land; if they do, they’ll likely inherit Adra’s activism with it.


John David Washington and Skylar Smith in Malcolm Washington’s Telluride hit, The Piano Lesson.

The Piano Lesson
Monday September 30
6pm, Vancouver Playhouse

Tickets available online. Just click on this link.

Denzel Washington executive produces an adaptation of a major American play by August Wilson, directed by one son (Malcolm) and starring another (John David).

A world première at the just wrapped 2024 Telluride Film Festival, where the film débuted to an appreciative reception, Wilson’s tome centres around a unique piano currently under the watch of Bernice (Danielle Deadwyler), a single mother who lives in a Pittsburgh home she shares with her Uncle Doaker (Samuel L. Jackson reprising his Tony Award-nominated performance). Her relative peace is disturbed by the arrival of her brother Boy Willie (John David Washington) and his slightly naive friend Lymon (Ray Fisher) from Mississippi. She soon discovers that Boy Willie’s intentions do not align with her own.

At its core, The Piano Lesson is about a family attempting to come to terms with the long repercussions of slavery. Like almost all of Wilson’s work, it is a quintessentially American story peppered with characters that should resonate and spark conversation for decades to come. And, like many of Wilson’s literary contributions, translating it into the medium of cinema was no easy task. That Washington’s adaptation is the most successful so far, and in the context of his first film, no less, should be duly celebrated.

The End
Friday, October 4th
9pm, Vancouver Playhouse

Sunday, October 6th
9pm, Vancouver Playhouse

Tickets available online for the Friday screening. Just click on this link.

Tickets available online for the Sunday screening. Just click on this link.

Another hit at the Telluride Film Festival arriving on our shores at VIFF 2024 in early October, Tilda Swinton and Michael Shannon sing for their lives in Joshua Oppenheimer’s post-apocalyptic musical, as the director of the acclaimed and memorably bizarre nonfiction film, 2012’s The Act of Killing — an account of the genocide in Indonesia, in which he famously persuaded the killers to re-enact their crimes on camera in gaudy cinematic vignettes — leaps into fiction with this staggering meditation on how we live with ourselves at the end of the world.

For a film whose slow-accumulating power doesn’t fully sink in until its final moments (a sweet refrain that’s all the more arresting for its anticlimactic conviction), The End doesn’t waste any time to put its cards on the table. The world as we know it is over. Something — or a chain reaction of somethings, most of them presumably climate-related — has spread across the surface of the Earth, destabilizing human civilization and making our planet unlivable. Hey, maybe British Columbia’s climate change denying leader of our province’s Conservative Party, John Rustad, oughta take in a screening of this film — you never know … it could open his eyes, and save us from four interminable years of “There’s no climate emergency. It’s all a hoax” rhetoric, and maybe save our planet, and our children’s lives.

#VIFF2024 | The Glorious 43rd Annual Vancouver International Film Festival

This past Wednesday, at the opening press conference for the 43rd annual Vancouver International Film Festival held at the VIFF Centre of Seymour Street, VIFF Director of Programming Curtis Woloschuk announced the programme of 150 feature films that will screen in Vancouver for 11 days, commencing on Thursday, September 26th, running through until late evening, Sunday, October 6th.

Today on VanRamblings, a brief introduction to VIFF 2024, where I’ll highlight four films. Each Friday for the next five weeks you’ll find full and in-depth coverage of the Vancouver’s upcoming film festival, must-see films, hidden gems, the films VIFF 2024 shares with the 62nd New York Film Festival — which occurs simultaneously to our homegrown festival each year — and more, much more.

See you back here every Friday.

Special Presentations

Of the Special Presentation films to screen at VIFF 2024, Curtis Woloschuk made special mention of four must-see films, the first two of which are …

Both of the films above are Gala Presentations at VIFF 2024.

Anora  won the Palme D’or (the top prize) at Cannes.

Put simply, Anora is director Sean Baker’s most searing and shattering film yet, with a breakout performance from Mikey Madison. Not to mention, a thoroughly fun and provocative time at the movies.

Director Andrea Arnold’s Bird, according to the VIFF programme guide, follows a street-smart 12-year-old girl named Bailey (played by terrific newcomer Nykiya Adams), who lives in a graffiti-tagged squat near the British seaside with her reckless half-brother Hunter (Jason Buda) and her heavily tattooed man-child father, Bug (a perfectly chaotic Barry Keoghan), who’s rushing into a wedding he can’t afford to a woman he barely knows.

The programme guide goes on to state …

This touching coming-of-age drama from three-time Cannes Jury Prize-winning filmmaker Andrea Arnold (American Honey; Fish Tank) matches seasoned actors Keoghan and Rogowski with an authentic cast of first-time performers. With its inventive editing, killer soundtrack, and top-notch cinematography by Robbie Ryan (Poor Things), the film immerses us in the hidden beauty of North Kent through Bailey’s young eyes. The result is a tender portrait of girlhood on the fringes, with a magical realist twist.

In addition to Anora and Bird, cineastes will want to take in screenings of the other two Special Presentation films of distinction and cinematic craft, including …

  • The Seed of the Sacred Fig, Iranian director Mohammad Rasoulof’s Special Jury and FIPRESCI Prize winner at Cannes, a mesmerizingly gripping parable in which paranoia, misogyny and rage of the Iranian state are mapped seamlessly onto an ordinary family unit;

  • Conclave. Oscar nominees Ralph Fiennes and Stanley Tucci lead a brilliant ensemble cast in All Quiet on the Western Front director Edward Berger’s adaption of  Robert Harris’ high-stakes drama, in which Cardinals gather at the Vatican to elect a new Pope, the film emerging as a psychologically complex morality tale.

Much of the information you’ll require to book your tickets, explore the details of the 150 feature films on offer at VIFF 2024 — not to mention, the various Short Series, expertly crafted again this year by programmer Sandy Gow — and the venues where films will screen may be found at VIFF’s online website, viff.org.

#Cinema | Ageless Auteurs Veteran Directors Set The Standard in Hollywood


81-year-old Academy Award winning American director Martin Scorcese

In an industry often perceived as dominated by youth and the next big thing, the continuing contributions of directors over 65 years of age are a testament to the timeless nature of cinematic storytelling.

Far from being sidelined, these seasoned filmmakers bring a depth of experience, wisdom, and a unique perspective that enriches the cinematic landscape.

Hollywood and global cinema alike benefit immensely from their ongoing work, as they challenge the norms and push creative boundaries well into their later years.

Mark Twain once quipped, “Age is a case of mind over matter. If you don’t mind it, it doesn’t matter.”

When you consider the work of acclaimed American director Martin Scorsese, age certainly isn’t making a difference.

After landing 10 Oscar nominations for last year’s historical crime epic Killers of the Flower Moon, the 81-year-old director has mapped out his next several projects. Sources say he plans to shoot two films back to back: the first about Jesus, the second a Frank Sinatra biopic.

Scorsese isn’t the only director from the over-75 set who is doing some of his most ambitious work.


Adam Driver and Nathalie Emmanuel star in Francis Ford Coppola’s new film, Megalopolis

The Cannes competition lineup this year featured three of his compatriots: 85-year-old Francis Ford Coppola (with Megalopolis), 81-year-old Canadian director David Cronenberg (The Shrouds), and 77-year-old Paul Schrader (Oh, Canada).

Their productive later years are remarkable considering Hollywood hasn’t always been kind to aging auteurs — Billy Wilder (Some Like It Hot, The Apartment), for instance, spent his final two decades struggling to get one more movie produced.

“I’m sure most artists want to keep working, but sometimes you’re not fortunate enough, lucky enough, good enough to stay in the arena,” Schrader, who wrote the screenplay for Scorsese’s seminal 1976 film Taxi Driver, told journalists at Cannes.

“And if you don’t have that creative motivation, you’re just gonna get called out as an emblem of something that used to be. But I had to keep working. I had some COVID health problems, and every time I thought that I might die, I would get a new idea.”

At 86, Ridley Scott is literally staying in the arena.


86-year-old British director Ridley Scott readies for the release of a sequel to his 2000 film, Gladiator

Footage from his long-awaited return to the Colosseum for a Gladiator sequel emerged as a favourite at CinemaCon this year, where Paramount showed epic scenes to movie theatre executives, dominating the headlines out of Las Vegas.

Perhaps because Scott continues to work with top-notch below-the-line crew members, the swords-and-sandals saga, which stars Paul Mescal and Denzel Washington, looked more finished seven months ahead of its November 22 release than some superhero tentpoles on opening night.

“Ridley Scott is the master of creating the kinds of movie spectacles that the cinematic experience was created for and is among the most tenacious and vibrant auteurs working today,” Paramount CEO Brian Robbins told the crowd at the April 11 presentation. Robbins told those gathered that he will be working with Scott on his next movie, a Bee Gees biopic for Paramount.


77-year-old celebrated American director, Steven Spielberg, readies to film his next movie

For his part, Steven Spielberg, at age 77, is also staying busy. Spielberg is reportedly already at work on his next project, a UFO film based on his own original idea. David Koepp is writing the screenplay, sources say.

But maybe no feat of career longevity is as impressive as that of Clint Eastwood.
The 93-year-old director just wrapped postproduction on Juror No. 2.

Insiders say Warner Bros. is thrilled by what it has seen of the Nicholas Hoult thriller about a murder trial juror who realizes he may be at fault for the victim’s death. If the film is ultimately embraced, that will offer a fitting plot twist considering several studios passed on the low-risk, low-budget film.


Clint Eastwood began his career in Hollywood in 1954, 70 years ago this year. And he’s still active!

Even at 93, Eastwood should never be counted out.


87-year-old British auteur Ken Loach’s latest film, The Old Oak — released earlier this year — has emerged as one of VanRamblings’ favourite films of 2024. A must-watch. Available On Demand.

Across the Atlantic, British director Ken Loach, 87, remains a powerful voice in cinema. Renowned for his socially conscious films, Loach’s most recent work, The Old Oak won accolades at Cannes in May, the title referring to the last pub standing in a once thriving mining village in northern England, a gathering space for a community that has fallen on hard times.

Other notable directors of an age …

Margarethe von Trotta, 81. The leading New German Cinema director just released her latest, Ingeborg Bachmann — Journey Into the Desert.

Werner Herzog, 81. The acclaimed German director has been making films since the 1960s.

Stephen Frears, 82. The British director of The Queen and Dangerous Liaisons, released The Lost King earlier this year.

Brian De Palma, 83. The Untouchables and Carrie director is in pre-production for his next film, Sweet Vengeance, a murder mystery.


Master Japanese filmmaker, and co-founder of Studio Ghibli, 82-years-young Hayao Miyazaki

In Japan, Hayao Miyazaki, co-founder of Studio Ghibli, at 82, is once again coming out of retirement to direct How Do You Live?

Miyazaki’s films, characterized by their imaginative storytelling and profound emotional depth, have left an indelible mark on animation and global cinema. Miyazaki’s return to filmmaking is eagerly anticipated by fans worldwide, underscoring the lasting impact of his creative genius.

The continued success of these directors challenges ageist assumptions within the industry and society at large.

Their work exemplifies how experience can enhance artistic expression, offering rich, nuanced narratives that often elude younger filmmakers. Moreover, their ability to adapt to technological advancements and changing audience tastes underscores their relevance in a rapidly evolving industry.

These directors also serve as mentors and role models, guiding the next generation of filmmakers. Their careers offer valuable lessons in perseverance, adaptability, and the relentless pursuit of excellence. The stories they tell and the methods they employ reflect decades of accumulated knowledge and insights, providing a treasure trove of learning for aspiring directors.

In a broader sense, the ongoing contributions of directors over 65 highlight the importance of diversity in storytelling.

Just as the industry has made strides toward greater inclusivity in terms of race, gender, and sexuality, recognizing and valuing the contributions of older filmmakers is crucial. The work of elder directors adds richness and diversity to the cinematic tapestry, ensuring that film remains a medium that reflects the full spectrum of human experience.