As promised, VanRamblings will complete the listing of our favourite cinema-related websites, covering film and film culture.
In today’s post, we’ll present part one of an inclusive (we hope) list of free-for-the-viewing websites covering the film scene. In an upcoming post, part 2 of this series, we’ll focus on Oscar coverage, and the websites and blogs which do a bang up job of covering the weeks and months leading up to the Oscar ceremony which will take place Sunday, February 28th, 2011.
In previous posts we wrote about Jeffrey Wells (Hollywood Elsewhere), as well as Anne Thompson. In today’s post, we’ll turn our attention to …

MovieCityNews: One of the première online sources for movies news, David Poland’s MovieCityNews acts, in part, as an aggregator — linking to most of the important film news stories of the day — and in recent years has expanded its coverage of film and film culture by hiring more full-time staff, and contracting with a few of the most important and erudite contemporary American films writers, to make MovieCityNews an indispensable website for anyone interested in film and film culture. From the first-rate interviews conducted by David with a variety of actors and directors, which are also published on his Hot Blog, to reviews by respected film critic Michael Wilmington (late of the Chicago Tribune), and the site’s Oscar-related coverage on Gurus O’ Gold, MovieCityNews is worth a visit each new day.

Deadline | Hollywood: Primarily concerned with the business of Hollywood, since the site’s founder Nikke Finke sold to Jay Penske — in the process, greatly expanding its coverage, now including daily TV coverage by Nellie Andreeva — Deadline | Hollywood has become the web’s most visited (and successful) online ‘blog’. About to have her tempestuous life fictionalized in the upcoming HBO series Tilda, there’s enough coverage of Hollywood and environs on this site so as to warrant an hourly visit (if, like VanRamblings, you have no life, or what sorry life you have is spent surfing the ‘Net).

Movie | Line: Another recent purchase by Mail.com’s Jay Penske, Movie | Line has risen phoenix-like from its much missed hard copy magazine version to become the latest quite readable website covering Hollywood and all of its various machinations. With a stable of writers including Stuart (S.T.) van Airsdale and chief film critic Stephanie Zacharek (late of Salon.com), there’s enough going on at Movie | Line to make a once or twice a day visit a necessity.

Editorial director, and founder, of The Wrap, Sharon Waxman finds herself in direct competition with Nikki Finke, and since its arrival on the scene The Wrap has made the ever cantankerous Ms. Finke none-too-happy. The latest redesign of the site lacks warmth and immediacy, and much of The Wrap’s coverage seems a bit warmed over, but for all that The Wrap remains a one-stop shop for wide coverage of the Hollywood entertainment scene: film, television and the business of entertainment in the online age.

Roger Ebert: Perhaps the most respected film critic today, with an avid following of regular folks and cinéastes alike, Roger Ebert is the film critic eminence grise of our age. Roger’s blog, Ebert’s Journal, is also a must-read, as is his phenomenal twitter output. Roger is a humane film critic, seemingly without an arrogant bone in his entire body (alas, the same can’t be said for many who cover the film community), writes well and possesses the salutary ability to get to the heart of any issue he writes on, or film he reviews, writing always for us — those who love film and those who are more interested in film as ‘art’ (an art for the people) than as a narcotizing agent for the masses.

Some Came Running: Lots of photos and great analysis from Glenn Kenny — one of my favourite writers, as was Anne Thompson, at the all now but defunct Premiere magazine. Kenny’s work on his (design) simple, but compelling and very readable, blog represents a departure from anything you’ll read on any of the other websites we’ve mentioned thus far — he’s not flashy, doesn’t feel the need to stay on top of the latest story, and there’s little in the way of ‘gossip’ / personality driven content. Just good old fashioned shoot from the hip writing from someone clearly well informed and in love with the movies.

The Big Picture: The preserve of veteran Los Angeles Times entertainment reporter / commentator Patrick Goldstein, who has taken to the web like no other (he writes frequently on his The Big Picture blog) while maintaining his employment with the not quite so august LA Times (the paper has seen better days), Patrick Goldstein remains readable, progressive (read: liberal), relevant, and always a good read. Could one ask for more? Covering the gamut of film-related news with an always thoughtful analysis of some of the more important film culture ‘events’ of the week, Patrick is a must-read.

The Hollywood Reporter: When US magazine editor Janice Yin took over the august trade daily, The Hollywood Reporter, there was an outcry in Hollywood that the once venerable publication would be going the trashy tabloid route, and one of the few reliable sources for Hollywood-related news would go by the wayside. But with the print edition becoming a glossy weekly (here’s the first cover), and the redesign of the online site going high-end toe to toe with the ‘trendier blog sites’ on the Internet, the jury is still out as to whether Min’s hire last May was entirely a botch job. Thus far, Min has turned her staff loose on the Internet, THR breaks stories online, the writing quality of the new hires (including former Variety magazine lead film critic Todd McCarthy) reads as first-rate, and (who’da thunk it?) The Hollywood Reporter would appear to be back, and ready to give the blogosphere a run for its money. Worth checking out, at least occasionally.

The Guardian: Sometimes it becomes a necessary thing to gain a little perspective on the American-centric coverage of Hollywood and the film / entertainment industry, and The Guardian’s coverage of film does just that, providing a wry, up-to-date British take on all things Hollywood, as well as thoughtful, well-written reviews — generally written by Peter Bradshaw and Philip French — often exploring at length the deeper psychological and cultural implications of the incendiary material we see on screen.

There are more cinema-related websites we frequently visit. For instance, we have long been a fan of James Berardinelli, an engineer by trade but a movie buff (and first-rate film critic) who has, for years, published thrice-weekly reviews of almost all the films that hit our local multiplex. And he does all of that work for us, for free (and, of course, because he loves film).
Passion seems a rare commodity these days.
All of the writers, above, who dedicate themselves to exploring modern day film culture, a venture that spans the age, possess passion in welcome abundance. Thank goodness that each of these writers are there for us to read. We are all the richer for their passion and their dedication to craft.