Category Archives: A & E

Music Sundays | Gorgeous Dream Pop Canadian Music | Yeah!

Dizzy, Oshawa Ontario-based dream pop group, winner of the 2019 Juno award for Best Alternative Album, for Baby TeethOshawa Ontario-based dream pop group, Dizzy, winner of the 2019 Juno award for Best Alternative Album, Baby Teeth. Dizzy was also up for the Best Alternative Group Juno.

Mid-week last week, I was listening to Gloria Macarenko’s afternoon CBC show, On the Coast (I will say, I much preferred Stephen Quinn in the afternoon, alas). Ms. Macarenko was speaking with frequent guest, Andrea Warner, who was in the studio to discuss a Canadian music group of some note, all but anonymous to the uninitiated (that’s you and me), but as presented by the erudite Ms. Warner, worthy of your time & consideration.
This past week, Ms. Warner wished to tell all of us how much she loved recent Juno award winners, Oshawa’s dream pop group Dizzy, who recently picked up the Alternative Album of the Year Juno award for their absolutely outstanding début album, Baby Teeth. Dizzy had been up for the Breakthrough Group of the Year Juno at the Halifax-based celebration, but lost to bülow, who VanRamblings also loves and has long been on our iTunes playlist. Quite honestly, the Breakthrough group award oughta have been a tie. Just below, you can hear music from bülow.

Not to confuse you, above is bülow, winners of Breakthrough Group of the Year at this year’s Juno awards ceremony. We’ll get back to writing about Dizzy in just a moment.

Since the release of Dizzy‘s début album, Baby Teeth in 2018, fans in rapture have fallen for Dizzy‘s distinctive vibe (the group has received a great deal of play on CBC Radio 2, as well as on CBC Music).
Dizzy‘s lush and low-key sonic landscape paired with evocative lyrics that run the gamut from confessional, specific and heartfelt to esoteric, universal and wry has captured the imagination of those who became aware of Dizzy‘s distinctive brand of music, and then became fans.
Vocalist / songwriter Katie Munshaw and Charlie Spencer started playing together in high school and were more of an acoustic folk-pop duo than anything fully resembling Dizzy. Over time, the two novice but ambitious musicians sought to stretch their musical chops, the two going on to form a larger, more diverse band that came to include the latter’s three siblings, all one year apart: Charlie, Alex and Mackenzie Spencer.
All the band members grew up in and around the ‘burbs of Oshawa, a city that backs onto Lake Ontario. In an interview with New Music Express last year, Alex told the interviewer that the environment in which he grew up “does have its beauty and its little moments of innocence — it’s very quiet and secluded, and that helps nurture our sound in some way.”

On Baby Teeth, it’s obvious how much creativity the band draws from their sleepy hometown. Bleachers and Pretty Thing are intricate compositions that place as much value on hushed moments as on memorable, prickly guitar parts and swooning choruses. Swim, however, bucks the trend with imaginative lines that see the band plead for some escapism: “You are the athlete / I am the astronaut, for thousands of miles I float / Still, you carry me home” | New Music Express, 2018.

So now I imagine, you want to hear what Dizzy sounds like. Here goes …

Arts Friday | DOXA 2019 | Selina Crammond Celebration Day

DOXA Documentary Film Festival

On VanRamblings yesterday, we wrote about Selina Crammond, all around good person, community activist, person of principle, and someone who keeps VanRamblings on the straight and narrow (as must appear obvious to anyone, VanRamblings needs all the help we can get — particularly when it comes from persons of conscience like Selina).

In addition to Selina Crammond’s community activism and commitment to change for the better, her ace drumming in the feminist four-piece moody-pop buddy-rock band supergroup Supermoon (see the video above), growing up in the chilly, rural climes of The Pas (630 km northwest of Winnipeg, and considered to be the Gateway to the North), Selina’s sterling work over the years with the good folks at the Vancouver International Film Festival, her longtime membership in Vancouver’s progressive, working class, roots-based political party, the Coalition of Progressive Electors, and by very dint of her presence in our lives just generally bringing a sense of joy, optimism and activism into people’s lives, the aforementioned 34-year-old Selina Crammond is also the Director of Programming (this is her second year in that capacity, although she’d worked with Dorothy Woodend and the fine staff and volunteers at DOXA, for years and years and years) with Vancouver’s prestigious, groundbreaking spring film festival, the acclaimed DOXA Documentary Film Festival, which kicked off last night, and gets fully underway tomorrow, although there’ll be screenings this evening at 6pm of Chilean director Nicolás Molina’s Flow, followed by an 8pm screening of Emmanuelle Antille’s A Bright Light: Karen and the Process, both films screening at The Cinematheque, located at 1131 Howe Street.

DOXA Documentary Film Festival Director of Programming Selina Crammond consulting with DOXA Operations and Volunteer Manager, Gina GarenkooperDOXA Documentary Film Festival Director of Programming Selina Crammond (left), and DOXA’s Operations & Volunteer Manager, Gina Garenkooper. Photo credit: Milena Salazar.

After a full year of preparing for DOXA 2019, VanRamblings believes that Selina Crammond is deserving of recognition for her critically important work in the arts, and across our community to makes ours a better world, and a more understanding love-based world. Therefore, VanRamblings officially declares today, Friday, May 3rd 2019 Selina Crammond Day (we’re sure our Vancouver City Council will be on board for next year!).

DOXA Documentary Film Festival 2019 Programmer Picks

Here are a couple of the DOXA 2019 Programmer’s Picks

Selina Crammond’s pick …

Midnight Traveler
After receiving threats from the Taliban, filmmaker Hassan Fazili, his wife and their two young daughters are forced to flee their home in Afghanistan and seek refuge in Eastern Europe. Intimate, and often shaky, footage shot by the family on their iPhones captures a wide range of moments, from startling racism in eastern Europe – to meditative reflections on Fazili’s love of cinema. The result is a portrait of a resilient family that offers a very human face to the ongoing refugee crisis.

Midnight Traveler, DOXA Documentary Film Festival, May 11 & 12 2019

Hassan Fazili, Emelie Mahdavian | US/Qatar/Canada/UK | 2019 | 87 min.
Saturday, May 11, 2019 - 6:30pm
Vancity Theatre (1181 Seymour Street)
Sunday, May 12, 2019 - 6pm
Cinematheque (1131 Howe Street)

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Joseph Clark’s pick …
Instructions on Parting
Prepare to be devastated. Instructions on Parting is an emotionally challenging film, that is at once hand-crafted and cinematically stunning. Rarely has such an intimate film demanded to be seen on the big screen.

Amy Jenkins | US | 2018 | 95 minutes
Wednesday, May 8, 2019 - 8pm
Vancity Theatre (1181 Seymour Street)


Click here for the DOXA Documentary Film Festival 2019 Twitter account, and hashtag

Click on the graphic above to be taken to the #DOXA2019 Twitter account.

#DOXA2019 will present 82 films from across Canada and around the world, representing the very best in contemporary documentary cinema. Get your tickets at www.doxafestival.ca. Better hurry. Quite a few #DOXA2019 screenings are already sold out, or have limited tickets remaining for the scheduled screenings.
Here’s the full schedule. See ya at #DOXA2019. Bring your dancin’ shoes!

DOXA Documentary Film Festival 2019 Twitter account, and hashtag

Music Sundays | Ani DiFranco | Vancouver Folk Music Festival

Ani DiFranco first played the Vancouver Folk Music Festival in 1992, a 22-year-old up-and-coming singer-songwriter who drove herself from concert to concert across the North American continent, billing herself as the “Little Folksinger” (Ms. DiFranco is 5’2″ tall), in the process creating her own record label, Righteous Babe, allowing her significant creative freedom.
Through the Righteous Babe Foundation Ms. DiFranco, long a political and cultural activist, has backed grassroots cultural and political organizations supporting causes including reproductive rights, gay, lesbian and women’s issues, in 2004 touring Thai and Burmese refugee camps to learn about the Burmese resistance movement and the country’s fight for democracy, in recent years lending her voice and presence to the Women’s Lives Marches in Washington, DC, tangibly demonstrating her belief that the personal is, now and forever, political.

2019 Vancouver Folk Music Festival

When she first appeared on the various Vancouver Folk Music Festival stages, she immediately connected with the rapturous festival audiences, and that grassroots connection has endured here and far beyond.
Over the years, Vancouver’s Folk Music Festival stages have also been gay-friendly: in addition to Ani DiFranco, Canada’s own k.d. lang, the Indigo Girls, Nanci Griffith, Holly Near, Janis Ian, Tret Fure, Melissa Ferrick, Toshi Reagon, Jill Sobule, Cheryl Wheeler, Patty Larkin (and dozens more) have graced festival stages, and delighted and moved audiences.

Ani DiFranco, 2015

When she first emerged in 1990, Ani DiFranco had an immediate appeal to misfits. After débuting her eponymous solo album that year, she followed it up with six more in rapid succession, taking only a brief one-year breather in between 1996’s Dilate and 1998’s best-selling Little Plastic Castle.
Ms. DiFranco’s folk-punk aesthetic (complete with staccato finger pickings and spoken word spun into song) was especially exciting to queer women, who rarely had the opportunity to sing along with inclusive lyrics like Ms. DiFranco’s. Not only was she a poetic lyricist, she had a handful of songs that were explicitly about other women, using female pronouns.
Success has been somewhat bittersweet, though, for the folk-punk feminist and rabble-rousing storyteller.
Early on, Ms. DiFranco was open about her bisexuality (she’s married to producer Mike Napolitano, with whom she has two children), but in 2015, she told the LGBT blog GoPride.com she’s “not so queer anymore, but definitely a woman-centered woman and just a human rights-centered artist.” This didn’t sit too well with the lesbian and otherwise queer fanbase she’d drawn from the beginning.

Ani DiFranco - No Walls and the Recurring Dream

Ani DiFranco is set to release a memoir entitled No Walls and the Recurring Dream, recounting her early life from a place of hard-won wisdom, combining personal expression, the power of music, feminism, political activism, storytelling and philanthropy, while chronicling her rise to fame with an engaging candor, a frank, honest, passionate, touching and humorous tale of one woman’s eventful coming of age story and radical journey, defined by her ever-present ethos of fierce independence.
Viking Press will release Ms. DiFranco’s book next month, on Tuesday, May 7th, a week from this coming Tuesday.

Music & Film | Bedroom Pop, Tribeca and Skate Kitchen

Bedroom pop, a lo-fi genre of indie music popular with teens and twenties
Bedroom pop. Who’da thunk that such a thing even exists?
Bedroom pop is a sub-genre of Lo-fi (“low fidelity”), defined in 2019 as a DIY musical genre or aesthetic in which artists record at home on their own equipment, rather than in traditional recording spaces, the music characterized by contemplative lyrics, bedroom pop a contemporary indie re-invention of the once popular emo or dream pop musical genres.
There are a great many bedroom pop artists, but the most celebrated is Claire Cottrill (born August 18, 1998), known professionally as Clairo, an American recording artist from Carlisle, Massachusetts who wrote Pretty Girl, a lo-fi-produced song that attracted over 30 million views on YouTube.

At 16 years of age, Clairo wrote and produced Pretty Girl employing studio equipment in her bedroom (the equipment sometimes referred to as a digital audio workstation), as well as Pro Tools production software, while also recording and editing the video before uploading it to YouTube.
Home studios have been popular for decades, but have become ever more refined as computer technology has become increasingly sophisticated, enabling ever higher quality music production. One of VanRamblings favourite artists, Imogen Heap (who we interviewed and wrote about in 1997, at the outset of her career) records all of her music in her kitchen, where she’s set up a home studio that revolves around the use of Pro Tools.

As it happens, VanRamblings discovered bedroom pop during our recent bout of illness, when all we could manage to do most days was plunk ourselves down in front of Netflix — where we were very pleased to see that Crystal Moselle’s acclaimed Sundance and Tribeca award-winning film, Skate Kitchen, simply appeared out of the blue (and unheralded, but not by us) one very fine day, as one of the varied viewing options.

Vibrant, alive, poetic, superby shot and and richly informed, Ms. Moselle’s follow-up to her award-winning, one of a kind documentary, The Wolfpack, her fiction début emerges as the most accomplished film about skater culture since Catherine Hardwicke’s 2005 American biographical drama, The Lords of Dogtown (which is also available on Netflix).
The story goes that Moselle spotted two of the girls on the subway, introduced herself as a filmmaker, and asked if there were more girls like them. Indeed there were, all forming a feminist, sex-positive, shred-happy collective called the Skate Kitchen. Some time later, Moselle’s film arrived in Park City, with all the kids playing a version of themselves.
And who do you think the featured music artist on the soundtrack might be? Yep, you got it — none other than Clairo, who wrote and produced Heaven for the Skate Kitchen soundtrack.

So, while VanRamblings reveled in our discovery of Skate Kitchen on Netflix, we were also introduced to Clairo, and the contemporary musical genre known as “bedroom pop.” And now, you are familiar with Skate Kitchen (a must, must watch!), the work of Crystal Moselle, the musical genre of bedroom pop, and its most acclaimed progenitor, Clairo.
You know what’s exciting about life? That you get to discover something new, something that just yesterday you knew nothing about, every day.